Metalworking In Bronze Age China

"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--

This text covers the early experimentation with metals and alloys and on production of metal artifacts which helps to understand the emergence of early Chinese civilization. The materials presented here should alter the view that Chinese society developed in a vacuum and that dynastic China was the exclusive making of local cultures in the Yellow River Valley.

A detailed technical study of 47 bronze fragments excavated from the site of Tianma-Qucun in the south-west Shanxi province of China, an early capital of the Jin state from 1027 to 650BC.

"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--

Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.

Written by eminent scholars in the field, this edited volume is the first to treat in a comprehensive manner the archaeology of metallurgy's origins, focusing specifically on initial uses of copper and bronze, as well as the coming of iron across Asia from the Eastern Mediterranean to the Far East. It is a volume that should serve for some time to come as the source of the fundamental information upon which larger interpretations of metallurgical developments in Asia will be grounded. MASCA research papers, Vol. 16 University Museum Monograph, 89

"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--