Mediascapes Of Ruined Geographies In The Global South

This book undertakes an interdisciplinary and cross-cultural interrogation of the Global South through the prisms of media and cultural studies. It closely explores the quotidian (re)territorialization, and brazen ruination of the material geographies of this vast expanse of the world by forces and proxies of (neo)colonialism and global capitalism of resource extraction. We cite the ongoing expulsion of Palestinians from their homelands by occupational forces, the emerging detritus dump across Mexico City and Lagos, the infrastructural precariousness of the favelas of Brazil, the unending resource-war in the Democratic Republic of Congo (DRC), and the flagrant operation of the oil industry in the Niger Delta region of Nigeria as examples of this geographic cataclysm. The centripetal forces of neo-colonialism and resource extraction at full-flight in the Global South, aided by toxic hegemonic forces, have overtly tossed some of the population to the peripheries of existence and the society at large. As such, this book, additionally, explores the resistance of the subalterns from the margins to this socio-political malaise, and further unmasks the knowledge production from these margins of the Global South. This project is divided into five (5) parts of three essays each. The first part examines the territorial contestation in the Middle East framed and expressed through films and literary lenses. The second part examines the environmental burden of modern consumerism and urbanization on metropolis across Mexico, Brazil, and Nigeria, while the third part explores the attritional violence of resource extraction in the DRC, Brazil, and Nigeria via filmic and journalistic lenses. The fourth part offers a swift response from the margins through ethnographic and journalistic interrogation of the subjectivity of the subalterns of Brazilian favelas, and street artists. The fifth part offers an engaging critique of the political climates of South Africa and Brazil that reinforce the environmental catastrophe of the regions of the world. ​

This book engages with the idea of the Global South through cinema as a concept of resistance; as a space of decolonialisation; and as an arena of virtuality, creativity and change. It opens up a dialogue amongst scholars and filmmakers from the Global South: India, Nigeria, Colombia, Brazil, South Africa, and Egypt. The essays in the volume approach cinema as an intertwined process of both production and perception not divorced from the economic, social, political and cultural. They emphasise film as a visual medium where form, structure and content are not separable. Through a wide array of film-readings, the authors explore the concept of a southern cinematic esthetics, in particular, and the concept of the Global South in general. The volume will be of interest to scholars, students and researchers of film and media studies, critical theory, cultural studies and Global South studies.

This book offers new approaches and insights into the ongoing and topical discussions on the concepts and definitions of the global south. Instead of adding to the debates about how to properly define the "global south" as such, it aims at emphasising concrete experiences and accounts of (post-)colonial dislocation and disidentification as both a starting point and linchpin for the subsequent exploration. It brings into conversation theories and interrogations of the "global south" with specific local studies, without presenting them as the romanticised "other" or as "non-western" narratives. As a bold initiation of future conversations on issues that both directly and indirectly affect ideas about the global south, the volume will be of great interest to scholars and researchers of critical theory, literary and cultural studies, and global south studies.

The book will be an 'everyday' geography of the Global South that places 'development' in the background and brings detailed, grounded understanding of the ways in which individuals and household make a living.

As the pace of cultural globalization accelerates, the discipline of literary studies is undergoing dramatic transformation. Scholars and critics focus increasingly on theorizing difference and complicating the geographical framework defining their approaches. At the same time, Anglophone literature is being created by a remarkably transnational, multicultural group of writers exploring many of the same concerns, including the intersecting effects of colonialism, decolonization, migration, and globalization. Paul Jay surveys these developments, highlighting key debates within literary and cultural studies about the impact of globalization over the past two decades. Global Matters provides a concise, informative overview of theoretical, critical, and curricular issues driving the transnational turn in literary studies and how these issues have come to dominate contemporary global fiction as well. Through close, imaginative readings Jay analyzes the intersecting histories of colonialism, decolonization, and globalization engaged by an array of texts from Africa, Europe, South Asia, and the Americas, including Zadie Smith's White Teeth, Junot Díaz's The Brief Wondrous Life of Oscar Wao, Kiran Desai's The Inheritance of Loss, Arundhati Roy's The God of Small Things, Vikram Chandra's Red Earth and Pouring Rain, Mohsin Hamid's Moth Smoke, and Zakes Mda's The Heart of Redness. A timely intervention in the most exciting debates within literary studies, Global Matters is a comprehensive guide to the transnational nature of Anglophone literature today and its relationship to the globalization of Western culture.

The magnificent new novel from the million-selling Booker Prize-winning author of The White Tiger: one of the most eagerly anticipated literary novels of 2011--"a kaleidoscopic portrait of a changing Mumbai." — Guardian (Best Books of 2011) Ask any Bombaywallah about Vishram Society--Tower A of the Vishram Co-operative Housing Society--and you will be told that it is unimpeachably pucca. Despite its location close to the airport, under the flight path of 747s and bordered by slums, it has been pucca for some fifty years. But Bombay has changed in half a century--not least its name--and the world in which Tower A was first built is giving way to a new city; a Mumbai of development and new money; of wealthy Indians returning with fortunes made abroad. When real estate developer Dharmen Shah offers to buy out the residents of Vishram Society, planning to use the site to build a luxury apartment complex, his offer is more than generous. Initially, though, not everyone wants to leave; many of the residents have lived in Vishram for years, and many of them are no longer young. But none can benefit from the offer unless all agree to sell. As tensions rise among the once civil neighbours, one by one those who oppose the offer give way to the majority, until only one man stands in Shah's way: Masterji, a retired schoolteacher, once the most respected man in the building. Shah is a dangerous man to refuse, but as the demolition deadline looms, Masterji's neighbours--friends who have become enemies, acquaintances turned co-conspirators--may stop at nothing to score their payday. A suspense-filled story of money and power, luxury and deprivation, and a rich tapestry peopled by unforgettable characters, not least of which is Bombay itself, Last Man in Tower opens up the hearts and minds of the inhabitants of a great city--ordinary people pushed to their limits in a place that knows none. This eBook edition includes a Reading Group Guide.

This book explains how and why cities on the African continent have grown at such a rapid pace, how municipal authorities have tried to cope with this massive influx of people, and how long-time urban residents and newcomers interact, negotiate, and struggle over access to limited resources.