Marcos Love Beyond Space

A bright city, in a developing country. Santa Cruz is the shining star of the nation. Here lives a family, seemingly happy. The parents Louisa and Roger met in the UK and set up a nice family with two children: Marcos, the eldest and Jason, the youngest. They are the Mckai brothers. The brothers are fond of horror stories, science fiction, parallel worlds and games that they often play and bring to another world, which would hardly be achieved otherwise. Marcos, the major, manages to establish, with a parallel world, a connection so strong that he begins to have relations with parallel friends and with the one who will be his lover, Kal. But not only positive things will happen in Marcos’ life. This link will also lead him to have many dark and negative vicissitudes that unfortunately he will have to face, but never alone. He will do anything to protect his Love Beyond Space. Zaskia Mercado is a Bolivian woman who loves reading, and especially writing. One of her passions is to learn languages. She has lived all over the world, loving the cultures and languages each region has to offer. Her mother is her rock, who has always given her, her full support. She is grateful for her family, friends, and novels.

He had to save the world to redeem his sins. But the world had already ended. So he lurched along through his pointless corporeal existence, awaiting an overdue reunion with his perished family. Bereft of purpose in a man-made apocalypse, Noblé worked in the most suicidal profession, one known to expedite a longed-for reunion with his wife and daughter. They called it couriering, the simple act of escorting people, usually climate refugees escaping famine and drought, from one place to another. Desperate to leverage favor with the fates, he eschewed all material attachments and compensation for his deeds. As he dawdled over the years, playing at living while his mind was lost in the afterlife, a creeping and overwhelming feeling of failure to fulfill his destiny with his family took hold. The contagion of this intractable depression drove him toward suicide. On his way to die, he happens upon a benign, unremarkable young woman, who unknowingly holds the key to saving a once thought to be unstoppable global warming feedback loop. She possesses the one thing humanity needs to repent for its ancestors’ ecocide, and more important to Noblé, the one thing he needs to atone to get back to his family. His mind is mired in the afterlife with his loved ones, and the black hole pull of such a longing has him losing his earthly sanity more every minute. But fate, it seems, is not finished with him yet.

Embark on an unforgettable love story! Get to know Marcos, a high school senior. Marcos was a brilliant student. Unfortunately, he didn't enjoy the fun and exciting parts that high school had to offer. Soon that was all going to change. Marcos made up his mind to make his senior year of high school one to remember and to have some fun! Marcos's best friend, Zack, was the perfect guy to help him. Unlike Marcos, who was shy and quiet, Zack was loud and spontaneous. Join Marcos as he navigates his senior year, finds love, and experiences loss. He will discover himself and the meaning of life. You'll fall in love with Marcos's gentle heart and powerful soul. This story will take you places beyond anything you've read before!

Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study closely explores emotions and sensations surrounding mortality and longing, with new readings of works by Agnès Varda, Pedro Almodóvar, Ingmar Bergman, Sophie Calle, and many others.

Recent debates about the Anthropocene have prompted a re-negotiation of the relationship between human subjectivity and nonhuman matter within a wide range of disciplines. This collection builds on the assumption that our understanding of the nonhuman world is bound up with the experience of space: thinking about and with nonhuman spaces destabilizes human-scale assumptions. Literary form affords this kind of nonanthropocentric experience; one role of the critic in the Anthropocene is to foreground the function of space and description in challenging the conventional link between narrative and human (inter)subjectivity. Bringing together New Formalism, ecocriticism, and narrative theory, the included essays demonstrate that literature can transgress the strong and long-established boundary of the human frame that literary and narrative scholarship clings to. The focus is firmly on the contemporary but with strategic samplings in earlier cultural texts (the American transcendentalists, modernist fiction) that anticipate present-day anxieties about the nonhuman, while at the same time offering important conceptual tools for working through them.

This volume addresses the evolution of the visual in digital communities, offering a multidisciplinary discussion of the ways in which images are circulated in digital communities, the meanings that are attached to them and the implications they have for notions of identity, memory, gender, cultural belonging and political action. Contributors focus on the political efficacy of the image in digital communities, as well as the representation of the digital self in order to offer a fresh perspective on the role of digital images in the creation and promotion of new forms of resistance, agency and identity within visual cultures.