Marx And America

If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New appraisals sheds new light on that question in essays that engage sexuality, gender, race, nationalism, class, memory, and much more.

Fox News personality and radio talk show host Levin explains how the dangers he warned against have come to pass"--

If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: new appraisals sheds new light on that question in essays that engage sexuality, gender, race, nationalism, class, memory, and much more.

This book assesses the untimely relevance of Marx and Freud for Latin America, thinkers alien to the region who became an inspiration to its beleaguered activists, intellectuals, writers and artists during times of political and cultural oppression. Bruno Bosteels presents ten case studies arguing that art and literature—the novel, poetry, theatre, film—more than any militant tract or theoretical essay, can give us a glimpse into Marxism and psychoanalysis, not so much as sciences of history or of the unconscious, respectively, but rather as two intricately related modes of understanding the formation of subjectivity.

The ground has shifted from the days in which "serious history" and "boring" went hand in glove. Textbooks and lectures have their place, but less traditional classrooms can be powerfully immersive and insightful. Take the 1929 Marx Brothers film The Cocoanuts and what it teaches about both the Great Depression and early sound films. The Marx Brothers are among the funniest comedy teams of all time. Four of their 13 films are on the American Film Institute's list of the 100 greatest American comedies ever made. For many contemporary viewers, though, "getting" the jokes is not always easy because the humor can be subjective and timebound. This work looks at the American past through the lens of the Marx Brothers' films and other projects. Each of the chapters focuses on a specific film, contextualizing the world at the time and how the Marx Brothers lampooned those subjects. Along the way, the book demonstrates what the Marx Brothers revealed about weighty topics like gambling, gender relations, immigration, medical care, Prohibition, race and war, all leavened with offbeat humor.

While Alexis de Tocqueville described America as the 'absolute democracy,' Karl Marx saw the nation as a 'defiled republic' so long as it permitted the enslavement of blacks. In this insightful political history, Nimtz argues that Marx and his partner, Frederick Engels, had a far more acute and insightful reading of American democracy than Tocqueville because they recognized that the overthrow of slavery and the cessation of racial oppression were central to its realization. Nimtz's account contrasts both the writings and the civil action of Tocqueville, Marx and Engels, noting that Marx and Engels actively mobilized the German-American community in opposition to the slavocracy prior to the Civil War, and that Marx heavily supported the Union cause. This potent and insightful investigation into the approaches of two major thinkers provides fresh insight into past and present debates about race and democracy in America.