Milton S Earthly Paradise

Milton's Earthly Paradise was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This study provides a history of the changing interpretations of the first earthly paradise—the garden of Eden—in Western thought and relates Paradise Lost and other literary works to this paradise tradition. The author traces the beginnings of the tradition as they appear in the Bible and in classical literature and shows how these two strains were joined in early Christian and medieval literature. His emphasis, however, is on the relation of Paradise Lost to Renaissance commentary and to other literary works of the period dealing with the paradise story. Professor Duncan views Paradise Lost as one of many Renaissance works that reveal an untiring effort to understand and explain the first chapters of Genesis. In the rational and humanistic commentary of the Renaissance, he explains, the aim was to provide an interpretation of the literal sense of the Scriptural account that was credible, detailed, and historically valid. He finds that the cumulative influence of the commentary is reflected in Milton's attention to the location of paradise, the emphasis on the natural and the rational in his description of paradise, and in the importance of the typological relationship between the terrestrial and celestial paradises. This illuminating discussion makes it clear that Milton's re-creation of paradise is not only superb poetry but also a penetrating account of the origins of man, involving highly complex and controversial issues.

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Comparisons have frequently been made between the works of Dante and Milton, more often than not by critics with a definite predilection one or the other poet. The author of this systematic comparison has approached the task without partisanship, but with a warm admiration for both poets. It is her contention that, although Dante was generally out of favor during the seventeenth century, even in Italy, Milton had read the Divina Commedia sympathetically and with care by the time he came to write Paradise Lost. In substantiation Professor Samuel cites many parallel uses of language, imagery, theme, and method, while also taking note of divergences. Source materials are given in the appendixes, including Milton's references to Dante and a list of previously published comparisons.

Thorough study of the essential interdependence of the pastoral and epic genres. Proceeds historically from Virgil tracing the evolution of the heroic toward the increasing accommodation of the pastoral. Establishes principles for interpreting the works of major poets who set out to resolve the tensions between imagination and reality, contemplation and action, poetry and prophecy.

Neither the meliorist political culture of the nascent American republic nor its later drift toward apocalyptically tinged 'fundamentalist' Protestantism and dispensationalism can be explained outside the context of the shared Anglo-American traditions and practices of millennial expectation and apocalyptic angst--whether expressed by early colonists, Milton, Blake, Miller or the Continental Congress. In this chronologically direct and thematically varied volume, five scholars working in three distinct disciplines (Religion, English literature, and History) approach millennialism and apocalypticism in the British and Anglo-American contexts, making remarkable contributions both to the study of religious, literary and political culture in the English-speaking ecumene, and, at least implicitly, to the critique of disciplinary exclusivity. Only in such mixed company does the study of the millennial nexus in English and American religion, culture, literature and politics, from the time of Milton to the time of the Millerites, come into focus. Contributors include: Richard Connors, Andrew Escobedo, Andrew C. Gow, J.I. Little, Stephen A. Marini, Beth Quitslund, and John Howard Smith.

This book aligns ancient and early modern European travel narratives and historical surveys of Egypt, Mesopotamia, India, and Russia with texts that contributed to English ideas about those regions: Shakespeare's Antony and Cleopatra and Love's Labour's Lost, Milton's Paradise Lost and Muscovia, and Dryden's Aureng-Zebe.

This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.

Presents John Milton's epic poem, which chronicles man's fall from grace and Satan's rebellion against God. A biblically annotated edition.