Malcolm Root S Pageant Of Transport

Two previous books in this series, Malcolm Root¿s Railway Paintings and Malcolm Root¿s Transport Paintings, have shown that there is an almost insatiable demand for the paintings of Malcolm Root. An obvious reason for this is the public¿s appetite for recalling life in Britain as it used to be, and as it is so accurately portrayed in each picture. But there is more to this success than pure nostalgia, for the paintings, while meticulous in their detail, are not simply photo-like representations of times past, they are works of art in their own right. It is the skill of the artist, combined with his carefully chosen subjects, that strike an instant chord with his admirers. In this volume Malcolm Root's stunning pictures have been arranged to provide a stirring pageant of the development of transport down the centuries, and in particular over the last one hundred years during which the greatest pace of change has taken place. With each painting supported by a delightful personal text from Tom Tyler this is, once again, a book to treasure and to look through again and again.

Firstly, this is a carefully chosen collection of beautiful and detailed paintings, which give an accurate record of the British transport scene during the 20th century. Secondly it is a nostalgic reminder of those great days when travel was a new leisure pastime, heralded as an exciting adventure and source of enjoyment.

Steam Trains and Jigsaw Puzzles strikes most people as an intriguing title. The origin is simple,however my trainspotting youth has been synchronized with a later interest in jigsaw puzzles. The result is expensive I have a collection of over 250 jigsaws depicting British steam railways. The conclusion is impossible there are over 500 steam railway jigsaw puzzles to collect and they are being supplemented annually. The Liverpool & Manchester Railway marked the arrival of the true passenger railway service in 1830 and presented jigsaw manufacturers with another subject on which to focus. Prior to this date the jigsaw experience, started by John Spilsbury in c1760, was restricted to subjects such as religion, geography, history, monarchs, the alphabet and art. Many characteristics combine to form the basis of nostalgic images buried indelibly in the minds of people who travelled in the steam railway age. Manufacturers have not been slow to tap into this nostalgia and produce jigsaws aimed at stirring those memories and inviting people to reflect on past experiences, good, bad or indifferent. Chad Valley, Victory, Good Companion,Falcon, Waddingtons and Arrow are just a few manufacturers who produced steam railway jigsaws in the past. Most of these companies are now a distant memory while others are in foreign ownership. Equally famous names such as Wentworth, Ravensburger (Germany), House of Puzzles, Gibsons, JR Puzzles and King Puzzles (Holland) continue the manufacturing tradition. Output is generally superb thanks to the efforts of fine railway artists such as Terence Cuneo, George Heiron, T. E. North, Don Breckon, John Austin, Barry Freeman and Malcolm Root. The book is aimed at anyone with an interest in jigsaw puzzles and at those enthusiasts and aficionados who refuse to allow those evocative memories of the Golden Age of Steam to die.

During the 1967 school year, on Wednesday afternoons when all his classmates go to either Catechism or Hebrew school, seventh-grader Holling Hoodhood stays in Mrs. Baker's classroom where they read the plays of William Shakespeare and Holling learns muchof value about the world he lives in.

Malcolm Root presents a record of the days of steam on Britain's railways, from the mighty express locomotives racing one another to the north, to the quiet byways of the railway system where aged engines potter along almost forgotten branch lines.

Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society