Men In Black Dresses

If we pause long enough, we can hear, above the din of our planet's rapid globalization and technological advancement, the quiet voices of spiritual leaders from ancient faiths. Middle East historian Yvonne Seng asks, What can these modern Desert Fathers with their long history of survival advise us on the future of our planet? Her intellectual quest rapidly becomes a personal journey that turns her Western training and perceptions on their head. Men In Black Dresses takes the reader behind the walls of desert monasteries, Sufi enclaves, ancient cathedrals and mosques -- where the author knocks, uninvited, and waits for the wise men to allow her in. Once inside, they discuss the universal concerns of the environment and the Internet, the building of a global community, and the education of coming generations, as well as the state of the human spirit.

Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the fifteenth century, through sixteenth-century Venice, seventeenth-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes.

According to the lore, UFO witnesses are sometimes harassed or intimidated by mysterious men dressed entirely in black. Are they government agents, sinister aliens or interdimensional creatures? Jim Keith follows up his previous books with this investigation of various Men in Black stories. Known to Ufologists as M.I.B.s, Keith chronicles the strange goings on surrounding UFO activity and often bizarre cars that they arrive in—literal flying cars! Chapters include: Black Arts; Demons and Witches; Black Lodge; Maury Island; On a Bender; The Silence Group; Overlords and UMMO; More Black Ops; Indrid Cold; M.I.B.s in a Test Tube; Green Yard; The Hoaxers; Gray Areas; You Will Cease UFO Study; Beyond Reality; The Real/Unreal Men in Black; Deciphering a Nightmare; more.

Italian Women in Black Dresses reads like a memoir, detailing the life of a family across generations and giving us a moving and haunting portrait of the Italian mother who is the center around which this family revolves. The mother's stories and words shape the lives of her daughter and granddaughter, but this book is about much more than ethnicity. Gillan's work succeeds in transcending any single identity category and explores instead the multiple ways in which each of us learns to identify him or herself.

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This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.

In 1960, renowned Nevada writer Robert Laxalt moved himself and his family to a small Basque village in the French Pyrenees. The son of Basque emigrants, Laxalt wanted to learn as much as he could about the ancient and mysterious people from which he was descended and about the country from which his parents came. Thanks to his Basque surname and a wide network of family connections, Laxalt was able to penetrate the traditional reserve of the Basques in a way that outsiders rarely can. In the process, he gained rare insight into the nature of the Basques and the isolated, beautiful mountain world where they have lived for uncounted centuries. Based on Laxalt’s personal journals of this and a later sojourn in 1965, The Land of My Fathers is a moving record of a people and their homeland. Through Laxalt’s perceptive eyes and his wife Joyce’s photographs, we observe the Basques’ market days and festivals, join their dove hunts and harvests, share their humor and history, their deep sense of nationalism, their abiding pride in their culture and their homes, and discover the profound sources of the Basques’ strength and their endurance as a people. Photography by Joyce Laxalt.

“Loving him is like shaking hands with the devil. It will be exciting at the same time, scares you to death.” In her never-ending life, 23-year-old Ashley wanted nothing but a decent job to escape her poverty. But her life took a sudden twist and turn when she accidentally met Vincent, Capo of an infamous Mafia group. Ashley got dragged into his world and never thought it was going to haunt her in every way. He’s a dangerous man, and more importantly, he has special attention on her, and she finds it so frightening. Stuck in between her boring world and in his risky yet thrilling life, Ashley put in a compulsion to choose one, and he made sure that it has to be his world! Can Ashley evade his charisma? Or is she going to stop her senses that reacting to his ways?