Mank

David Fincher's Mank recreates 1930s Hollywood through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane. Starring Gary Oldman as Mankiewicz, Amanda Seyfried as Marion Davies, Charles Dance as William Randolph Hearst and Tom Burke as Orson Welles.

Maledom Vampire. Dmitri has wandered the world for forty years, seducing women to feed his secrat’s need for blood. His venom gives women pleasure in exchange for what he requires. Like all thesals, Dmitri is plagued by his secrat’s tortured dreams of tall black gates and beautiful women with dark hair and eyes so light they are almost white. Dmitri’s secrat urges him into the vast, uncharted forest of the north. Risking starvation on animal blood, Dmitri travels for weeks, finally arriving through an underground passage to a mysterious island surrounded by a lake. There, he meets and seduces Aria – beautiful, nocturnal, and very like the women from his secrat’s dreams. Her people are the Mank, who were driven out of their city generations ago by the Cotsul, who still keep them prisoners. Dmitri resolves to help them, but he can’t defend the village during daylight hours. It’s forty-three days before the Veshtan Guard can arrive, and Aria is locked inside the village gates. Those gates must hold, but unknown to Dmitri, the Cotsul have a secret way in.

This is a detailed look at the up-and-down life of writer Herman Mankiewicz.

Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this award-winning dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men.

Volume contains: 79 NY 221 (Gordon v. Hartmann) 79 NY 240 (Kirkpatrick v. N.Y. C. & H. R. R.R. Co.) 79 NY 263 (Scattergood v. Wood) 79 NY 293 (Sweet v. Buffalo, N.Y. & Phil. Rwy Co.) 79 NY 404 (Losee v. Bullard) 79 NY 415 (Church v. Howard) 79 NY 546 (Eighmy v. People) 79 NY 561 (Long Island City v. Long Island R.R. Co.) 79 NY 621 (Wilkes v. Mayor &c of N.Y.) 79 NY 621 (Fox v. Globe Mutual L.I. Co.) 79 NY 623 (Sweet v. Buffalo, N.Y. & Phil. Rwy Co.) 79 NY 627 (Shipman v. Oswego & Onondaga Ins. Co.) 79 NY 627 (Barclay v. Ingalls) 79 NY 634 (Smith v. Smith)

Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.