Manila Noir

Manila is not for the faint of heart. Population: over ten million and growing by the minute. Climate: hot, humid and prone to torrential monsoon rains of biblical proportions. The ultimate femme fatale, she's complicated and mysterious, with a tainted, painful past. The perfect, torrid setting for noir. Edited by Dogeaters (Penguin, 1991) author and National Book Award Nominee Jessica Hagedorn, and featuring original stories from a stunning group of multi-award-winning authors.

“Travel, history, and a little bit of lore . . . Transports you to the Philippines and is filled with riveting and sometimes dark stories of the capital city.” —Glamour For the perfect definition of noir, look no further than Manila. The city itself is like a femme fatale: sexy, complicated, and betrayed. From its fraught colonial history to its present-day incarnation of a teeming metropolis, it is a city of extremes: posh hotels and slums, religious zeal and superstitions, corrupt cops and heroic citizens. Capturing the essence of Manila, one of the wildest cities on the planet, this collection of noir includes stories by Lourd de Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay, Eric Gamalinda, Jessica Hagedorn, Angelo R. Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio. “Manila practically defines [noir], as shown by the 14 selections in this excellent anthology . . . The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants.” —Publishers Weekly, starred review “Suffice it to say that what the Noir series in general, and Manila Noir in particular, does so well is to create a 360-degree mosaic of a place . . . By including so many perspectives, from so many walks of life, Manila Noir makes Manila seem as vibrant, and dangerous, and exciting, and confounding as it really felt to live there.” —Lit Wrap “A collection of stories like Akashic’s forthcoming Manila Noir is enough to set a crime-fiction addict’s mouth watering.” —The New York Observer

This original anthology of noir fiction set in Maryland’s Charm City includes new stories by David Simon, Laura Lippman, Jim Fusilli, and more. As fans of the HBO series The Wire have known for years, Baltimore is home to a rich and diverse underworld that is matched by an equally rich and diverse literary tradition. This is the city where Dashiell Hammett worked as a Pinkerton agent. It’s also where Zelda Fitzgerald came for psychiatric treatment. In this sterling collection of noir fiction, some of Baltimore’s best authors “confront the full irony that is Charm City, a place where you can go from the leafy beauty of the North Side neighborhoods to the gutted ghettos of the West Side in less than twenty minutes, then find your way to the revamped Inner Harbor in another ten” (Laura Lippman, from the introduction). Baltimore Noir includes brand-new stories by David Simon, Laura Lippman, Tim Cockey, Rob Hiaasen, Robert Ward, Sujata Massey, Jack Bludis, Rafael Alvarez, Marcia Talley, Joseph Wallace, Lisa Respers France, Charlie Stella, Sarah Weinman, Dan Fesperman, Jim Fusilli, and Ben Neihart.

Finalist for the National Book Award and a 2015 Wall Street Journal Book Club selection: An intense portrait of the Philippines in the late 1950s. Dogeaters follows a diverse set of characters through Manila, each exemplifying the country’s sharp distinctions between social classes. Celebrated novelist and playwright Jessica Hagedorn effortlessly shifts from the capital’s elite to the poorest of the poor. From the country’s president and first lady to an idealist reformer, from actors and radio DJs to prostitutes, seemingly unrelated lives become intertwined.

