Making Ukraine

Russia’s illegal annexation of Crimea in 2014 and the ongoing war in eastern Ukraine have brought scholarly and public attention to Ukraine’s borders. Making Ukraine aims to investigate the various processes of negotiation, delineation, and contestation that have shaped the country’s borders throughout the past century. Essays by contributors from various historical fields consider how, when, and under what conditions the borders that historically define the country were agreed upon. A diverse set of national and transnational contexts are explored, with a primary focus on the critical period between 1917 and 1954. Chapters are organized around three main themes: the interstate treaties that brought about the new international order in Eastern Europe in the aftermath of the world wars, the formation of the internal boundaries between Ukraine and other Soviet republics, and the delineation of Ukraine’s borders with its western neighbours. Investigating the process of bordering Ukraine in the post-Soviet era, contributors also pay close attention to the competing visions of future relations between Ukraine and Russia. Through its broad geographic and thematic coverage, Making Ukraine illustrates that the dynamics of contemporary border formation cannot be fully understood through the lens of a sole state, frontier, or ideology and sheds light on the shared history of territory and state formation in Europe and the wider modern world.

Between 1914 and 1954, the Ukrainian-speaking territories in East Central Europe suffered almost 15 million “excess deaths” as well as numerous large-scale evacuations and forced population transfers. These losses were the devastating consequences of the two world wars, revolutions, famines, genocidal campaigns, and purges that wracked Europe in the first half of the twentieth century and spread new ideas, created new political and economic systems, and crafted new identities. In Total Wars and the Making of Modern Ukraine, 1914–1954, George O. Liber argues that the continuous violence of the world wars and interwar years transformed the Ukrainian-speaking population of East Central Europe into self-conscious Ukrainians. Wars, mass killings, and forced modernization drives made and re-made Ukraine’s boundaries, institutionalized its national identities, and pruned its population according to various state-sponsored political, racial, and social ideologies. In short, the two world wars, the Holodomor, and the Holocaust played critical roles in forming today’s Ukraine. A landmark study of the terrifying scope and paradoxical consequences of mass violence in Europe’s bloodlands, Liber’s book will transform our understanding of the entangled histories of Ukraine, the USSR, Germany, and East Central Europe in the twentieth century.

Winner of the BASEES Alexander Nove Prize 2021 Winner of The American Association for Ukrainian Studies 2019-2020 Book Prize Honorable Mention for the ASEEES Omeljan Pritsak Book Prize in Ukrainian Studies 2022 While most studies of Soviet culture assume a model of diffusion, according to which Soviet republics imitated the artistic trends and innovations born in Moscow, Olena Palko adroitly challenges this centre-periphery perspective. Rather than being a mere imposition from above, Making Ukraine Soviet reveals how the process of cultural sovietisation in Ukraine during the interwar years developed from a synthesis of different – and often conflicting – cultural projects both local and Muscovite in orientation. Engaging with a wide range of primary and secondary sources, including literary and archival material, Palko grounds her argument in the cases of two celebrated and controversial Ukrainian artists: the poet Pavlo Tychyna and prosaist Mykola Khyl'ovyi. Through this unique biographical lens, Palko's skilled analysis of cultural construction sheds fresh light on the complex process of establishing and consolidating the Soviet regime in Ukraine. In doing so, Palko offers a timely re-assessment of the Russo-Ukrainian conflict and adds nuance to current debates on the relationship between national identity, the arts, and the Soviet state.

With the disintegration of the Soviet Union, a number of new states were created that had little or no claim to any previous existence. Ukraine is one of the countries that faced not only political, social and economic transformation, but also state formation and the redefinition of national identity. This book uses Ukraine as a case study in trying to trace the key moments of decision making in the course of creating a new state while shedding the legacies of "Soviet-type" statehood. The Moulding of Ukraine offers a systematic examination of competing ideological visions of statehood and discusses them against the backdrop of historical traditions in Ukraine. This well-documented and lucidly written book is the only coherent account available in English of the process of constitutional reform, offering an insight into post-Soviet Ukrainian politics. A useful addition to university course reading lists in Ukrainian studies, post-Soviet studies, post-communist democratization, comparative constitutionalism, state-building and institutional design.

