Mapping The Postcolonial Domestic In The Works Of Vargas Llosa And Mukundan

This book is among the first works to engage with postcolonialism through the lens of the domestic in its totality, encompassing multifarious aspects such as domestic space, objects, family and servitude among others. The study foregrounds the inadequacy of Western theories on the domestic in explaining the postcolonial situation, and proposes alternate methods of analysing the ‘inner’ realm of colonial experience. Structured within the framework of comparative literary studies, the work serves to contribute to the tri-continental model of comparative literature, establishing mutually illuminating connections between the continents. The study provides scope for a widening of the epistemological base of critical inquiry, especially in the domains of postcolonialism, area studies and comparative literature. It explores new avenues in cross-cultural studies, contributing to the transnational diffusion of cultures and literatures, by focusing on what has been termed ‘minor’—the domestic and its rhythms in postcolonial cultures.

This edited volume brings together authors across the world to share their ideas, views, contemplations, assessments and theories about disinformation and post-truth in literature and media from a multidisciplinary perspective. The book gives an idea as to how the emerging trend of truth crisis, fake news and manipulated information leads to ideological antagonism, ethical conflicts and geopolitical power struggles in society. It has got revealing chapters that discuss the propensity to inquire into the data that satisfies the overtones of the personal emotions and beliefs that undermines facts and truths. Being an observant set of structured ideas having twenty-seven chapters, the book discusses diverse domains such as conspiracy ideologies, alt-facts of the contemporary era, signs and science of truth, post-truth politics of gender, political advertisements, realism and hyperreality, fifth estate and the third space, posthuman pataphysics, performativity and fiction, media renunciation, identity dynamics, and cultural obliteration.

This edited volume is the first to engage with material culture in the Tricontinent comprising Asia, Africa and Latin America, interrogating how objects help trace an alternate history of these locales. The potential of material culture to redefine postcolonial subjectivities is explored here through an analysis of various objects, both tangible and intangible. The book serves to subvert Eurocentric formulations of material culture and arrives at a uniquely Tricontinental model of material culture studies. The essays gathered here engage with an entire gamut of issues pertaining to the perception and significance of object-oriented ontologies from a multifaceted perspective. The book offers a glimpse into the vast field of material cultural studies through an engagement with various geopolitical locales in Asia, Africa and Latin America, thereby familiarizing the reader with the nuances of non-European material culture(s).

'Nicholas Wong is a poet and teacher and even a "fire-starter," according to Time Out: Hong Kong. His poetry collection Crevasse, which Tarfia Faizullah described as "poetry that is unashamed to be relentless" and Ocean Vuong called "a book of seared seeking, a restlessness that opens," is Kaya's most recent release. In celebration of this book, Kaya asked him a few questions about language, poetry, and writing. Nicholas Wong has has been a finalist for the New Letters Poetry Award and the Wabash Prize for Poetry, and he received his MFA from City University of Hong Kong.--

Raumanen, a prize-winning novel by Marianne Katoppo, tells the story of Monang, a handsome but wayward Batak man, and Raumanen, a young Minahasa woman who, though educated and intelligent, is also a 'soft touch' when it comes to love. As is deftly revealed by the author in this novel, even in modern day Indonesia, matters of religion and ethnicity can greatly affect--for better or worse--the course of a couple's relationship.

Breaking new ground in scholarship, Niraja Jayal writes the first history of citizenship in the largest democracy in the world—India. Unlike the mature democracies of the west, India began as a true republic of equals with a complex architecture of citizenship rights that was sensitive to the many hierarchies of Indian society. In this provocative biography of the defining aspiration of modern India, Jayal shows how the progressive civic ideals embodied in the constitution have been challenged by exclusions based on social and economic inequality, and sometimes also, paradoxically, undermined by its own policies of inclusion. Citizenship and Its Discontents explores a century of contestations over citizenship from the colonial period to the present, analyzing evolving conceptions of citizenship as legal status, as rights, and as identity. The early optimism that a new India could be fashioned out of an unequal and diverse society led to a formally inclusive legal membership, an impulse to social and economic rights, and group-differentiated citizenship. Today, these policies to create a civic community of equals are losing support in a climate of social intolerance and weak solidarity. Once seen by Western political scientists as an anomaly, India today is a site where every major theoretical debate about citizenship is being enacted in practice, and one that no global discussion of the subject can afford to ignore.

Domestic servitude blurs the divide between family and work, affection and duty, the home and the world. In Cultures of Servitude, Raka Ray and Seemin Qayum offer an ethnographic account of domestic life and servitude in contemporary Kolkata, India, with a concluding comparison with New York City. Focused on employers as well as servants, men as well as women, across multiple generations, they examine the practices and meaning of servitude around the home and in the public sphere. This book shifts the conversations surrounding domestic service away from an emphasis on the crisis of transnational care work to one about the constitution of class. It reveals how employers position themselves as middle and upper classes through evolving methods of servant and home management, even as servants grapple with the challenges of class and cultural distinction embedded in relations of domination and inequality.

This book is among the first works to engage with postcolonialism through the lens of the domestic in its totality, encompassing multifarious aspects such as domestic space, objects, family and servitude among others. The study foregrounds the inadequacy of Western theories on the domestic in explaining the postcolonial situation, and proposes alternate methods of analysing the â ~innerâ (TM) realm of colonial experience. Structured within the framework of comparative literary studies, the work serves to contribute to the tri-continental model of comparative literature, establishing mutually illuminating connections between the continents. The study provides scope for a widening of the epistemological base of critical inquiry, especially in the domains of postcolonialism, area studies and comparative literature. It explores new avenues in cross-cultural studies, contributing to the transnational diffusion of cultures and literatures, by focusing on what has been termed â ~minorâ (TM)â "the domestic and its rhythms in postcolonial cultures.