Georgia Center for the Book has chosen Atlanta Noir as one of 2018's Books All Georgians Should Read! Kenji Jasper's "A Moment of Clarity at the Waffle House" nominated for a 2018 Edgar Award for Best Short Story! "Atlanta has its share, maybe more than its share, of prosperity. But wealth is no safeguard against peril...Creepy as well as dark, grim in outlook...Hints of the supernatural may make these tales...appealing to lovers of ghost stories." --Kirkus Reviews "These stories, most of them by relative unknowns, offer plenty of human interest...All the tales have a Southern feel." --Publishers Weekly "Jones, author of Leaving Atlanta, returns to the South via Akashic's ever-growing city anthology series. The collection features stories from an impressive roster of talent including Jim Grimsley, Sheri Joseph, Gillian Royes, Anthony Grooms and David James Poissant. The 14 selections each take place in different Atlanta neighborhood." --Atlanta-Journal Constitution "Now comes Atlanta Noir, an anthology that masterfully blends a chorus of voices, both familiar and new, from every corner of Atlanta...The magic of Atlanta Noir is readily apparent, starting with the introduction Jones pens. It doesn’t rest solely upon the breadth of writers but on how their words, stories and references are so Atlanta--so very particular, so very familiar and so very readily, for those who know the city, nostalgic. And for those who don’t? The sense of place it captures inspires a desire to get to know Atlanta and its stories." --ArtsATL Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. This much-anticipated and long-overdue installment in Akashic's Noir Series reveals many sides of Atlanta known only to its residents. Brand-new stories by: Tananarive Due, Kenji Jasper, Tayari Jones, Dallas Hudgens, Jim Grimsley, Brandon Massey, Jennifer Harlow, Sheri Joseph, Alesia Parker, Gillian Royes, Anthony Grooms, John Holman, Daniel Black, and David James Poissant. From the introduction by Tayari Jones: Atlanta itself is a crime scene. After all, Georgia was founded as a de facto penal colony and in 1864, Sherman burned the city to the ground. We might argue about whether the arson was the crime or the response to the crime, but this is indisputable: Atlanta is a city sewn from the ashes and everything that grows here is at once fertilized and corrupted by the past... These stories do not necessarily conform to the traditional expectations of noir...However, they all share the quality of exposing the rot underneath the scent of magnolia and pine. Noir, in my opinion, is more a question of tone than content. The moral universe of the story is as significant as the physical space. Noir is a realm where the good guys seldom win; perhaps they hardly exist at all. Few bad deeds go unrewarded, and good intentions are not the road to hell, but are hell itself...Welcome to Atlanta Noir. Come sit on the veranda, or the terrace of a high-rise condo. Pour yourself a glass of sweet tea, and fortify it with a slug of bourbon. Put your feet up. Enjoy these stories, and watch your back.

This harrowing mystery, winner of the Philippine National Book Award, follows two Catholic priests on the hunt through Manila for a brutal serial killer Payatas, a 50-acre dump northeast of Manila’s Quezon City, is home to thousands of people who live off of what they can scavenge there. It is one of the poorest neighborhoods in a city whose law enforcement is already stretched thin, devoid of forensic resources and rife with corruption. So when the eviscerated bodies of preteen boys begin to appear in the dump heaps, there is no one to seek justice on their behalf. In the rainy summer of 1997, two Jesuit priests take the matter of protecting their flock into their own hands. Father Gus Saenz is a respected forensic anthropologist, one of the few in the Philippines, and has been tapped by the Director of the National Bureau of Investigations as a backup for police efforts. Together with his protégé, Father Jerome Lucero, a psychologist, Saenz dedicates himself to tracking down the monster preying on these impoverished boys. Smaller and Smaller Circles, widely regarded as the first Filipino crime novel, is a poetic masterpiece of literary noir, a sensitive depiction of a time and place, and a fascinating story about the Catholic Church and its place in its devotees’ lives.

Winner of the 2022 Edgar Award for Best Novel “War, imprisonment, torture, romance…The novel has an almost operatic symmetry, and Kestrel turns a beautiful phrase.” New York Times Five Decembers is a gripping thriller, a staggering portrait of war, and a heartbreaking love story, as unforgettable as All the Light We Cannot See. nominated for Best Novel in the 2022 EDGAR AWARDS NOMINATED FOR BEST THRILLER IN THE 2022 BARRY AWARDS FINALIST FOR THE HAMMETT PRIZE 2021 "Read this book for its palpitating story, its perfect emotional and physical detailing and, most of all, for its unforgettable conjuring of a steamy quicksilver world that will be new to almost every reader." Pico Iyer December 1941. America teeters on the brink of war, and in Honolulu, Hawaii, police detective Joe McGrady is assigned to investigate a homicide that will change his life forever. Because the trail of murder he uncovers will lead him across the Pacific, far from home and the woman he loves; and though the U.S. doesn't know it yet, a Japanese fleet is already steaming toward Pearl Harbor. This extraordinary novel is so much more than just a gripping crime story—it's a story of survival against all odds, of love and loss and the human cost of war. Spanning the entirety of World War II, FIVE DECEMBERS is a beautiful, masterful, powerful novel that will live in your memory forever.

During the early months of World War II, Winston Churchill maneuvered to get the U.S. involved in the war to save his country from German invasion. Roosevelt, scheming to lure Hitler into a casus belli, ensnared Japan instead, resulting in the attack on Pearl Harbor and the Pacific War that followed. When the doomed U.S. garrison in the Philippines soon capitulated to the Japanese, the atrocities inflicted on the Filipino and American units that surrendered were portents for the inhabitants of Manila. The history chronicles the 1945 recapture of Manila largely from the perspective of the civilian population, which suffered horrific brutality from the Japanese, followed by destruction and heavy loss of life during the American assault. Individual stories are included of citizens caught in the crossfire between the tenacious Japanese defenders and American troops determined to seize the capital city while minimizing their own casualties, regardless of the cost in civilian lives. More than 175 photographs document the events described.