Russia’s illegal annexation of Crimea in 2014 and the ongoing war in eastern Ukraine have brought scholarly and public attention to Ukraine’s borders. Making Ukraine aims to investigate the various processes of negotiation, delineation, and contestation that have shaped the country’s borders throughout the past century. Essays by contributors from various historical fields consider how, when, and under what conditions the borders that historically define the country were agreed upon. A diverse set of national and transnational contexts are explored, with a primary focus on the critical period between 1917 and 1954. Chapters are organized around three main themes: the interstate treaties that brought about the new international order in Eastern Europe in the aftermath of the world wars, the formation of the internal boundaries between Ukraine and other Soviet republics, and the delineation of Ukraine’s borders with its western neighbours. Investigating the process of bordering Ukraine in the post-Soviet era, contributors also pay close attention to the competing visions of future relations between Ukraine and Russia. Through its broad geographic and thematic coverage, Making Ukraine illustrates that the dynamics of contemporary border formation cannot be fully understood through the lens of a sole state, frontier, or ideology and sheds light on the shared history of territory and state formation in Europe and the wider modern world.

Between 1914 and 1954, the Ukrainian-speaking territories in East Central Europe suffered almost 15 million "excess deaths" as well as numerous large-scale evacuations and forced population transfers. These losses were the devastating consequences of the two world wars, revolutions, famines, genocidal campaigns, and purges that wracked Europe in the first half of the twentieth century and spread new ideas, created new political and economic systems, and crafted new identities. In Total Wars and the Making of Modern Ukraine, 1914-1954, George O. Liber argues that the continuous violence of the world wars and interwar years transformed the Ukrainian-speaking population of East Central Europe into self-conscious Ukrainians. Wars, mass killings, and forced modernization drives made and re-made Ukraine's boundaries, institutionalized its national identities, and pruned its population according to various state-sponsored political, racial, and social ideologies. In short, the two world wars, the Holodomor, and the Holocaust played critical roles in forming today's Ukraine. A landmark study of the terrifying scope and paradoxical consequences of mass violence in Europe's bloodlands, Liber's book will transform our understanding of the entangled histories of Ukraine, the USSR, Germany, and East Central Europe in the twentieth century.

Certain to engender debate in the media, especially in Ukraine itself, as well as the academic community. Using a wide selection of newspapers, journals, monographs, and school textbooks from different regions of the country, the book examines the sensitive issue of the changing perspectives ? often shifting 180 degrees ? on several events discussed in the new narratives of the Stalin years published in the Ukraine since the late Gorbachev period until 2005. These events were pivotal to Ukrainian history in the 20th century, including the Famine of 1932?33 and Ukrainian insurgency during the war years. This latter period is particularly disputed, and analyzed with regard to the roles of the OUN (Organization of Ukrainian Nationalists) and the UPA (Ukrainian Insurgent Army) during and after the war. Were these organizations "freedom fighters" or "collaborators"? To what extent are they the architects of the modern independent state? "This excellent book fills a longstanding void in literature on the politics of memory in Eastern Europe. Professor Marples has produced an innovative and courageous study of how postcommunist Ukraine is rewriting its Stalinist and wartime past by gradually but inconsistently substituting Soviet models with nationalist interpretations. Grounded in an attentive reading of Ukrainian scholarship and journalism from the last two decades, this book offers a balanced take on such sensitive issues as the Great Famine of 1932-33 and the role of the Ukrainian nationalist insurgents during World War II. Instead of taking sides in the passionate debates on these subjects, Marples analyzes the debates themselves as discursive sites where a new national history is being forged. Clearly written and well argued, this study will make a major impact both within and beyond academia." - Serhy Yekelchyk, University of Victoria

Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.