Made In Japan

Co-founded 40 years ago, by a young engineer named Akio Morita, Sony is now one of the most powerful and respected multinational corporations in the world, and Morita is its outspoken chairman. This autobiography charts the growth of the company, from the initial attempts to make a tape recorder to the sales of Walkman.

A selection of outstanding Japanese products of this century, from gadgets and furnishings to office supplies and decorative objects. Features a comprehensive introduction to the history and traditions of Japanese product design and includes biographies of the leading designers, including Naoto Fukasawa, Tokujin Yoshioka and Toyo Ito.

This new book is an excellent reference for the multitude of ceramics items marked "MADE IN JAPAN" that were exported between 1921 and 1941, after Japanese manufacturers used the "NIPPON" mark and before the "MADE IN OCCUPIED JAPAN" mark. The 350 color photographs show hundreds of household ceramics arranged in an easy-to-find alphabetical order from ash trays to wall pockets. The Price Guide makes clear that this is an excellent field for collectors priced out of other fields. Here are many humorous and novelty designs in planters, cookie jars, pitchers, teapots, cups, creamers, sugar bowls, vases, pincushion holders, lamps, dishes and salt and pepper shakers. When considering items marked "MADE IN JAPAN," expect the unexpected!

Made in Japan serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Japanese popular music. Each essay, written by a leading scholar of Japanese music, covers the major figures, styles, and social contexts of pop music in Japan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Putting Japanese Popular Music in Perspective; Rockin’ Japan; and Japanese Popular Music and Visual Arts.

The untold story of how Japan became a cultural superpower through the fantastic inventions that captured—and transformed—the world’s imagination. “A masterful book driven by deep research, new insights, and powerful storytelling.”—W. David Marx, author of Ametora: How Japan Saved American Style Japan is the forge of the world’s fantasies: karaoke and the Walkman, manga and anime, Pac-Man and Pokémon, online imageboards and emojis. But as Japan media veteran Matt Alt proves in this brilliant investigation, these novelties did more than entertain. They paved the way for our perplexing modern lives. In the 1970s and ’80s, Japan seemed to exist in some near future, gliding on the superior technology of Sony and Toyota. Then a catastrophic 1990 stock-market crash ushered in the “lost decades” of deep recession and social dysfunction. The end of the boom should have plunged Japan into irrelevance, but that’s precisely when its cultural clout soared—when, once again, Japan got to the future a little ahead of the rest of us. Hello Kitty, the Nintendo Entertainment System, and multimedia empires like Dragon Ball Z were more than marketing hits. Artfully packaged, dangerously cute, and dizzyingly fun, these products gave us new tools for coping with trying times. They also transformed us as we consumed them—connecting as well as isolating us in new ways, opening vistas of imagination and pathways to revolution. Through the stories of an indelible group of artists, geniuses, and oddballs, Pure Invention reveals how Japan’s pop-media complex remade global culture.

For many, Made in Japan is synonymous with quality the perfect marriage of aesthetic appeal and functionality. The intentions of the designer can be found in the slightest detail, but none are overworked, preferring spare elegance to busy excess. Mixing traditional art and philosophy with contemporary design to create a material and visual culture that blends seamlessly into their lives at home. With this strong national identity and focus on design, it is no wonder their creative output is admired and imitated throughout the world. Made in Japan highlights more than 40 creatives from different fields who exemplify this design character through their work in graphic design and branding, illustration, packaging, fashion, product and spatial design.

For three years, seventeen university researchers worked with representatives of thirty-four corporations to analyze the present state of Japanese manufacturing and to identify the challenges Japan will face in the twenty-first century. The result of their study is Made in Japan. Winner of the Shingo Research and Professional Publication Prize for 1999In 1989 the MIT Press published Made in America, a landmark study by The MIT Commission on Industrial Productivity, an interdisciplinary group of MIT faculty members. The study analyzed the strengths and weaknesses of American industry and set forth a strategic plan for revitalizing American productivity. Inspired by the MIT study, the Japan Techno-Economics Society formed the Japan Commission on Industrial Performance (JCIP). For three years, seventeen university researchers worked with representatives of thirty-four corporations to analyze the present state of Japanese manufacturing and to identify the challenges Japan will face in the twenty-first century. The result of their study is Made in Japan. Made in Japan has a broader perspective than its American model, whose focus was limited to issues of productivity. The book is divided into three parts. Part I is a general overview. Part II is an in-depth analysis of seven industries: industrial electronics, consumer electronics, automobiles, metal products, industrial machinery, chemicals, and textiles. Part III identifies common problems and makes recommendations for industrial policy. The topics covered in the study are grounded in such fundamental issues as global environmental problems, competitiveness, and the free market economy system.

For centuries the accommodation between Japan and Christianity has been an uneasy one. Compared with others of its Asian neighbors, the churches in Japan have never counted more than a small minority of believers more or less resigned to patterns of ritual and belief transplanted from the West. But there is another side to the story, one little known and rarely told: the rise of indigenous movements aimed at a Christianity that is at once made in Japan and faithful to the scriptures and apostolic tradition. Christianity Made in Japan draws on extensive field research to give an intriguing and sympathetic look behind the scenes and into the lives of the leaders and followers of several indigenous movements in Japan. Focusing on the "native" response rather than Western missionary efforts and intentions, it presents varieties of new interpretations of the Christian tradition. It gives voice to the unheard perceptions and views of many Japanese Christians, while raising questions vital to the self-understanding of Christianity as a truly "world religion." This ground-breaking study makes a largely unknown religious world accessible to outsiders for the first time. Students and scholars alike will find it a valuable addition to the literature on Japanese religions and society and on the development of Christianity outside the West. By offering an alternative approach to the study and understanding of Christianity as a world religion and the complicated process of cross-cultural diffusion, it represents a landmark that will define future research in the field.