Mcsweeney S Issue 46

In thirteen electrifying stories, our very first all-Latin-American issue takes on the crime story as a starting point, and expands to explore contemporary life from every angle—swinging from secret Venezuelan prisons to Uruguayan resorts to blood-drenched bedrooms in Mexico and Peru, and even, briefly, to Epcot Center and the Havana home of a Cuban transsexual named Amy Winehouse. Featuring contemporary writers from ten different countries—including Alejandro Zambra, Juan Pablo Villalobos, Andres Ressia Colino, Mariana Enriquez, and many more—McSweeney’s 46 offers an essential cross-section of the troubles and temptations confronting the region today. It’s crucial reading for anyone interested in the shifting topography of Latin American literature and Latin American life, and a collection of writing to rival anything we’ve assembled in years.

With tremendous new stories from Steven Millhauser and Roddy Doyle, an epic, genre-shattering novella from Hilton Als, and a really excellent special section on Norway's finest writers (featuring not just Per Petterson but also Kid Icarus and a woman named Blind Margjit)--along with, probably, correspondence from a man we can't yet name and an unbelievable disappearing-ink cover done by Jordan Crane--Issue 35 is a full-to-bursting edition in the tradition of the best ones we've ever done. For several hundred pages of unrivaled summer reading, this is your book.

In the wise and beautiful second collection from the acclaimed, Pulitzer Prize-winning #1 New York Times bestselling author of All the Light We Cannot See, and Cloud Cuckoo Land, "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" (The New York Times Book Review). Set on four continents, Anthony Doerr's new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In "The River Nemunas," a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. "Village 113," winner of an O'Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in "Afterworld," the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson. Every story in Memory Wall is a reminder of the grandeur of life--of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr's language, his witness, his imagination, and his humanity are unparalleled in fiction today.

Items in container: Main book -- Aleatory fiction [booklet] -- Voicemails to the editor -- Crypto acoustic auditory non-hallucatination -- Audio tours of your home -- Get on board -- KidzWorks! -- Douteflower -- ClearVoice -- Speculation, N. -- Clinical judgment.

A latest quarterly anthology by the two-time National Magazine Award-winning literary journal features entries by forefront and up-and-coming writers, as well as an eccentric design.

One of Elle's "Must-Read Titles for Your Book Club." Chosen by The Millions and Flavorwire as one of the most-anticipated books of 2016. The very short stories of Diane Williams have been aptly called “folk tales that hammer like a nail gun,” and these 40 new ones are sharper than ever. They are unsettling, yes, frequently revelatory, and more often than not downright funny. Not a single moment here is what you might expect. While there is immense pleasure to be found in Williams’s spot-on observations about how we behave in our highest and lowest moments, the heart of the drama beats in the language of American short fiction’s grand master, whose originality, precision, and power bring the familiar into startling and enchanted relief.

Presents a collection of stories from around the world, including five stories set in Kenya.