Marvelous Myths

What makes someone a hero? In the early 1960's, the image of a superhero was someone with a square jaw, a muscular build, and a quick smile whose biggest personal problem was trying to keep their girlfriends from guessing their secret identities. Then writer Stan Lee and artists Jack Kirby and Steve Ditko created a group of superheroes who revolutionized comics. These heroes, including The Fantastic Four, The Incredible Hulk, Spider-man, The X-men, Iron Man, Captain America and others, were not perfect heroes living in a perfect world, but fallible people with physical ailments and personal problems like our own. While the authors and artists who created them did not intend to write explicitly religious stories, their tales of imperfect heroes who try to do the right thing despite the many challenges they face, provide us with the opportunity to reflect on our own faith journeys as we strive to live heroic lives in the real world. Each chapter reflects on the heroes' most famous adventures and discusses the ways in which we are called to overcome many of the same obstacles they face as we strive to carry out the ministries to which God calls us. Each chapter ends with questions for reflection or group study.

This book examines post-war surrealist cinema in relation to surrealism’s change in direction towards myth and magic following World War II. Intermedial and interdisciplinary, the book unites cinema studies with art history and the study of Western esotericism, closely engaging with a wide range of primary sources, including surrealist journals, art, exhibitions, and writings. Kristoffer Noheden looks to the Danish surrealist artist Wilhelm Freddie’s forays into the experimental short film, the French poet Benjamin Péret’s contribution to the documentary film L’Invention du monde, the Argentinean-born filmmaker Nelly Kaplan’s feature films, and the Czech animator Jan Svankmajer’s work in short and feature films. The book traces a continuous engagement with myth and magic throughout these films, uncovering a previously unknown strain of occult imagery in surrealist cinema. It broadens the scope of the study of not only surrealist cinema, but of surrealism across the art forms. Surrealism, Cinema, and the Search for a New Myth will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts.

For Mabille, the marvelous is a state of extreme poetic tension in which inner and outer realities are joined. Anaïs Nin suggested this book as a source of inspiration, far ahead of its time, for would-be authors seeking to break from the realist literary mold.

The present collection of essays, selected by a priest-teacher and laywoman-student at Loyola University, brings together wide-ranging, mind-opening, and absorbing studies on major aspects of biblical scholarship. The volume comprises four major sections. In the first, Free Scholarship in the Church, McKenzie emerges as an articulate spokesman for freedom of intellectual inquiry within the household of the faith. Part 2, Inspiration and Revelation, are lucid, intellectually exhilarating investigations into the meaning of God's word and the historical processes from which the Bible emerged. Part 3, Myth and the Old Testament, includes probing essays that bring the reader face to face with an important and difficult subject: the attitude of the biblical man to nature and to the mythologies of his pagan neighbors. The final section, Messianism, is devoted to a study of the hopes of Israel of old and their fulfillment in Jesus Christ, along with the use of messianic passages for apologetic purposes.