Monologues For Women By Women

This unique collection of monologues for women contains fifty pieces by women playwrights from all over the country.

Audition monologues from recent works by American playwrights.

Featured in this volume are a wide range of voices and characters with a more international focus.

Editors Tori Haring-Smith and Liz Engelman present fifty-nine previously unpublished monologues written by some of the most inspiring and exciting women now emerging onto the international stage

(Applause Acting Series). Lawrence Harbison has selected 100 terrific monologues for men from contemporary plays, all by characters between the ages of 18 and 35 perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

Audition monologues selected from plays first published in American theatre magazine since 1985.

A collection of contemporary Canadian monologues for women, intended for auditions, study or general interest and addressing themes of Adolescence, Body, Childhood Memories, Identity, Mothers, and Passion. "A monologue must give voice to those who have been silenced. The speaker must urgently need to speak, to proclaim, to persuade, to incite, to inspire, to agitate, to fabricate, to contaminate or whitewash, to justify; the speaker needs approval, or absolution, or acclaim, or worship, or laughter or sympathy. The monologue can only happen if the speaker has an audience. The monologue is ultimately the electric interaction between the audience and the speaker." --from the introduction by Judith Thompson

Fifty fantastic speeches for men, from top plays by some of Britain's most exciting dramatists.