Lost Intimacy In American Thought

This book offers a critique of rationalism in contemporary American thought by recovering a lost tradition of intimacy in American philosophical writing.

>

This collection introduces readers to the philosophical interpretation of Scripture, specifically within American Philosophy. The purpose of the collection concerns starting a conversation about the practice and task of the philosophical interpretation of Scripture. Reflections on the philosophical interpretation of Scripture have been treated more as a “conversation-stopper” than a conversation-starter within the American academy. To start such a conversation, this collection offers substantive accounts of the role of Scripture in the philosophical thought of fifteen American philosophers: Jane Addams, Henry Bugbee, Stanley Cavell, John Dewey, Jonathan Edwards, Ralph Waldo Emerson, Margaret Fuller, William James, Martin Luther King, Jr., Charles Sanders Peirce, Josiah Royce, Richard Rorty, George Santayana, Henry David Thoreau, and Cornel West.

This volume offers a sample of reflections from scholars and practitioners on the theme of death and dying from scholars and practitioners, ranging from the Christian tradition to Hinduism, Lacanian psychoanalysis, while also touching on the themes of the afterlife and near-death experiences.

The philosophy of Henry Bugbee defies traditional academic categorization. Though inspired by Heidegger and American Transcendentalism, he was also admired by the famous analytic philosopher Willard van Orman Quine, who described him as the ultimate exemplar of the examined life. Bugbee’s writings are remarkably different in form and register from anything written in twentieth-century American Philosophy. The beautifully written essays collected here show Bugbee’s continuing commitment that “anyone who throws his entire personality into his work must to some extent adopt an aesthetic attitude and medium.” Together, the book reintroduces a major thinker of nature, an environmental philosopher avant la lettre who has much to contribute to American and continental thought.

The author of Emerson & Self-Culture shares essays covering such themes as identity, experience, ethics, poetry, philosophy, history, and race. John T. Lysaker works between and weaves together questions and replies in philosophical psychology, Emerson studies, and ethics in this book of deep existential questioning. Each essay in this atypical, philosophical book employs recurring terms, phrases, and questions that characterize our contemporary age. Setting out from the idea of where we are in an almost literal sense, Lysaker takes readers on an intellectual journey into thematic concerns and commitments of broad interest, such as the nature of self and self-experience, ethical life, poetry and philosophy, and history and race. In the manner of Emerson, Cavell, and Rorty, Lysaker’s vibrant writing is certain to have a transformative effect on American philosophy today. “An original and stimulating book, manifesting a level of reflection and existential concern of the highest order. It is intellectually and personally honest.” —Robert E. Innis, author of Susanne Langer in Focus “There is something fresh and hence refreshing in the manner in which John T. Lysaker takes up familiar topics. He shows, with both arresting details and an evolving design, how the conduct of life (to use Emerson’s expression) demands a form of thought frequently at odds with contemporary fashions and preoccupations, with institutionally entrenched approaches and all too rigidly policed discourses.” —Vincent Colapietro, author of Experience, Interpretation, and Community “Acknowledged as one of his generations premier Emerson scholars, Lysaker goes beyond his earlier work, Emerson & Self-Culture . . . [T]he writing is stimulating, vibrant, challenging, risky, and fecund. Recommended.” —D. B. Boersma, Choice

The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard's work. There is significant input from scholars based in Copenhagen's Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical, and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard's writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard's thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral theology, phenomenology, postmodernism, and literature.

Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.