Media Connections Between Britain And Ireland

This book examines the relationship between Britain and Ireland, specifically the central role played by print and broadcast media in communicating political, cultural, and social differences and similarities between the two islands. The relationship between Ireland and Great Britain has a long and complex history. Given their geographical proximity and shared language one key dimension of this relationship has been the communication media – print and electronic – that have mediated this relationship. This book addresses this important, but relatively neglected, topic at a critical time in Anglo-Irish relations. Taking the long view, as well as looking in detail at specific episodes, the contributors map British-Irish interactions in print and broadcast media. This volume assesses the proprietorial and journalistic connections between various media institutions, the conditions under which media organisations operated and distribution channels employed. It considers media influences in terms of the role of media organs in constructing national identity and promoting social change. Furthermore, this book also considers news flows between the two islands, censorship in times of conflict, cross-border influences of television, and the relationship between cinema and television. The chapters in this book were originally published as a special issue of the journal Media History.

An exploration of the relationship between the broadcast media and political events in Northern Ireland. Contributors examine a range of issues, including the broadcasting ban, Ulster Unionism and British journalism, the Gibraltar killings and coverage of the conflict by Dublin journalists.

This is a revised and updated edition of Liz Curtis' classic work on censorship and distortion of the news from the North of Ireland. This new edition contains an extensively updated chronology covering the notorious 'broadcasting ban' of 1988-94 when republicans appeared on TV with their voices dubbed over by actors. "A detailed and telling indictment of British media coverage of Ireland" - The Guardian "One of the most devastating indictments of the British media to appear in print...fascinating reading" - Tariq Ali

In this ground-breaking two-volume set, world-leading experts produce a rich, authoritative depiction of the world's press, its freedom, and its limits. We want press freedom but we also want freedom from the press. A powerful press may expose a corrupt government or aid it. It may champion citizens or unfairly attack them. A vulnerable press may lack supporters and succumb to conformity. It may resist, and overcome tyranny. According to common belief, press freedom involves social responsibilities to equip public debate and render government transparent. Is this attitude valid given that the press is usually a private, commercial actor? Globally, the health, authority, and viability of the press varies dramatically. These patterns do not conform to traditional divisions between North and South, East and West. Instead, they are much more complex. How do we measure successful press regulation? What concessions can the state and/or society demand from the press? What constitutes the irreducible core of press freedom? The contributions in Volume 1 look at key jurisdictions in Europe; whereas Volume 2 goes beyond Europe to analyse the situation in key jurisdictions in Asia, Africa, the Americas and Oceania. Each volume can be used independently or as part of the complete set. This work will be incredibly valuable to policymakers and academics who seek to capture the global picture for the purposes of effecting change.

This text investigates the troubled relationship between British broadcasting and Northern Ireland. The work combines historical, sociological and cultural studies approaches to the study of Northern Ireland with critically informed analysis of nonfictional coverage of the conflict. It considers the peculiar institutional development of local radio and television in the context of a long-term view of consensus broadcasting in the state in Britain, demonstrating how in the years since 1968 the reporting of Northern Ireland has adversely affected the traditionally independent position of British broadcasting.

Media Wars analyses the media coverage of the conflict in Ulster over the past twenty-seven years. The book presents revelations about the manufacture of propaganda by the British Army, and analyses censorship by the British and Irish governments.

This book examines how the transcultural and transnational migration of people, texts, and ideas has transformed the paradigm of national literature, with Britain and Ireland as case studies. The study questions definitions of migration and migrant literature that focus solely on the work of authors with migrant backgrounds, and suggests that migration is not extraneous but intrinsic to contemporary understandings of national literature in a global context. The fictional work of authors such as Caryl Phillips, Colum McCann, Abdulrazak Gurnah, Rose Tremain, Elif Shafak, and Evelyn Conlon is analysed from a variety of perspectives, including transculturality, cosmopolitanism, and Afropolitanism, so as to emphasise how their work fosters an understanding of national literature, as well as of individual and collective identities, based on transborder interconnectivity.

This book is the first in-depth analysis of the interaction between the British and Irish governments and the role they have played in seeking to resolve the conflict in Northern Ireland since 1980. Eamonn O’Kane examines Britain and Ireland’s objectives in relation to the Northern Ireland conflict, focusing on the influential factors that persuaded these two governments to co-operate at a closer level and those which made this co-operation difficult to achieve and at times sustain. Drawing on extensive primary research, including interviews with leading British and Irish politicians and civil servants, the book questions many of the most widely accepted arguments regarding the conflict. It sheds new light upon the objectives of the two states in Northern Ireland, the origins of the peace process, the reasons that the conflict appeared so intractable and the role of the international dimension. The book places events in context and offers a more convincing explanation for many of the advances and disappointments in Northern Ireland in recent years than is currently available. This volume offers a reinterpretation of the intergovernmental approach to the Northern Ireland conflict and peace process and is an invaluable resource for students and researchers of British politics, Irish studies and conflict studies.