M P T Acharya Reminiscences Of An Indian Revolutionary

In this fascinating biography of the Indian revolutionary M. P. T. Acharya (1887-1954), Ole Birk Laursen uncovers the remarkable transnational networks, movements and activities of India's most important anticolonial anarchist in the twentieth century. Driven by the urge for complete freedom from colonialism, authoritarianism, fascism and militarism, which are rooted in the idea and politics of the nation-state, Acharya fought for an international vision of socialism and freedom. During the tumultuous opening decades of the 1900s--marked by the globalisation of radical inter-revolutionary struggles, world wars, the rise of communism and fascism, and the growth of colonial independence movements--Acharya allied himself with pacifists, anarchists, radical socialists and anticolonial fighters in exile, championing a future free from any form of oppression, whether by colonial rulers or native masters. Drawing on a wealth of archival material, private correspondence and other primary sources, Laursen demonstrates that, among his contemporaries, Acharya's turn to anarchism was unique and pioneering in the struggle for Indian independence. Anarchy or Chaos is the first comprehensive study of M. P. T. Acharya. It offers a new understanding of the global and entangled history of anarchism and anticolonialism in the first half of the twentieth century.

SHORTLISTED FOR THE CUNDILL HISTORY PRIZE 2021 AN ECONOMIST AND HISTORY TODAY BOOK OF THE YEAR 2020 'Compelling and highly original ... The Asia that we see today is the product of the 'underground' which Harper describes with skill and empathy in this monumental work' Rana Mitter, Literary Review The story of the hidden struggle waged by secret networks around the world to destroy European imperialism The end of Europe's empires has so often been seen as a story of high politics and warfare. In Tim Harper's remarkable new book the narrative is very different: it shows how empires were fundamentally undermined from below. Using the new technology of cheap printing presses, global travel and the widespread use of French and English, young radicals from across Asia were able to communicate in ways simply not available before. These clandestine networks stretched to the heart of the imperial metropolises: to London, to Paris, to the Americas, but also increasingly to Moscow. They created a secret global network which was for decades engaged in bitter fighting with imperial police forces. They gathered in the great hubs of Asia - Calcutta, Singapore, Batavia, Hanoi, Tokyo, Shanghai, Canton and Hong Kong - and plotted with ceaseless ingenuity, both through persuasion and terrorism, the end of the colonial regimes. Many were caught and killed or imprisoned, but others would go on to rule their newly independent countries. Drawing on an amazing array of new sources, Underground Asia turns upside-down our understanding of twentieth-century empire. The reader enters an extraordinary world of stowaways, false identities, secret codes, cheap firearms, assassinations and conspiracies, as young Asians made their own plans for their future. 'Magnificent - it reads like a thriller and was difficult to put down' Peter Frankopan, History Today

As ideologies such as communism, fascism and various nationalisms vied for global domination during the first half of the 20th century, this book shows how a specific group of individuals - a cosmopolitan elite - became representatives of those ideologies the world over. Centering on the Indian intellectual M.N Roy, Cosmopolitan Elites and the Making of Globality situates his life within various social circles that covered several ideological realms and continents. An example of an individual who represented ideologies such as anticolonial nationalism, communism and humanism, Roy is identified as unusual but by no means singular in this capacity, and shows how other elites were similarly able to represent ideologies that sought to make the world anew. This book explores how Roy and his peers and competitors became a political elite as they cultivated a cosmopolitan reputation that meant they were taken seriously even when speaking of regions outside of their own. By considering the social and performative practices that turned them into credible, global, cosmopolitans, Wolters uncovers the exclusive basis on which the universal claims of world-changing ideologies were made.

Tracing the complex and troubled relationship between the British Left and the nationalist movement in India in the years before Indian independence, Nicholas Owen's study looks at the failure of British and Indian anti-imperialists to create the kind of powerful alliance that the Empire's governors had always feared.

The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists.

An examination of the collaboration between Egyptian and Indian nationalists against the British Empire, this book argues that the basis for Third World or Non-Aligned Movement was formed long before the Cold War.

This book is a collection of essays on neglected aspects of the Great War. It begins by asking what exactly was so "Great" about it, before turning to individual studies of various aspects of the war. These fall broadly into two categories. Firstly personal, micro-narratives that deal directly with the experience of war, often derived from contemporary interest in diaries and oral histories. Presenting both a close-up view of the viscerality, and the tedium and powerlessness of personal situations, these same narratives also address the effects of the war on hitherto under-regarded groups such as children and animals. Secondly, the authors look at the impact of the course of the war on theatres, often left out in reflections on the main European combatants and therefore not part of the regular iconography of the trenches in places such as Denmark, Canada, India, the Levant, Greece and East Africa.