Manchester The Postcard Collection

Explore the history of Manchester through this collection of charming vintage postcards.

A fascinating collection of postcards from the early twentieth century.

The latest title in Amberley’s beautifully illustrated Postcard Collection series which captures historic Trafford in all its glory.

Beautiful postcards capture the Four Heatons in all their glory.

A fascinating selection of postcards encapsulates the war to end all wars.

Here, for the first time exclusively through the medium of vintage postcards, the people, streets, businesses, institutions, and recreational areas of bygone Manchester return to life. Manchester presents images of the world's largest producer of textiles, which attracted a patchwork of cultures from many lands. It tells where the first telephone conversation by a U.S. president occurred. It evokes the city that colorful individuals such as a nearly lifelong hermit, the smallest married couple in the world, a famous comic strip cartoonist, a best-selling novelist, the founders of cosmetics and fast-food empires, and a comedic superstar all called home.

Manchester, the seat of Coffee County, Tennessee, was established in 1836 and named after Manchester, England. The town is located midway between Nashville and Chattanooga and sits on the Highland Rim at the foot of the Cumberland Plateau, where the two forks of the Duck River converge at Old Stone Fort State Archaeological Park. This book is a compilation of vintage postcards highlighting the area's downtown, businesses, and natural riches from the early 1900s to the 1970s as it became a favorite destination for Highway 41 travelers.

The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain. This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites - Blackpool Pleasure Beach, Dreamland in Margate and Southend's Kursaal - the book contextualises their development with references to the wider amusement park world. The meanings of these sites are explored through a detailed examination of the spatial and architectural form taken by rides and other buildings. The rollercoaster - a defining symbol of the amusement park - is given particular focus, as is the extent to which discourses of class, gender and national identity were expressed through the design of these parks.