Madame Pamplemousse And The Time Travelling Caf

In Paris there is a cafe, elegantly furnished with polished wooden tables and an awning of striped gold and green, whose walls are filled with drinks such as Green Fairy Liqueur, Mermaid Madeira and Red Devil Lemonade. And sitting on the bar is a large, silver, steam-powered expresso coffee machine.The cafe is owned by Monsieur Moutarde, and Monsieur Moutarde has made the most extraordinary discovery. With the help of his friend, Madame Pamplemousse, he has created a time travel machine (for that is what the expresso coffee machine is). Very special, highly flavoured, intense ingredients are fed into the machine where they are subatomically blended with quantum froth and space-time foam. The resulting liquid looks like a small black coffee - but in fact transports the drinker through time and space. But this is a dangerous invention. For who knows what would happen if it fell into the wrong hands? Before long Monsieur Moutarde, Madame Pamplemousse, her cat, Camembert, and her friend, Madeleine, are on the run through time and space to capture a TRex's freshly caught drool and rare sphinx's tears, the vital ingredients for a tonic that will both save them and revive the ailing spirit of Paris. A magical romp that will charm and delight. 'A feat in extraordinary imagination. A truly wonderful tale, in the style of the fabulously historical and nonsensical stories of yore, it will absolutely delight any reader intent on taking an unexpected trip - to fanciful literary satisfaction. Wonderful stuff.' - Australian Women Online 'A classic charm with the added excitement of time travel - and it's fabulously Parisian.' - Bookseller + Publisher 'Madame Pamplemousse and the Time-Travelling Cafe is an amazing book to read and I can't wait until the other books in the series come out!' - Rachel, age 10 (YARA review) Praise for Madame Pamplemousse and her Incredible Edibles- 'Think Amelie scripted by Heston Blumenthal' - Financial Times 'Enchanting debut ... witty, warm-hearted and as delectable as one of the dishes it describes, this is as much a hymn to the culinary arts as to the magic of kindness, and is recommended for 9s' - Amanda Craig, The Times 'A sophisticated book for sophisticated readers. Warmly recommended for librarians who need children as an excuse to buy the book' - School Librarian

Bud Osborn's point of reference is the street of the disenfranchised – literally, the street corners bordered by Main and Hastings on Vancouver's notorious East Side, known as "Hundred Block Rock"--the poorest neighbourhood in Canada. While this area is well-known for its drug users, criminals, and prostitutes, it is also home to recovering addicts, single mothers, and those whom society has cast aside. As a poet who has known the nightmare of addiction and poverty himself, Bud Osborn sheds light on the unforgiving darkness of Hundred Block Rock, putting faces and names to those who somehow find ways and means to survive there. These poems are direct confessionals that speak valiantly and movingly of the community of the street: from detox centres and the wail of ambulance sirens to the poignant instances of junkies dancing in alleys, or the sound of jazz after midnight. They bring to life the squalid intensity of Hundred Block Rock, while at the same time articulating the redemptive spirit of survival that nurtures and sustains its habitués. Many of the poems in Hundred Block Rock are also featured on a CD available from Festival Distribution.

This 1999 reference grammar, written for advanced students of French, their teachers, and others who want a better understanding of the French language, combines the best of modern and traditional approaches. Its objective is not only practical mastery of the language, but familiarity with its structure. Taking into account modern linguistic research, Advanced French Grammar approaches the French language primarily through the study of syntactic structures, but without excessive emphasis on formalism. It provides a generous number of examples, based on the author's own experience of teaching French to English-speakers, to help the student to understand the different meanings of apparently similar syntactic alternatives. The norms of 'correct expression' are given together with current usage and deviations, and appendixes provide information on the 1990 spelling reforms and on numbers. A substantial index of French and English words and of topics provides easy access to the text itself.

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A stunning new collection by one of Iraq’s brightest poetic voices The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

The story of the Special Forces in World War II has never fully been told before. Information about them began to be declassified only in the 1980s. Known as the Jedburghs, these Special Forces were selected from members of the British, American, and Free French armies to be dropped in teams of three deep behind German lines. There, in preparation for D-Day, they carried out what we now know as unconventional warfare: supporting the French Resistance in guerrilla attacks, supply-route disruption, and the harassment and obstruction of German reinforcements. Always, they operated against extraordinary odds. They had to be prepared to survive pitched battles with German troops and Gestapo manhunts for weeks and months while awaiting the arrival of Allied ground forces. They were, in short, heroes.The Jedburghs finally tells their story and offers a new perspective on D-Day itself. Will Irwin has selected seven of the Jedburgh teams and told their stories as gripping personal narratives. He has gathered archival documents, diaries and correspondence, and interviewed Jed veterans and family members in order to present this portrait of their crucial role - a role recognized by Churchill and Eisenhower - in the struggle to liberate Europe in 1944-45. This is narrative history at its most compelling; a vivid drama of the battle for France from deep behind enemy lines.

A vivid telling of the chaotic story of the partition that shaped the modern world. London, 1947. Summoned by the Prime Minister from the court where he is presiding judge, Cyril Radcliffe is given an unlikely mission. He is to travel to India, a country he has never visited, and, with limited survey information, no expert support and no knowledge of cartography, he is to draw the border which will divide the Indian sub-continent into two new Sovereign Dominions. To make matters even more challenging, he has only six weeks to complete the task. Wholly unsuited to his role, Radcliffe is unprepared for the dangerous whirlpool of political intrigue and passion into which he is plunged - untold consequences may even result from the illicit liaison between the Leader of the Congress Party and the Viceroy's wife... As he begins to break under the pressure he comes to realise that he holds in his hands the fate of millions of people. Drawing the Line premiered at the Hampstead Theatre, London in December 2013. "Powerful... a fascinating play which views colonial culpability from an unexpected and singularly revealing angle." - Independent "Brenton is a masterly storyteller... the play expertly draws you into the maelstrom." - Financial Times "Brenton knows how to make history manifest... gives a vivid picture of the pressures of the time." - Guardian "Fleet and fascinating." - WhatsOnStage "Crisp, elegant and revelatory... a fascinating story of mixed intentions and rushed folly." - The Stage Howard Brenton is a prolific playwright whose plays have been staged at the Royal Court Theatre, National Theatre, RSC and Shakespeare's Globe among others. Other writing work includes collaborations with David Hare and thirteen episodes of the BBC1 drama series Spooks.