Man Out

The story of men who are hurting—and hurting America by their absence Man Out describes the millions of men on the sidelines of life in the United States. Many of them have been pushed out of the mainstream because of an economy and society where the odds are stacked against them; others have chosen to be on the outskirts of twenty-first-century America. These men are disconnected from work, personal relationships, family and children, and civic and community life. They may be angry at government, employers, women, and "the system" in general—and millions of them have done time in prison and have cast aside many social norms. Sadly, too many of these men are unsure what it means to be a man in contemporary society. Wives or partners reject them; children are estranged from them; and family, friends, and neighbors are embarrassed by them. Many have disappeared into a netherworld of drugs, alcohol, poor health, loneliness, misogyny, economic insecurity, online gaming, pornography, other off-the-grid corners of the internet, and a fantasy world of starting their own business or even writing the Great American novel. Most of the men described in this book are poorly educated, with low incomes and often with very few prospects for rewarding employment. They are also disproportionately found among millennials, those over 50, and African American men. Increasingly, however, these lost men are discovered even in tony suburbs and throughout the nation. It is a myth that men on the outer corners of society are only lower-middle-class white men dislocated by technology and globalization. Unlike those who primarily blame an unjust economy, government policies, or a culture sanctioning "laziness," Man Out explores the complex interplay between economics and culture. It rejects the politically charged dichotomy of seeing such men as either victims or culprits. These men are hurting, and in turn they are hurting families and hurting America. It is essential to address their problems. Man Out draws on a wide range of data and existing research as well as interviews with several hundred men, women, and a wide variety of economists and other social scientists, social service providers and physicians, and with employers, through a national online survey and in-depth fieldwork in several communities.

Sixteen years after this 1992 story, and forced outing remains a hot button in gay politics. When an activist's claims that men he's outed are stalking him don't ring true, Albany's only gay PI drops his protection detail - and the client winds up dead. Strachey peels back the layers of his client's double cross only to find...a triple cross. (Filmed for release by HereTV in 2005.)

"I WAS AMONG THE FIRST MEN IN, AND I WAS THE LAST MAN OUT." In Vietnam, at both the start and finish of the conflict, 2d Lt. James E. Parker Jr. saw the war as few men did. Now, with uncommon insight and raw honesty, he captures the stark realities of jungle combat, heavy casualties, and heroic sacrifice. From the tight confines of a VC-occupied Cu Chi tunnel to bloody firefights in areas that hardcore VC and NVA vets had controlled for decades, Parker relives the rain, the heat, the horror, the pain--and the anguish of kneeling beside a buddy whose blood turnd the soil black as he lays dying. Vietnam exacted a very high price. Parker pays tribute to the men who paid it. From the Paperback edition.

An American Marine recounts his ordeal as a World War II POW forced by the Japanese to build the railway immortalized in The Bridge on the River Kwai. From June 1942 to October 1943, more than 100,000 Allied POWs who had been forced into slave labor by the Japanese died building the infamous Burma-Thailand Death Railway, an undertaking immortalized in the film The Bridge on the River Kwai. One of the few who survived was American Marine H. Robert Charles, who describes the ordeal in vivid and harrowing detail in Last Man Out. The story mixes the unimaginable brutality of the camps with the inspiring courage of the men, such as a Dutch Colonial Army doctor whose skill and knowledge of the medicinal value of wild jungle herbs saved the lives of hundreds of his fellow POWs, including the author. Praise for Last Man Out “A remarkable story, long overdue, of the treatment of POW’s captured by Japan.” —Arthur L. Maher, USN, Senior officer to survive sinking of the USS Houston, POW of the Japanese in World War II “In World War II, to move materials and troops from Japan to Burma by avoiding the perilous sea route around the Malay Peninsula, the Japanese military built a railroad through the jungles of Thailand and Burma at great human cost to its prisoner laborers. Last Man Out is an effective addition to the history of this tragedy.” —Library Journal

On December 14, 1944, Japanese soldiers massacred 139 of 150 American POWs. This biography tells the story of Glenn ("Mac") McDole, one of eleven young men who escaped and the last man out of Palawan Prison Camp 10A. Beginning on December 8, 1941, at the U.S. Navy Yard barracks at Cavite, the story of this young Iowa Marine continues through the fighting on Corregidor, the capture and imprisonment by the Japanese Imperial Army in May 1942, Mac's entry into the Palawan prison camp in the Philippines on August 12, 1942, the terrible conditions he and his comrades endured in the camps, and the terrible day when 139 young soldiers were slaughtered. The work details the escapes of the few survivors as they dug into refuse piles, hid in coral caves, and slogged through swamp and jungle to get to supportive Filipinos. It also contains an account and verdicts of the war crimes trials of the Japanese guards, follow-ups on the various places and people referred to in the text, with descriptions of their present situations, and a roster of the names and hometowns of the victims of the Palawan massacre.

In Odd Man Out, Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as "odd man out" within the modernist canon: he was a realist whom realists rejected; a storyteller in pictures who did not satisfy novelist-critics; a painter of modern life who was not a modernist; a member of the impressionist group who was no impressionist. Armstrong confronts these and other paradoxes by analyzing the critical vocabularies used to describe Degas's work. By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. This is a reprint of the book first published by the University of Chicago Press in 1991.

This documentation of the architecture of Santa Barbara, California has grown since the first edition was published in 1970: the second (1980) saw an expanded format and some 150 new photographs, and the third includes still more pages and photographs. The architectural examples presented here, selected from thousands taken on a block-by- block survey, were chosen for purity of style, historical signficance, and uniqueness. Each clear and beautiful black and white photo is captioned with information on the original owner or building title; date of construction; name of architect, designer, or builder; address; and alterations or additions to the building. 11x10" Annotation copyright by Book News, Inc., Portland, OR

In the tranquil South of the 1950s, identical triplets are a medical rarity. Though alike in appearance, Matthew, Mark, and Luke Reilly are as different as three brothers can be, and compete fiercely to claim their individuality. Amid the violence of the Vietnam War, each discovers his unique calling, breaking the widely held notion they are an indivisible trio. After Matthew is killed in an ambush, the surviving brothers return to a country they no longer recognize, and become estranged while pursuing career paths as divisive as the war itself. Luke wields power as a "starmaker" in the big leagues of national politics, while Mark earns the stars of a Marine Corps general. Years later, both find themselves serving a troubled president, embroiled in a fight for his political life. For a group of powerful conspirators, sex scandals are the least of their worries. If more serious transgressions are disclosed, lives both inside and outside the White House gates will be ruined. Arranging the assassination of the century seems the cleanest solution. Aided by a modern-day Judas in the presidents inner circle, a mysterious assassin known only as Cain is contracted to carry out the assignment. In the shocking conclusion, choices made by young men at war collide with their present beliefs. Three decades removed from the war that shaped their generation, the faithful and the faithless confront a life-and-death contest at Camp David. Like a deadly version of Musical Chairs, some will live . . . some will die . . . . . . One will permanently find himself the Odd Man Out.