Mighty Baal

Mighty Baal offers a fresh portrait of the ancient Near Eastern god Baal. Its eleven essays are written in honor of Mark S. Smith, who has been the leading historian of Baal over the last four decades.

This volume provides a lengthy introduction and detailed translation and commentary for the first two tablets of the Baal Cycle, which witnesses to both the religious worldview of Ugarit and many of the formative religious concepts and images in the Bible.

The Ugaritic Baal Cycle offers a translation and the first commentary on the Ugaritic Baal Cycle. The longest and most important religious text from ancient Ugarit, the Baal Cycle witnesses to both the religious worldview of Ugarit and the larger background to many of the formative religious concepts and images in the Bible. The volume treats introductory matters such as date, order and continuity of the tablets, the history of interpretation, and finally a new proposal for the interpretation of text drawing on the insights of previous views as well as newer evidence. The commentary proper provides bibliography, text, textual notes, literary structure and detailed commentary for each column in the first two tablets.

Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.

Psalm 29, a sacred text in Jewish and Christian Bibles, has been understood in a variety of ways through time and in different traditions. This volume presents a sample of the use and meaning derived from a single biblical text. From the earliest translations to contemporary African Independent Churches, this psalm has been an integral part of synagogue and church; but what it has meant and how it is used is a fascinating journey through human culture. Not only the understanding of the written word, but also the liturgical use and the musical adaptations of a biblical text are considered here. This is a book for anyone--scholar, student, or laity--with an interest in the Bible in its many contexts.

Biblical scholarship today is divided between two mutually exclusive concepts of the emergence of monotheism: an early-monotheistic Yahwism paradigm and a native-pantheon paradigm. This study identifies five main stages on Israel's journey towards monotheism. Rather than deciding whether Yahweh was originally a god of the Baal-type or of the El-type, this work shuns origins and focuses instead on the first period for which there are abundant sources, the Omride era. Non-biblical sources depict a significantly different situation from the Baalism the Elijah cycle ascribes to King Achab. The novelty of the present study is to take this paradox seriously and identify the Omride dynasty as the first stage in the rise of Yahweh as the main god of Israel. Why Jerusalem later painted the Omrides as anti-Yahweh idolaters is then explained as the need to distance itself from the near-by sanctuary of Bethel by assuming the Omride heritage without admitting its northern Israelite origins. The contribution of the Priestly document and of Deutero-Isaiah during the Persian era comprise the next phase, before the strict Yahwism achieved in Daniel 7 completes the emergence of biblical Yahwism as a truly monotheistic religion.

The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE was one of the most well-known ancient Near Eastern myths. Its widespread dissemination in distinct versions across disparate locations and time periods - Syria, Egypt, Anatolia, Ugarit, Mesopotamia, and Israel - calls for analysis of all the textual variants in order to determine its earliest form, geo-cultural origin, and transmission history. In undertaking this task, Noga Ayali-Darshan examines works such as the Astarte Papyrus, the Pisaisa Myth, the Songs of Hedammu and Ullikummi, the Baal Cycle, Enuma elis, and pertinent biblical texts. She interprets these and other related writings philologically according to their provenance and comparatively in the light of parallel texts. The examination of this story appearing in all the ancient Near Eastern cultures also calls for a discussion of the theology, literature, and history of these societies and the way they shaped the local versions of the myth.