Love Triangle

Television reporter Julie Guthrie is an independent single woman in her early thirties that focused mainly on her career for many years instead of steady dating. Suddenly out of the blue she finds herself hitting it off with two very different kinds of men. One is a local lawyer in a law firm the other is a commercial union welder. Spending time with the two of them that she has so much in common with as far as interests at first is a lot of fun for her. The love triangle becomes more complicated for the TV personality as it continues on. Months after the relationships started Julie discovers she is pregnant, but who is the father? Will it be the soft spoken gentleman or the larger rough and rugged blue collar hard working guy?

Irene had been married into a family that relied on culture to determine their fate. Unhappily married to Shane, her husband, Irene wanted out so badly. She wanted a divorce that couldn’t happen because of their strict culture and her only son. If she divorced Shane, it would embarrass the entire family and Shane could get full custody of her son. So her son became the pawn between them. It had been too much for Irene to fake her marriage, so she moved out and went to a city where she found a job at a very large company, hired a maid for her son and was forced to send money home to her husband, who didn’t work. Irene meets Morgan and things change. Morgan is her supervisor and they faced each other for the first time under unusual circumstances – Morgan was reprimanding her for substandard work. It was not a good meeting and she left feeling angry at him. What happened after shocked even her. She falls deeply in love by accident. He feels the same, but they don’t realize the truth until… and then it was too late to turn back. They spend tons of time together in passionate embrace, acting silly with each other and having fun together. It came time, though in the relationship where they had to face the facts – what future was there for them with Irene’s situation still looming over them? They had to part. The story has many turns and twists and the end will delight and possibly alarm you. Caught in a love triangle, staying together was more important to them, but so was keeping her son and divorcing her husband. You will find this story very compelling and filled with suspense, love, passion, infidelity, fun, sadness, pain and hurt. Love can be the sweetest thing, but it can also hurt very badly.

Mauprat features Edmee, a self-actualizing "woman as hero" protagonist. Here the notion of "fiction of relationship" emerges, as male Russian authors created tragic, idealized woman characters who could never really live up to the "terrible perfection" with which they were endowed.

Nameless character has an affair with a co-worker who turns out to have skeletons in his closet. She is a successful marketing executive who searches for love because her own marriage is falling apart. She finds a charming young man who, at first, seems together, but, after getting involved with him uncovers the tragic drama he calls his life. She learns she shouldnt have looked for love in all the wrong places---and definitely not in this direction. His past kick starts her future into a spiraling tale of drama that leads to a shocking ending!

This book involves the lives of three people who have different directions they wish to go with their lives. These people tend to not think of anyone else except themselves. Sophie the mother of three can not get over the man she met at her sister-in-laws, in turn she wants to divorce her husband to be with the man she met. As with any man there is an agenda, little does she know what the new man Zander (if that is his real name) have in store for her, and her sister-in-law as well if anything goes wrong. After many twists, and turns Sophie can never really be happy. With domestic violence to overcome, sexual abuse, and a teenage daughter who has a baby Sophie finds she has a lot to work through. Even if it means losing family members and hurting them.

Bestselling sci-fi author Card ("Ender's Game") presides over this collection of essays that examines the supernatural television phenomenon "Lost," providing insight into the show's most talked-about issues.

With an off-putting title and a decidedly retrograde premise, the CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.