Montreal Confidential

Presented in its original pocketbook format, this entertaining account documents the 1950s nightlife of Canada's second largest city. Based on the original chronicle from the era, this overview's spirited prose complements a vast collection of archival photographs, vividly depicting the people and places of Montreal's underbelly. From glamorous cabarets and lush restaurants to late-night bars and memorable characters, this exploration demonstrates why this city has been named one of the most colorful communities on the continent.

Letters between Earl of Elgin when Governor General of Canada and Earl Grey, Secretary of State for the Colonies.

“American crime fiction fans will welcome the opportunity to sample the short fiction of some worthy Canadian authors.” —Publishers Weekly Following the success of Toronto Noir, the Noir Series explores new Canadian terrain, featuring both English and Francophone authors. Like the city it springs from, Montreal Noir is an intriguing mix of culture, identities, and neighborhoods with one thing in common: the dark side of human nature. This collection presents stories by Patrick Senécal, Tess Fragoulis, Howard Shrier, Michel Basilières, Robert Pobi, Samuel Archibald, Geneviève Lefebvre, Ian Truman, Johanne Seymour, Arjun Basu, Martin Michaud, Melissa Yi, Catherine McKenzie, Peter Kirby, and Brad Smith. “Montreal solidifies its reputation as the epicentre for Canadian noir in a strong new anthology.” —Quill & Quire “Brings together a bicultural roster of talent by some of the city’s best crime-fiction specialists, with tales from the city’s many neighbourhoods.” —Toronto Star “An impressive roster . . . Stories from across the many sub-genres of mystery: police procedural, thriller, private eye, psychological suspense, and hard-boiled crime.” —Montreal Review of Books “Whether it’s the quirkiness of the characters, the ingenuity of the puzzles, or the big hearts inside some of the darkest villains, noir’s different north of the border.” —Kirkus Reviews

The agency of photographs is a recurrent concern within the context of the city. Whether found in architectural records, social documentary, photojournalism, or artistic practice, photographic objects are embedded in urban contestation, aesthetically charged by artists, reinserted into social histories, and mobilized to imagine a future city. Photogenic Montreal takes a question initially posed by heritage debates – what does photography preserve? – and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. Photographs that appear to be sealed off in newspapers, storage rooms, or archives accrue new meaning when they cross the threshold back into social spaces and circulate anew. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces. Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, Photogenic Montreal participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.

Their names resonate with organized crime in Montreal: the Matticks, MacAllisters, Johnstons and Griffins, and Peter Dunie Ryan. They are the Irish equivalent of the infamous Rizzuto and Cotroni families, and the "Mom" Bouchers and Walter Stadnicks of the Hells Angels. Award-winning producer, journalist and author D’Arcy O’Connor narrates the genesis and rise to power of one of Montreal’s most powerful, violent and colorful criminal organizations. It is the West End Gang, whose members controlled the docks and fought the Hells Angels and Mafia for their share of the city’s prostitution, gambling, loan sharking and drug dealing. At times, they did not disdain forging alliances with rival gangs when huge profits were at stake, or when a killing needed to be carried out. The West End Gang—the Irish Mafia of Montreal—is a legendary beast. They sprang out of the impoverished southwest of the city, some looking for ways to earn enough just to survive, some wanting more than a job in an abattoir or on a construction site. In that sense, they were no different from other immigrants from Italy and other European countries. A shortcut to wealth was their common goal. And Montreal, with its burgeoning post-WWII population, was ripe for the picking. The Irish Mob made headlines with a spectacular Brinks robbery in 1976, using the money to broker a major heroin and cocaine trafficking ring. It took over the Port of Montreal, controlling the flow of drugs into the city, drugs which the Mafia funnelled to New York. The West End Gang had connections to the cocaine cartel in Colombia; hashish brokers in Morocco and France; and marijuana growers in Mexico. The gang imported drugs on an enormous scale. One bust that took place off the coast of Angola in 2006 involved 22.5 tonnes of hashish, destined for Montreal. The West End Gang is a ripping tale that unveils yet another chapter in Montreal’s colorful criminal underworld.

Foundations of Information Technology in the Era of Network and Mobile Computing is presented in two distinct but interrelated tracks: -Algorithms, Complexity and Models of Computation; -Logic, Semantics, Specification and Verification. This volume contains 45 original and significant contributions addressing these foundational questions, as well as 4 papers by outstanding invited speakers. These papers were presented at the 2nd IFIP International Conference on Theoretical Computer Science (TCS 2002), which was held in conjunction with the 17th World Computer Congress, sponsored by the International Federation for Information Processing (IFIP), and which convened in Montréal, Québec, Canada in August 2002.