Lost Highways

Through a series of detailed, illustrated essays,on key flms within the genre, Lost Highways,explores the history of the road movei.Bringin in,other, until now neglected, genres such as the,western, film noir, horror, and even science,fiction, this is the definitive guide to a diverse,body of film that incorporates some fo the most,dominant themes and most popular films of this,century.

This masterful explorationof American roots music--country, rockabilly, and the blues--spotlights the artists who created a distinctly American sound, including Ernest Tubb, Bobby "Blue" Bland, Elvis Presley, Merle Haggard, and Sleepy LaBeef. In incisive portraits based on searching interviews with these legendary performers, Peter Guralnick captures the boundless passion that drove these men to music-making and that kept them determinedly, and sometimes almost desperately, on the road.

As her mother always said, nothing happens by coincidence… Meet Rainey Valentine: thirty-five, twice divorced, a woman with broken dreams but irrepressible hope.When her mother dies, she inherits a truck, an old barrel-racing mare named Lulu and a lifetime supply of Mary Kay cosmetics. So taking a page from her mother's life, Rainey packs it all up and heads off, leaving Valentine, Oklahoma, in her rearview mirror. Then, somewhere outside Abilene, she finds him. Dazed and wandering after a car accident, Harry Furneaux is a man as lost as she is.With nowhere else to go, he joins Rainey on her travels. But when their journey leads them back to Valentine, Harry and Rainey find an unexpected new direction…. Straight out of the heartland of the South, Lost Highways is a novel to gently rock the heart and soul…the story of a woman traveling too long on an endless stretch of lonesome road who finds her way home at last.

EDetours and Lost HighwaysE begins with the Orson Welles film ETouch of EvilE (1958) which featured Welles both behind and in front of the camera. That movie is often cited as the end of the line noir's rococo tombstone...the film after which noir cou

What is the relationship between the road movie, American experimental filmmaking and the body?

At the turn of the nineteenth century, road travel in Nova Scotia was still in its infancy. Many Nova Scotians still preferred water routes, and those "roads" that did exist were often little more than blazed trails not fit for wheeled vehicles. But it wasn't long before roads were established around the province to allow for a steady increase in traffic and sophistication of vehicles. Author Joan Dawson has used nineteenth-century maps and surveys to not only trace the paths of these old roads, but to explore the residents and businesses that sprang up along them. She follows the roads out of Halifax to Windsor and Truro (the "Great Roads") as well as the oldest post roads along the Annapolis Valley, the South Shore, northern and eastern Nova Scotia, and even Cape Breton. These earliest highways, now mostly forgotten or buried in wilderness, reminds us of the hard-working crews and surveyors who defied geographical difficulties to make travelling easier for Nova Scotia's residents. Featuring 40 maps and illustrations, Nova Scotia's Lost Highways is a fascinating history of early travel in the province.

#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates

"Where lies the boundary between meaning and sentiment? Between memory and nostalgia? America and Americana? What is and what was? Does it move?"--Donovon Hohn, A Romance of Rust Part travelogue, part cultural criticism, part music appreciation, It Still Moves does for today’s avant folk scene what Greil Marcus did for Dylan and The Basement Tapes. Amanda Petrusich outlines the sounds of the new, weird America—honoring the rich tradition of gospel, bluegrass, country, folk, and rock that feeds it, while simultaneously exploring the American character as personified in all of these genres historically. Through interviews, road stories, geographical and sociological interpretations, and detailed music criticism, Petrusich traces the rise of Americana music from its gospel origins through its new and compelling incarnations (as evidenced in bands and artists from Elvis to Iron and Wine, the Carter Family to Animal Collective, Johnny Cash to Will Oldham) and explores how the genre is adapting to the twenty-first century. Ultimately the book is an examination of all things American: guitars, cars, kids, motion, passion, enterprise, and change, in a fervent attempt to reconcile the American past with the American present, using only dusty records and highway maps as guides.