Margaret

Margaret Jacobson was a sweet-natured girl who had dreams of becoming a teacher until she had a psychotic break in her teens, which sent her down a much darker path. Her Name Was Margaret traces Margaret's life from her childhood to her death as a homeless woman on the streets of Hamilton, Ontario. With meticulous research and deep compassion Denise Davy analyzed over 800 pages of medical records and conducted interviews with Margaret's friends and family, as well as those who worked in psychiatric care, to create this compelling portrait of a woman abandoned by society. Through the revolving door of psychiatric admissions to discharges to rundown boarding homes, Davy shows us the grim impact of deinstutionalization: patients spiralled inexorably toward homelessness and death as psychiatric beds were closed and patients were left to fend for themselves on the streets of cities across North America. Today there are more 235,000 homeless people in Canada annually and 35,000 who are homeless on any given night. Most of them are struggling with mental health issues. Margaret's story is a heartbreaking illustration of what happens in our society to our most vulnerable.

Faced with the difficulties of growing up and choosing a religion, a twelve-year-old girl talks over her problems with her own private God.

Margaret Simon has a lot of things to think about--making friends in a new school, boys and dances and parties, growing physically "normal" and choosing a religion. "With sensitivity and humor, Judy Blume has captured the joys, fears, and uncertainties that surround a girl approaching adolescence."--"Publishers Weekly." Great Stone Face Award winner. Copyright © Libri GmbH. All rights reserved.

The culmination and completion of Margaret Laurence’s celebrated Manawaka cycle, The Diviners is an epic novel. This is the powerful story of an independent woman who refuses to abandon her search for love. For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers. The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance. The Diviners received the Governor General’s Award for Fiction for 1974.

This short volume is an ideal starting point for anyone wanting to learn about, arguably, the most famous anthropologist of the twentieth century. “Since her death, a steady drip of books about Mead, one of the most significant women in twentieth century social science and American society, has appeared, some interesting, many quite a bit less so. While Shankman’s biography makes use of them, it nevertheless stands out among the better ones, not only for its well-informed and balanced view of Mead, but also for its concision.”—Times Literary Supplement Tracing Mead’s career as an ethnographer, as the early voice of public anthropology, and as a public figure, this elegantly written biography links the professional and personal sides of her career. The book looks at Mead’s early career through the end of World War II, when she produced her most important anthropological works, as well as her role as a public figure in the post-war period, through the 1960s until her death in 1978. The criticisms of Mead are also discussed and analyzed. From the introduction: After her death, she was awarded the Presidential Medal of Freedom by President Jimmy Carter.... On the other side of the world, Mead’s passing was remembered in a very different context. On the island of Manus off the coast of New Guinea, the people of Pere village also mourned her death. Mead first studied the people of Pere in the late 1920s, returning in the 1950s with further visits thereafter. Over a span of five decades, she touched their lives, and they touched hers. Such was Mead’s stature that they commemorated her death with a ceremony befitting a great leader.

Perfect for fans of The Crown, this captivating biography from a New York Times bestselling author follows Queen Elizabeth II and her sister Margaret as they navigate life in the royal spotlight. They were the closest of sisters and the best of friends. But when, in a quixotic twist of fate, their uncle Edward Vlll decided to abdicate the throne, the dynamic between Elizabeth and Margaret was dramatically altered. Forever more Margaret would have to curtsey to the sister she called 'Lillibet.' And bow to her wishes. Elizabeth would always look upon her younger sister's antics with a kind of stoical amusement, but Margaret's struggle to find a place and position inside the royal system—and her fraught relationship with its expectations—was often a source of tension. Famously, the Queen had to inform Margaret that the Church and government would not countenance her marrying a divorcee, Group Captain Peter Townsend, forcing Margaret to choose between keeping her title and royal allowances or her divorcee lover. From the idyll of their cloistered early life, through their hidden war-time lives, into the divergent paths they took following their father's death and Elizabeth's ascension to the throne, this book explores their relationship over the years. Andrew Morton's latest biography offers unique insight into these two drastically different sisters—one resigned to duty and responsibility, the other resistant to it—and the lasting impact they have had on the Crown, the royal family, and the ways it adapted to the changing mores of the 20th century.

The funny and tragic, bestselling biography of The Queen’s sister, Princess Margaret, perfect for fans of Netflix’s The Crown. A GUARDIAN BOOK OF THE YEAR • A TIMES BOOK OF THE YEAR • A DAILY MAIL BOOK OF THE YEAR ‘I honked so loudly the man sitting next to me dropped his sandwich’ Observer

A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when "being a writer" was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was "Mad Madge," an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. "In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair