Milton In The Arab Muslim World

The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.

In an unusual view of one of the English language's greatest writers, an Arab scholar analyzes the oriental influences on Milton's work, and Milton's own influence on Arab writers and critics John Milton's great poems, Paradise Lost and Paradise Regained, are among the greatest pieces of writing in the English language. Like other writers of his time, Milton had only a sketchy idea of Islam and the Arab world, from travelers and linguists who had made the arduous journey to and from the Middle East. But buried in his works are signs that Milton had absorbed ideas and influences from Islam and Arab culture. Professor Dahiyat shows how from the Middle Ages, partly as an attempt to counteract Islam with Christianity, a wide range of writers and researchers spoke, read, and wrote Arabic and published books in the earliest days of printing which Milton could have read. He then shows how many different references there are to the Orient and Islam in Milton's writings, and discusses the later response of Arab writers and scholars to Milton's major works.

The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.

The Muslim Brotherhood is the most significant and enduring Sunni Islamist organization of the contemporary era. Its roots lie in the Middle East but it has grown into both a local and global movement, with its well-placed branches reacting effectively to take the opportunities for power and electoral competition offered by the Arab Spring. Regarded by some as a force of moderation among Islamists, and by others as a façade hiding a terrorist fundamentalist threat, the potential influence of the Muslim Brotherhood on Middle Eastern politics remains ambiguous. The Muslim Brotherhood: The Arab Spring and its Future Face provides an essential insight into the organisation, with chapters devoted to specific cases where the Brotherhood has important impacts on society, the state and politics. Key themes associated with the Brotherhood, such as democracy, equality, pan-Islamism, radicalism, reform, the Palestine issue and gender, are assessed to reveal an evolutionary trend within the movement since its founding in Egypt in 1928 to its manifestation as the largest Sunni Islamist movement in the Middle East in the 21st century. The book addresses the possible future of the Muslim Brotherhood; whether it can surprise sceptics and effectively accommodate democracy and secular trends, and how its ascension to power through the ballot box might influence Western policy debates on their engagement with this manifestation of political Islam. Drawing on a wide range of sources, this book presents a comprehensive study of a newly resurgent movement and is a valuable resource for students, scholars and policy makers focused on Middle Eastern Politics.

Exemplifying important trends in the study of literary reception, comparative religion and the global dimensions of early modern culture, this collection reveals how East-West relations are woven into the texture of John Milton's great works. It was first published as a special issue of English Studies.

In Sandcastles, Milton Viorst draws upon his long personal experience in the Middle East and many recent trips undertaken as a correspondent for The New Yorker to take us deep into the aspirations, fears, prejudices, hopes and convictions of the inhabitants of seven key countries, and of the people without a country - the Palestinians.

America’s engagement with the Arab world stretches back far beyond the Iraq wars. According to Milton Viorst, the current conflict is simply the latest round in a 1,400-year struggle between Christianity and Islam, in which the United States became a participant only in the last century. Today, the Bush Doctrine aims to free the Arab peoples from political oppression and create a democratic Iraq. So why are Arabs, and Iraqis in particular, so suspicious of our efforts? The explanation, Viorst says, is simple: “What the American leadership has miscalculated, or simply dismissed, is Arab nationalism.” In Storm from the East, Viorst offers a balanced, lucid, and vital history of America’s uneasy relationship with the Arab world and argues that brutal conflict in the region will continue until the West, with the United States taking the lead, honors the Arabs’ insistence on deciding their own destiny. Viorst examines the long struggle of the Arab world to overthrow Western hegemony. He explores the Arab experiences with democracy and military despotism; Nasserite socialism in Egypt and Ba’athism in Syria and Iraq; tribal monarchy in Saudi Arabia and Jordan; guerrilla warfare waged by the Palestinians; and, finally, Islamic rebellion culminating in Osama bin Laden’s extremist al-Qaeda. All have the same goal: the liberation of the Arabs from foreign domination. Storm from the East is a powerful work that, like no other, limns the political, religious, and social roots of Arab nationalism and the present-day unrest in the Middle East.

Jeffrey Herf, a leading scholar in the field, offers the most extensive examination to date of Nazi propaganda activities targeting Arabs and Muslims in the Middle East during World War II and the Holocaust. He draws extensively on previously unused and little-known archival resources, including the shocking transcriptions of the “Axis Broadcasts in Arabic” radio programs, which convey a strongly anti-Semitic message. Herf explores the intellectual, political, and cultural context in which German and European radical anti-Semitism was found to resonate with similar views rooted in a selective appropriation of the traditions of Islam. Pro-Nazi Arab exiles in wartime Berlin, including Haj el-Husseini and Rashid el-Kilani, collaborated with the Nazis in constructing their Middle East propaganda campaign. By integrating the political and military history of the war in the Middle East with the intellectual and cultural dimensions of the propagandistic diffusion of Nazi ideology, Herf offers the most thorough examination to date of this important chapter in the history of World War II. Importantly, he also shows how the anti-Semitism promoted by the Nazi propaganda effort contributed to the anti-Semitism exhibited by adherents of radical forms of Islam in the Middle East today.