Love And Salt Water

Ellen Guppy is the reluctant heroine of Ethel Wilson’s final novel, Love and Salt Water. Saddened by a painful childhood, Ellen has adopted a skeptical independence and learned too well to hold her heart in reserve. But, as the novel unfolds, Ellen undergoes something of a sea-change; learning to accept love along with the sorrow that is rarely far from love. First published in 1956, Love and Salt Water is a mature and, at times, disturbing synthesis of Ethel Wilson’s major themes: the independence of human lives, the strange alchemy of chance, and the healing illumination of love.

Ethel Wilson is one of Canada's most important writers. This biography draws on archival material and interviews to describe, in detail, her early life as an orphan in England and Vancouver and her long writer's apprenticeship, spanning from the publication of some children's stories in 1919 to the appearance of "Hetty Dorval" in 1947. 2003.

David French's award-winning plays Leaving Home, Of the Fields, Lately and Salt-Water Moon are available for the first time in a special one-volume edition, with an introduction by Albert Schultz. Set in the 1950s, Leaving Home tells the story of the Mercers, a Newfoundland family who have emigrated to the mainland and lost all sense of their place in the world. In Of the Fields, Lately, the emotionally charged sequel to Leaving Home, young Ben Mercer returns home after being gone for two years and confronts the family he left behind. Salt-Water Moon was written later than the other two plays but tells the earlier story of the courtship of Jacob and Mary Mercer in Newfoundland. Leaving Home was named one of the 100 Most Influential Canadian Books by the Literary Review of Canada. Of the Fields, Lately won the Chalmers Award in 1973, and Salt-Water Moon won the Canadian Authors Association Award for Drama, the Dora Mavor Moore Award for Best New Play, and the Hollywood Drama-Logue Critics' Award.

Blanche H. Gelfant's book Cross-Cultural Reckonings both demonstrates and questions the applicability of postmodern cultural and literary theories to realistic texts - to fiction and autobiographies valued for their truth. Drawing together an unusual combination of Russian, American, and Canadian writers, the various essays of this book provide new and original perspectives upon the puzzling issues of national identity, of historical change and continuity, of gender and the integrity of literary genres, the boundaries between text and context, and the underlying if overlooked conflicts between the postmodern critic's skepticism and a writer's belief in the transcendence of art and truth. To avoid the contingencies inherent in binary comparisons, the essays in this book seek a triadic form analogous to the triptych or polyptych of the visual arts. Multi-faceted, non-linear, and open-ended, such a form might allow the academic essay to recover a waywardness that traces back to Montaigne, cited in prefactory notes, and to the etymological meaning of the essay as an exagium or weighing, as an act of reckoning. A study at once elegant, erudite, and personal, Cross-Cultural Reckonings reckons with writers of different backgrounds and reputation in whom Gelfant discovers surprising affinities - among them the Russian writers Lydia Chukovskaya, Natalya Baranskaya, and Alexander Solzhenitsyn; Ethel Wilson, a highly reputed Canadian writer; the famous cross-cultural figure, Emma Goldman; and established as well as new or rediscovered American writers, such as Willa Cather, Saul Bellow, Arlene Heyman, and Meridel Le Sueur. These writers are discussed singly and in comparative essays, each of whichis discrete and self-contained, while all interconnect and reflect upon each other as exemplary demonstrations of cross-cultural literary criticism and the deferred final judgment that results from a weighing and reweighing of books.

Lefty Kreh’s original edition of Fly Fishing in Salt Water pioneered a new territory for fly fishers. With over thirty thousand copies sold and the content fully updated, revised, and expanded, this third edition is the saltwater fly fisher’s bible, based on firsthand experience by an acknowledged master. In clear, practical terms and with helpful photographs and line drawings, Lefty Kreh's Fly Fishing in Salt Water treats the techniques needed to catch all the major saltwater species—bonefish, tarpon, striped bass, bluefish, salmon, permit, snook, sharks, cobia, tuna, billfish, and more. The book shows how to fish from boats and how to wade the flats, and fully explains all the tackle needed and how to use it for specific jobs—the rods, the lines and leaders, and the flies (shown in full color). Lefty provides superb advice about how to make the long casts necessary for fishing the fly in salt water, how to "tease" sailfish and other large fish to within fly-casting range, how to chum, and how to tie the necessary knots for saltwater fishing. Chapter topics include Knots and Leaders, Flies, Tackle, Inshore Fly Fishing, and Boats.

Perfect bound with additional flaps on the cover

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.