Millions Like Us

This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.

In 1942 Cora Johnston is grieving over the death of her young husband, torpedoed in the Atlantic; Aileen Morris is intercepting Luftwaffe communications during the siege of Malta - and Clara Milburn, whose son was captured after Dunkirk, is waiting, and waiting ... We tend to see the Second World War as a man's war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of "Total War" millions of women - in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. In Millions Like Us Virginia Nicholson tells the story of the women's war, through a host of individual women's experiences. She tells how they loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ...

The Second World War saw women fully involved and experiencing work outside the home; the temporary nature of their new role was echoed in the fiction of the era, where the heroine's work remained a prelude to her return to domesticity. Their relative freedom is also reflected in wartime fiction that saw women fulfil a range of roles at one time -mother, worker, home-maker. From the blitz to secret surveillance, from film and radio to letter-writing, women wrote about it all and here Jenny Hartley offers a fascinating and enlightening criticism, discussing a range of authors including: Elizabeth Bowen, OliviaManning, Rosamond Lehmann, Rose Macaulay and Stevie Smith.

No Marketing Blurb

“One of the most captivating novels of the year.” – Washington Post NATIONAL BESTSELLER A Best Book of the Year: Bloomberg | Boston Globe | Chicago Public Library | Chicago Tribune | Esquire | Kirkus | New York Public Library | New York Times Book Review (Historical Fiction) | NPR's Fresh Air | O Magazine | Washington Post | Publishers Weekly | Seattle Times | USA Today A Library Reads Pick | An Indie Next Pick From the #1 New York Times bestselling author of Beautiful Ruins comes another “literary miracle” (NPR)—a propulsive, richly entertaining novel about two brothers swept up in the turbulent class warfare of the early twentieth century. An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. The Dolans live by their wits, jumping freight trains and lining up for day work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula. Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war? Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, The Cold Millions is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe).

Bestselling author Marisa Silver takes Dorothea Lange’s Migrant Mother photograph as inspiration for a story of two women—one famous and one forgotten—and their remarkable chance encounter. In 1936, a young mother resting by the side of the road in central California is spontaneously photographed by a woman documenting migrant laborers in search of work. Few personal details are exchanged and neither woman has any way of knowing that they have produced one of the most iconic images of the Great Depression. In present day, Walker Dodge, a professor of cultural history, stumbles upon a family secret embedded in the now-famous picture. In luminous prose, Silver creates an extraordinary tale from a brief event in history and its repercussions throughout the decades that follow—a reminder that a great photograph captures the essence of a moment yet only scratches the surface of a life.

Spring 1940. With Britons facing what has become known as the Bore War - nothing much seems to have happened yet - Maisie Dobbs is asked to investigate the disappearance of a local lad, a young apprentice craftsman working on a "hush-hush" government contract. As Maisie's inquiry reveals a possible link to the London underworld, so the country is bracing for a possible enemy invasion amid news of the British expeditionary force stranded along the French coast. And another mother is worried about a missing son - but this time the boy in question is one beloved by Maisie.

In the vein of The Borrowers and The Indian in the Cupboard, this is an imaginative, irresistible, and incredible exploration into what happens when one boy discovers a kingdom of tiny people. The day before summer vacation, Max's closest friend at boarding school disappears, leaving behind his amazing model collection and a handful of sand on his bedroom floor. Like Max, the eccentric janitor Mr. Darrow is a genius at building tiny models. Eight weeks later, Max finds that the sand has magically transformed into a whole desert kingdom--filled with millions of tiny people! Max wears hearing aids, and they allow him to hear the ant-sized people. There's a boy named Luke who's about to become king. But when Max appears, he plunges their world into chaos. Luckily, Luke has two strong allies: Ivy, a fearless girl, and Luke's trusty steed--a flea. While Max and his new friend Sasha fight to protect the Floor from their evil headmaster, Luke must fight to save it from being destroyed by all-out war.