Magnificent Men

Adventure, romance, politics, and murder filled the life of Lorenzo DiMedici. A banker who inherited the leadership of Florence, Italy during the 15th Century used his charisma and financial influence to create a humanistic city of art and culture despite plots against him by Pope Sixtus IV, the Pazzi family and King Ferrante of Naples who would mummify those whose spirits he desired to be surrounded by. After the murder of his brother during Easter Sunday services, Lorenzo had to make the difficult choice of meeting with King Ferrante alone and unarmed or go to war.

Offers a decade-by-decade history of American singing groups, from the Ames and Mills Brothers, to the Platters and the Beach Boys, to Destiny's Child, the Backstreet Boys, 'N Sync, and many others, covering more than 380 artists and furnishing information on each group's career, key members, influences, photos, and discographies. Original.

In this passionate and searching book, Anthony Kronman offers a third way—beyond atheism and religion—to the God of the modern world We live in an age of disenchantment. The number of self-professed “atheists” continues to grow. Yet many still feel an intense spiritual longing for a connection to what Aristotle called the “eternal and divine.” For those who do, but demand a God that is compatible with their modern ideals, a new theology is required. This is what Anthony Kronman offers here, in a book that leads its readers away from the inscrutable Creator of the Abrahamic religions toward a God whose inexhaustible and everlasting presence is that of the world itself. Kronman defends an ancient conception of God, deepened and transformed by Christian belief—the born-again paganism on which modern science, art, and politics all vitally depend. Brilliantly surveying centuries of Western thought—from Plato to Augustine, Aquinas, and Kant, from Spinoza to Nietzsche, Darwin, and Freud—Kronman recovers and reclaims the God we need today.

BLACK LIONS, LOVE AND WAR A HISTORICAL DRAMA ON THE BRITISH--ASHANTI WARS. This work of well over a decade, is dedicated to Esi Ayensu of Cape Coast, and to the late Clive Compton, Barrister-At-Law and the late MaryAnn Compton, my loving parents who saw to it that I went to school, learned good manners and be polite, and also strong, for you may suffer long for what you may want. Everyone comes under my microscopic pen and my impeccable candor in this scholarly historical drama of love and war. And as an American I look out for the interest of the entire vast region, from as far down to Brazil Amazon, to U.S.A, Canada, Carribean Island, hoping Americans will read and enjoy my work. But this is too narrow. From my studies in Literature at U.C.L.A. where I earned a B.A. in Literature, on to my M.A. in Education at Georgia State University and my subsequent admission in the Doctoral program, I was taught NOT to see the tree but the entire forest. So now I hope that the entire World will read and enjoy my book and gain from it. It is sheer fun for me to read, create, write, and bring out my artistry, remembering always that this is what distinguishes me from the goat, the cow, the donkey and makes me human. Originate and be Scholarly and remember too that there is nothing as fiction, for the writer draws from life itself, the sine qua non of the pen. I LIVE FOR ART. MELVIN F. COMPTON [email protected]

Jac Conradie se intreerede as professor aan die Universiteit van Johannesburg het as titel ?Die tand van die tyd? gehad. Die bydraes in hierdie bundel weerspie‰l iets van Jac se veelsydigheid en van sy impak op die akademie. Bydraes uit Europa, Noord-Amerika en Afrika deur taalkundiges, letterkundiges en historici getuig van die respek wat Jac oor ?n wye akademiese front afdwing. As die huldiging van ?n loopbaan, van ?n wetenskaplike, maar ook van ?n wellewende mens, kan hierdie bundel nie genoegsaam wees nie, maar dit is ?n aanduiding van die waardering en ho‰ agting wat akademici die wˆreld oor vir Jac het

This volume explores the concept of magnificence as a social construction in seventeenth-century Europe.

This is a captivating story of music-making at social recreations from Homeric times to the age of Augustine. It tells about the music itself and its purposes, as well as the ways in which people talked about it, telling anecdotes, picturing musical scenes, sometimes debating what kind of music was right at a party or a festival. In straightforward and engaging prose, the author covers a remarkably broad history, providing the big picture yet with vivid and nuanced descriptions of concrete practices and events. We hear of music at aristocratic parties, club music, people's music-making at festivals, political uses of music at the court of Alexander the Great and in the public banquets of Roman emperors in the Colosseum, opinions of music-making at social meals from Plato to Clement of Alexandria, and much more, making the book a treasure-trove of information and a fascinating journey through ancient times and places.

The poems in this book are jim jewell. He selected them from 60 years of writing poetry. They capture the image of where he came from (Lebanon, Tennessee), who he is (many, many things) and how he feels about those many things. He hopes people enjoy this insight into who he is, enjoy what he has written, and think about what is written here from their own perspective.