Make Your Own Hats

DigiCat Publishing presents to you this special edition of "Make Your Own Hats" by Gene Allen Martin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Even beginners who have in hands just few fancy pens, a measuring tape, and a small pile of left-over fabrics, can begin their creativities with confidence. *** The book is available in three different formats; e-book (ASIN: B09BBQ7PD6), black & white interior paperback (ASIN: B09BGM15YP), and color printed interior paperback (ASIN: B09BMLLSWB) *** This book is not only good for home hobby sewers or amateur designers, but also middle school, high school, to college students who strongly have interest in sewing and fashion design, or are in the midst of finding ideas for their independent study. Another level up for your new sewing project to pursue can begin with hats, which is much smaller in scale compared to clothing, using the left-over fabrics you already have. Logics and design examples provided inside, in different angles, will encourage creativities, develop problem solving skills, and grow confidence through pattern drafting and sewing. The book is also a good resource that integrates simple mathematics into the hat making processes, which makes a nice opportunity for both sides of your brain to get some exercise together. The foundation laid down in this book, as well as all detailed tips and tricks provided, will assist you in developing your original headdresses with pride and joy. Without the need of any specialized tools, or of being a professional milliner, anybody with basic sewing skills can do! And if you're the one who used to be annoyed by poor outfits, or having no clues to do alterations, for any hats made out of those ready-to-use patterns, it's time to just say good bye to that feeling. This book features; Basic understanding about the crown and brim making Step-by-step guide to create 3x basic and 7x creative hat sewing patterns 4x simple embellishment ideas, with examples and/or patterns All patterns are provided with actual scale reference (with 1-cm square grid as background) Construction demonstration on one hat, with tips and tricks from real experiences Simple mathematical techniques to create hat patterns Addition-subtraction tips which are useful for small adjustments All explanations come along with understandable logics, no non-sense stuffing Plus, visualized explanation, which is very easy to follow, through almost 90 sets of illustrations All hat images shown in this book are associated with the patterns created and finished products constructed solely by myself. All techniques, which were adapted from my knowledges obtained during the fashion school time, have been proven through multiple trials and errors and engineered to be replicable with simplicity. However, in case you would prefer the actual size patterns to promptly begin your new hat sewing projects, they will be available in a separate paperback format, to be printed and distributed by Amazon soon.

The aim of this book is to bring the age-old art of crotchet into the 21st century. Gone are the days where all it was good for was creating placemats and jumpers for your teapots. Aimed at the intermediate crochetier, this book assumes you are already proficient in the basics and are looking to increase your creative output through the use of interesting color and design. With an insight into ten bespoke patterns that can be easily followed, starting with a cute racoon and progressing to the more advanced sloth. The aim is to introduce you to new ways of approaching crotchet; you will be able to confidently create your own unique animals and patterns upon completion of the book. Each animal created teaches a new technique, from establishing a simple ball; we progress through more elaborate designs with each unique pattern learning new skills and new ideas. Annotated through out with pictures, and scattered with top tips, with links to videos of each stage you can feel confidant that the resources are here to crotchet out of a hole. Easily adaptable, these designs will give hints about new aesthetics for seasonal versions as well as more interesting use of colors to create exciting pieces and inspire a new generation of crochetiers.

35 hat patterns for every age, gender, and fashion sense Sewn Hats is a collaboration of hat designs from 29 of the industry's most-loved fabric designers, pattern designers, and bloggers. The collection features a variety of hat patterns for all genders, sizes, ages, and fashion sense. Seamstresses will find options in a vast array of styles that use a wide variety of fabric types, from felt to silk, corduroy to cotton, and everything in between. Beautiful photography, inspiring writing, precise instructions, adaptable patterns, and a vast array of styles and sizes all combine to equal a collection of sewn hat patterns like no other. Hat patterns for all genders, sizes, ages, and styles Hats for any occasion, from work to play, casual to formal Diagrams, precise assembly instructions, and schematic illustrations to ease completion of each project Ideas and inspiration for all ages and skill levels, and instructions on how to adapt each hat pattern by varying fabrics and embellishments Full patterns conveniently located online, so you can print them when you need them and you never have to worry about losing them Expertly edited by top designer Carla Hegeman Crim, the designer and blogger behind The Scientific Seamstress, Sewn Hats is sure to offer inspiration for all home seamstresses. Contributors include: Patty Young (MODKID Designs) Kaari Meng (French General) Joanna Figueroa (Fig Tree & Co.) Kathy Mack (Pink Chalk Studio) Dolin O’Shea (Lulu Bliss) Lisa Carroccio (Domestic Diva’s Disasters) Alexia Marcelle Abegg (Green Bee Patterns) Heather Niziolek (Goosie Girl) Melissa Stramel (Lilac Lane) Jaime Morrison Curtis and Jacinda Boneau (Prudent Baby) Karen LePage (One Girl Circus) Jennifer Hagedorn (Tie Dye Diva Designs) Shelly Figueroa (Figgy’s Patterns) Bonnie Shaffer (Hats with a Past) Jessica Christian (Craftiness is Not Optional) Bari J. Ackerman (Bari J.) Mary Abreu (Confessions of a Craft Addict) Jennifer Paganelli (Sis Boom) Irene Rodegerdts (Mushroom Villagers) Anneliese S. (Aesthetic Nest) Linda and Scott Hansen (Miss Mabel Studio and Blue Nickel Studios) Betz White (betzwhite.com) Kim Christopherson (YouCanMakeThis.com) Melissa Averinos (www.yummygoods.com) Val Pillow & Anne Maxfield (Pillow & Maxfield)

Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.

During the late 1800s and early 1900s, it was common practice for milliners to decorate women's hats with birds' feathers and plumes--and sometimes with the birds themselves. As many as 300 million birds per year were killed for this fashionable enterprise, causing the extinction of some entire species and the endangerment of others. Lawmakers and bird aficionados were slow to react to the effects of this practice, which went on almost unabated for a quarter of a century. Then, noted naturalists like George Bird Grinnell, William T. Hornaday, and President Theodore Roosevelt, who recognized the economic benefits birds provided, banded together to pass meaningful legislation to protect them and to curb the production of murderous millinery. This book explores the troubled history of millinery and its complicated relationship to birds and conservation. It explores why it took so long for the slaughter to end and how the efforts of individuals and groups brought about change.