Lost Goddesses Of Early Greece

For thousands of years before the classical myths were recorded by Hesiod and Homer, the Goddess was the focus of religion and culture. In Lost Goddesses of Early Greece, Charlene Spretnak recreates, the original, goddess-centered myths and illuminates the contemporary emergence of a spirituality based on our embeddedness in nature.

A book on Greek mythology with genealogical tables tracing the lineage of the many divine gods and important figures in these mythological tales.

Here, for the first time, an author weaves together threads that explain the mysterious disappearance of ancient cultures in which women and the environment were at the center, a loss that has dramatically influenced 3,500 years of Western history.

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction? While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples? In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations—Predynastic and Early Dynastic Egypt; “Old Europe;” Early North West Europe; “Celtic” civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece—these experts review the most recent evidence so that readers can make up their own minds. Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.

Greek women routinely wore the veil. That is the unexpected finding of this meticulous study, one with interesting implications for the origins of Western civilisation. The Greeks, popularly (and rightly) credited with the invention of civic openness, are revealed as also part of a more Eastern tradition of seclusion. Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. This discreet fashion not only gave a priviledged view of the face to the ancient art consumer, but also, incidentally, allowed the veil to escape the notice of traditional modern scholarship. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve. He shows that the veil was a conscious extension of the house and was often referred to as `tegidion', literally `a little roof'. Veiling was thus an ingeneous compromise; it allowed women to circulate in public while mainting the ideal of a house-bound existence. Alert to the different types of veil used, the author uses Greek and more modern evidence (mostly from the Arab world) to show how women could exploit and subvert the veil as a means of eloquent, sometimes emotional, communication. First published in 2003 and reissued as a paperback in 2010, Llewellyn-Jones' book has established itself as a central - and inspiring - text for the study of ancient women.

This collection of accessible essays relates the stories of individual goddesses from around the world, exploring their roles in the cultures from which they came, their histories and status today, and the controversies surrounding them. Goddesses in World Culture brings readers the fascinating stories of close to 100 of the world's goddesses, ranging from the immediately recognizable to the obscure. These figures, many of whom derive from ancient cultures and civilizations, serve as points of departure for examining questions that go well beyond the role of women in religion and spirituality to include social organization, environmental awareness, historical developments, and psychological archetypes. Each volume of this groundbreaking set is composed of 20–25 previously unpublished articles written by expert contributors from diverse disciplines. Volume one covers Asia and Africa, volume two covers the Eastern Mediterranean and Europe, and volume three covers Australia and the Americas. Goddesses from cultures often overlooked in texts on religion, such as those of the Australian Aborigines, Korea, Nepal, and the Caribbean, are included here. In addition, the work offers new translations of ancient texts, introduces little-known folklore, and suggests new approaches to contemporary religious practices.

This book brings to life the meaning of the stories of the seven goddesses of Greek mythology. Each goddess represents a “sacred calling,” a way of life whose goal is to live for the sake of something greater than oneself. Athena is the goddess of wisdom and justice; Artemis is the woods woman who protects the natural world; Demeter is the goddess of the fertility of the earth and the birth and nurturing of children; Hera is the wife of Zeus, the king, who dedicates her life to creating a high quality of public life through nurturing various community activities; Aphrodite is the goddess of creativity; Persephone is the victim who was raped by Hades and abducted to the underworld where she punishes those who victimized others while alive; and Hestia is the contemplative, she who reflects upon human affairs and “sees” how all the parts fit a larger whole. The book will allow readers to recognize themselves and their own sacred passions in these stories. Once recognized, women can educate themselves and each other. They can use the wisdom represented in Greek mythology to create meaningful and complete lives in the context of a culture that is still dominated by men and their passions. In this way, women will be liberated to do everything they can to leave a better world behind for their children, grandchildren and future generations.