Modern Sexual Morality And Modern Nervousness

This early work by Sigmund Freud was originally published in 1908 and we are now republishing it with a brand new introductory biography. ''Civilized' Sexual Morality and Modern Nervous Illness' is a psychological essay on the effect of social culture on mental illness. Sigismund Schlomo Freud was born on 6th May 1856, in the Moravian town of Příbor, now part of the Czech Republic. He studied a variety of subjects, including philosophy, physiology, and zoology, graduating with an MD in 1881. Freud made a huge and lasting contribution to the field of psychology with many of his methods still being used in modern psychoanalysis. He inspired much discussion on the wealth of theories he produced and the reactions to his works began a century of great psychological investigation.

Whether one accepts Freud’s teachings in toto or rejects a great part of them as unsubstantiated and untenable, one must admit that his influence on modern thought has been tremendous, incalculable—and on the whole beneficial. Many shams and hypocrisies have been uncovered and exploded by the ruthless analysis of modern psychology known as psychoanalysis, and in no field have the Freudian teachings borne better fruit than in the field of human sexology. That psychoanalysis has been exploited by charlatans and ignorant laymen for their own benefit and to the detriment of their victims is not to be laid at the door of its founder. Of all Freud’s writings—and their number is enormous—the writer considers the present essay the most important—the most important barring none. In this essay Freud clearly states his position on the importance of the sex instinct in modern civilization, on the relationship between sexual abstinence and nervousness or neurosis, and boldly proclaims, what medieval theologians still persist in denying, that man’s sexual instinct is not at all primarily meant to serve purposes òf reproduction but is intended to furnish certain forms of gratification.

This is a new release of the original 1924 edition.

This book examines Freud's changing views of human instincts, exploring the moral and social implications. Part One investigates Freud's concept of instinct and discusses the phases of his ongoing attempt to classify the instincts. In Part Two the author argues that Freud's instinct theory leads to a moral philosophy, and he relates this philosophy to Freud's views on group psychology. The notion of instinct is central to psychoanalytic theory, but never before has it been treated so comprehensively, with such close attention to the text. Nor has anyone previously examined in detail the moral and social implications of Freud's instinct theory. In examining these implications, Abel bridges the fields of psychology and philosophy.

An abundance of rich and memorable female roles is one of the most striking features of turn-of-the-century European drama. Gail Finney traces the source of this phenomenon to large-scale upheavals in prevailing contemporary attitudes toward women. She cites two major developments in particular: the culmination in the years 1880–1920 of the first feminist movement; and Freud's formulation of his theories of sexuality, which emphasize differences between the sexes. Taking into account these strong, sometimes conflicting intellectual currents, Women in Modern Drama explores the dynamics of gender identity and family relationships in major plays by European make dramatists, including Ibsen, Strindberg, Shaw, Wilde, Schnitzler, Synge, Hofmannsthal, Wedekind, and Hauptmann.

In 1900, hardly anyone in America had heard of Sigmund Freud, but by 1920 nearly everyone had. This is the story of the translators, editors, journalists, publishers, promoters and booksellers who first brought Freud to American readers. They included scientists and scoundrels, reckless risk-takers and buttoned-down businessmen, puritans and libertines, anarchists and capitalists, passionate freedom fighters and racist bigots. "American publishers," Freud wrote to one colleague, "are a dangerous breed." Elsewhere he called them rascals, liars, swindlers, crooks, and pirates. Here are accounts of their drunken parties, political crusades, questionable business practices, criminal prosecutions, shameless marketing, and blatant plagiarism. There's even a suicide and a murder. And lots of sex (it's a book about Freud, after all). Ideas that Freud promoted are woven so tightly into our daily lives today that, like gravity or air, we hardly notice them. This book, based on hundreds of unpublished records, explains how they first took root in American minds more than a century ago.

Depression, once a subfield of neurosis, has become the most diagnosed mental disorder in the world. Why and how has depression become such a topical illness and what does it tell us about changing ideas of the individual and society? Alain Ehrenberg investigates the history of depression and depressive symptoms across twentieth-century psychiatry, showing that identifying depression is far more difficult than a simple diagnostic distinction between normal and pathological sadness - the one constant in the history of depression is its changing definition. Drawing on the accumulated knowledge of a lifetime devoted to the study of the individual in modern democratic society, Ehrenberg shows that the phenomenon of modern depression is not a construction of the pharmaceutical industry but a pathology arising from inadequacy in a social context where success is attributed to, and expected of, the autonomous individual. In so doing, he provides both a novel and convincing description of the illness that clarifies the intertwining relationship between its diagnostic history and changes in social norms and values. The first book to offer both a global sociological view of contemporary depression and a detailed description of psychiatric reasoning and its transformation - from the invention of electroshock therapy to mass consumption of Prozac - The Weariness of the Self offers a compelling exploration of depression as social fact.