Margaret S Monsters

St. Margaret of Antioch was one of the most popular saints in medieval England and, throughout the Middle Ages, the various Lives of St. Margaret functioned as a blueprint for a virginal life and supernatural assistance to pregnant women during the dangerous process of labor. In her narrative, Margaret is accosted by various demons and, having defeated each monster in turn, she is taken to the place of her martyrdom where she prays for supernatural boons for her adherents. This book argues that Margaret’s monsters are a key element in understanding Margaret’s importance to her adherents, specifically how the sexual identities of her adherents were constructed and maintained. More broadly, this study offers three major contributions to the field of medieval studies: first, it argues for the utility of a diachronic analysis of Saints’ Lives literature in a field dominated by synchronic analyses; second, this diachronic analysis is important to interpreting the intertext of Saints’ Lives, not only between different Lives but also different versions of the same Life; and third, the approach further suggests that the most valuable socio-cultural information in hagiographic literature is found in the auxiliary characters and not in the figure of the saint him/herself.

Margaret Mahler was from a young age intrigued by the theories of Sigmund Freud and Hungarian psychoanalysts such as Sandor Ferenzci, with whom she became acquainted while a student in Budapest. Forced to flee Europe and rising anti–Semitism, Margaret and her husband, Paul, came to the United States in 1938. It was after this move that Mahler performed her most significant research and developed concepts such as the ground-breaking theory of separation-individuation, an idea which was given credence by Mahler’s own relationship with her father. This volume details the life and work of Margaret Mahler focusing on her life’s ambition—her psychoanalytical work. Her experiences with the Philadelphia Institute and her definitive research through the Masters Children’s Clinic are also discussed.

For anyone who loved Leonardo, the Terrible Monster, this is a humorous and important book about learning to follow your heart and proving that kindness can outweigh villainy any day. Maximillian Villainous is a monster who doesn't have the heart to be a villain. His famous family pulls pranks on the likes of Santa Claus and the Tooth Fairy, and Max spends his time undoing them. So when he brings home a bunny to be his sidekick, Max's disapproving mother hatches a plan. She challenges Max and the bunny to become a devious duo; otherwise . . . the bunny hops. If they want to stay together, Max and the bunny have no choice but to go against their nature. They blunder into villainy with comical effect until Max discovers that embracing his good heart may just be the key to pulling off the most devious deed of all and winning his family's acceptance. Delightfully fun and irreverent, Maximillian Villainous is an empowering story about embracing one's true self and finding acceptance. Up and coming illustrator Lesley Breen Withrow brings the characters to life with bold and colorful illustrations in a style reminiscent of Richard Scarry.

Miss Peggy, Dr. Maggie, and Miss Li’l Bit, friends and confidantes for nearly a lifetime, find it funny and bewildering that they have become icons in Charles Valley, Georgia. Little does the rest of the town know that beneath the irreproachable façades of its three doyennes lies an explosive decades-old secret that is about to be revealed. Thirty-odd years ago the three Miss Margarets did something extraordinary, clandestine, and very illegal. Although their lives are haunted by the night that changed their lives, they believe that their crime was simply a matter of righting an egregious wrong. But when a stranger’s arrival in town and a tragic death open the floodgate of memory, their loyalty, friendship, and honor are tested in ways they could never have imagined.

"Gorgeous prose, delicious magic." - V.E. Schwab YALSA Best Fiction for Young Adults Selection Kids' Indie Next Pick Amazon Best Book A scrappy maid must outsmart both palace nobles and Low Gods in a new YA fantasy by Margaret Owen, author of the Merciful Crow series. Once upon a time, there was a horrible girl... Vanja Schmidt knows that no gift is freely given, not even a mother’s love—and she’s on the hook for one hell of a debt. Vanja, the adopted goddaughter of Death and Fortune, was Princess Gisele's dutiful servant up until a year ago. That was when Vanja’s otherworldly mothers demanded a terrible price for their care, and Vanja decided to steal her future back... by stealing Gisele’s life for herself. The real Gisele is left a penniless nobody while Vanja uses an enchanted string of pearls to take her place. Now, Vanja leads a lonely but lucrative double life as princess and jewel thief, charming nobility while emptying their coffers to fund her great escape. Then, one heist away from freedom, Vanja crosses the wrong god and is cursed to an untimely end: turning into jewels, stone by stone, for her greed. Vanja has just two weeks to figure out how to break her curse and make her getaway. And with a feral guardian half-god, Gisele’s sinister fiancé, and an overeager junior detective on Vanja’s tail, she’ll have to pull the biggest grift yet to save her own life. Margaret Owen, author of The Merciful Crow series, crafts a delightfully irreverent retelling of “The Goose Girl” about stolen lives, thorny truths, and the wicked girls at the heart of both.

Appealing to Monster Theory and the ancient Near Eastern motif of "Chaoskampf," Safwat Marzouk argues that the paradoxical character of the category of the monster is what prompts the portrayal of Egypt as a monster in the book of Ezekiel. While on the surface the monster seems to embody utter difference, underlying its otherness there is a disturbing sameness. Though the monster may be defeated and its body dismembered, it is never completely annihilated. Egypt is portrayed as a monster in the book of Ezekiel because Egypt represents the threat of religious assimilation. Although initially the monstrosity of Egypt is constructed because of the shared elements of identity between Egypt and Israel, the prophet flips this imagery of monster in order to embody Egypt as a monstrous Other. In a combat myth, YHWH defeats the monster and dismembers its body. Despite its near annihilation, Egypt, in Ezekiel's rhetoric, is not entirely obliterated. Rather, it is kept at bay, hovering at the periphery, questioning Israel's identity.