Mammoth Books Presents Substitutions

Taken from The Mammoth Book of Best New Horror 22, edited by Stephen Jones. As Smith recalls: "This story came about in the simplest way, the way I always enjoy most - something happening in real life that makes you think 'What if?' "Our household gets a lot of its food via an online delivery service, and one day when I was unpacking what had just been dropped at our house I gradually realised there was something...not quite right about the contents of the bags. "There's two things that are strange about that experience. The first is that - given that every household is likely to buy at least some things in common - you don't realise straight away that you've been given the wrong shopping. You don't immediately think 'This is wrong', more like . . . 'This is weird'. The second is how personal it is, gaining accidental access to this very tangible evocation of some other family's life. You can't help but wonder about the people the food was really destined for. "In real life, I just called up the delivery guy and got it sorted out: but in fiction, you might tackle things slightly differently . . ."

Lord Hector Darlington is a wealthy art collector who owns one of the finest private galleries in Europe. His latest purchase is Louis de Granville's 'Adoration of the Magi'. After cancelling a regular trip and returning to view it, Darlington realises the piece is missing. A very unwelcoming Darlington family greet Holmes and Watson at the house, whereupon they discover that it is not only the 'Adoration of the Magi' painting his Lordship should be concerned about.

I don't like writing at home much," admits Shearman. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries. "And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect. "A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare. "I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy.

I carried the bones of this story around for quite a few years before I finally stumbled upon its beating heart," explains the author. "In my head was the image of a doll house, huge and not quite right, and a woman searching desperately for something concealed inside. But I could never work a story around it that didn't seem twee. Doll houses, you know? "But then Emma and Holly appeared - trapped within their own fractured, futile relationship - and everything just, well, fell together. Beautifully. Awfully. And now I have a doll house story. Of a kind.

"I wrote 'Christmas with the Dead' simply because I wanted to write a holiday horror story," Lansdale admits. "This was the result."

Substitutions - Michael Marshall Smith Michael Marshall Smith recalls: "This story came about in the simplest way, the way I always enjoy most - something happening in real life that makes you think 'What if?' "Our household gets a lot of its food via an online delivery service, and one day when I was unpacking what had just been dropped at our house I gradually realised there was something...not quite right about the contents of the bags. "There's two things that are strange about that experience. The first is that - given that every household is likely to buy at least some things in common - you don't realise straight away that you've been given the wrong shopping. You don't immediately think 'This is wrong', more like . . . 'This is weird'. The second is how personal it is, gaining accidental access to this very tangible evocation of some other family's life. You can't help but wonder about the people the food was really destined for. "In real life, I just called up the delivery guy and got it sorted out: but in fiction, you might tackle things slightly differently . . ." Out Back - Garry Kilworth "'Out Back' was written for a group of friends," Kilworth recalls, "who appear as characters in the story under their initials, as I do myself. Those who know me well will recognise the protagonists. "Iken is a real village on the edge of the marshes behind Snape Maltings in Suffolk. Two years ago I wandered along the periphery of the reed beds which stretch down towards the coast as a green and golden sea, the waves created by the winds that blow across the flatlands. Looking at the church that sits on a knoll above the marshes I thought, 'This is a perfect setting for a horror story.' And so . . ." City of the Dog - John Langan "This story arose from my desire to see what I could do with the figure of the ghoul," reveals Langan, "and as I've tried to indicate within the narrative, I drew inspiration both from H.P. Lovecraft ('Pickman's Model') and Caitlín R. Kiernan (Daughter of Hounds). "The miserable years in New York State's capital, though, were mine alone."

Campbell reveals, "My fellow clansman Paul Campbell will remember the birth of this tale. At the Dead Dog party after the 2010 World Horror Convention in Brighton, someone was throwing a delighted toddler into the air. I was ambushed by an idea and had to apologise to Paul for rushing away to my room to scribble notes. The result is here."

What Happens When You Wake Up in the Night - Michael Marshall Smith For Michael Marshall Smith, this was one of those stories that dropped straight into his head, but the problem was that he didn't want it: "It wasn't an idea I liked. It was clearly some part of my brain serving up a notion simply because it could, and because it knew it could frighten me with it. "It did frighten me, and so I did what I always do when that happens - which is write it down, in the hope it will go away." Respects - Ramsey Campbell "'Respects' was suggested by a local incident in which a car thief in his early teens killed himself while fleeing the police," recalls Campbell. "A lamp standard at the site of his demise is still decorated with flowers years after the incident, and the tributes on the obituaries page of one Wallasey newspaper were at least as grotesque as the ones I've invented - the romanticisation of a petty criminal. Cold to Touch - Simon Strantzas "Stories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith." The Reunion - Nicholas Royle "'The Reunion' is based on actual events," reveals the author, "but the story only really came into focus for me when I was invited to contribute to Ellen Datlow's Poe anthology. "Poe is brilliant. I was at a conference recently where a teacher revealed that she had read Poe's 'The Black Cat' to a lecture theatre full of schoolchildren. She switched off all the lights and used a torch to read by. A number of parents lodged complaints, which she took as a measure of the event's success. My tale is inspired by a different Poe story." Granny's Grinning - Robert Shearman "I love Christmas," says Shearman. "Always have done, and always a bit too passionately. The intensity with which I loved Christmas was delightful when I was eight years old, slightly unusual by the time I was eighteen, and increasingly disturbing thereafter. "I was the last one to grow up. It suddenly dawned on me one year, looking into the faces of my parents, and of my sister, that they were all older, and fatter, and less and less festive. And that they were trying so hard to keep me happy each Christmas, pretending they wanted all those presents I'd bought, all those sausage rolls and Quality Street chocs. That what I was trying to do, each December, was somehow reach back into the past and resurrect a time that was dead, that was long dead. "I still love Christmas. But now I recognize - as I still make them perform party games, as I still make them open their gifts and smile and say thank you - that they're zombies now. All of them, zombies. I'll never get my childhood back again, not really, or the innocence of that family get-together. So I'll make do with the dead, and pretend. "This is a story all about that." In The Garden - Rosalie Parker "'In the Garden' was written after I challenged myself to write a horror story about gardening," explains the author. "It emerged more quickly and easily than anything I've ever written. I think of it more as a prose poem than a story."