Mapping Time Space And The Body

Mapping Time, Space and the Body: Indigenous Knowledge and Mathematical Thinking in Brazil brings people, land and numbers together in the fight for justice. On this extraordinary voyage through ancestral territories in central and southern Brazil, the Xavante, Suyá, Kayabi, and other local nations use mapping as a tool to protect their human rights to lands and resources they have traditionally owned and acquired. Mathematics activities inside the classroom and in everyday life help explain how Indigenous Peoples understand the cosmos and protect the living beings that helped create it. The book is a welcome contribution to a growing literature on the mathematical and scientific thinking of Indigenous Peoples around the globe. It makes mathematics alive and culturally relevant for students of all national backgrounds worldwide. “A brilliant marriage of ethnography and mathematics written with deep understanding and obvious affection for the peoples she observed.” – James A. Wiley, Ph.D. Professor, University of California at San Francisco, USA “This original and beautifully illustrated book offers a vivid study of Indigenous Peoples in Brazil. The author develops theoretical approaches and research methodologies to understand the way cultural groups deal with their natural and social environments.” – Ubiratan D’Ambrosio, Ph.D. Emeritus Professor, Universidade Estadual de Campinas, Brazil “Mapping Time, Space and the Body is destined to create new and enlightened research in Ethnomathematics. It is an essential read for all of us working with culture and social justice in the realm of mathematics.” – Daniel Clark Orey, Ph.D. Professor, Universidade Federal de Ouro Preto, Minas Gerais, Brazil. Emeritus Professor, California State University, Sacramento, USA Cover photo by Mariana K. Leal Ferreira, 1998: Romdó Suyá, ceremonial leader of the Suyá people in the Xingu Indigenous Park

This book considers various ways in which the body is, and has been, addressed and depicted overtime while also working to redefine the body and its relation to historical time and social space.

This book brings a new spatial analysis to gang territories through the concept of the gang assemblage- the variety of actors, contexts, and practices that create and maintain these spaces. This conceptualization helps overcome the tendency of gang literature to succumb to the gang territorial trap, the tendency to assume gang territories are fixed and static containers of gang life. Drawing on multi-sited qualitative fieldwork in central Canada, interviews with gang and non-gang-affiliated residents, police, and administrators show gang territories being made material through a wide variety of daily embodied practices. Recognizing the role of multiple actors encourages a relational ethics of accountability between bodies, practices, and place that challenges the often-naturalized connections between race, space, and crime. Understanding gang space as enacted through embodied material practices provides an alternative way to think through, trace, and disrupt these associations.

This book reflects on the phenomenon of biotechnology and how it affects the body and discusses a number of related issues, including visualization, mediation, and epistemology. The author offers a compelling thesis, arguing that the exploration of the human body has one ultimate aim: to gain knowledge of it and to conquer it. Exploration of body has an intrinsic link to power, since knowledge is constitutive for the power over the body. Ultimately the conquest of body means the power to intervene into life processes. The book breaks new ground with its study of body visualizations, from the Renaissance drawings to the medical imaging. In particular, it investigates their complex mediality. It also considers the extension and the reach of biopower that is now possible thanks to a wide range of engineering applications. The author originally questions the research approach by rethinking the relationship between mental and sensual examination. She takes into consideration the epistemological problem of the two modes of exploration: obtaining knowledge from empirical exploration and projecting that knowledge to the object of exploration.

Human Rights and the Body is a response to the crisis in human rights, to the very real concern that without a secure foundation for the concept of human rights, their very existence is threatened. While there has been consideration of the discourses of human rights and the way in which the body is written upon, research in linguistics has not yet been fully brought to bear on either human rights or the body. Drawing on legal concepts and aspects of the law of human rights, Mooney aims to provide a universally defensible set of human rights and a foundation, or rather a frame, for them. She argues that the proper frames for human rights are firstly the human body, seen as an index reliant on the natural world, secondly the globe and finally, language. These three frames generate rights to food, water, sleep and shelter, environmental protection and a right against dehumanization. This book is essential reading for researchers and graduate students in the fields of human rights and semiotics of law.

Concerns about the human body and soul, and their relationship to the world around us, are as old as Western Culture itself. Beyond philosophy and theology, these sorts of preoccupations have also marked the arts, literature, and poetry; and to be sure, they have influenced Western culture, and have marked westerners' imaginations and our everyday understanding of human nature. This book considers various ways in which the body is, and has been, addressed and depicted over time, and it is also a reflection on the ways in which the very spaces that we design and inhabit likewise reflect perceived ideas and misconceptions about the human body.

Building on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe.

Newly revised, Visualizing Human Geography: At Home in a Diverse World, Third Edition maximizes the use of photographs, maps and illustrations to bring the colorful diversity of Human cultures, political systems, food production, and migration into the undergraduate classroom. This text provides readers with a thrilling approach to the subject, allowing them to see Human Geography as a dynamic and growing science and helping them move beyond the idea that geography is about memorization. Unique presentation of visuals facilitates reflection on the textual content of this text, providing a clear path to the understanding of key concepts. In its Third Edition, Visualizing Human Geography: At Home in a Diverse World includes improved coverage of migration and industry and new animations to support each chapter.