Monty Python Shakespeare And English Renaissance Drama

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.

In 1969, the BBC aired the first episode of a new comedy series titled Monty Python's Flying Circus, and the rest, as they say, is history. An instant success, the show ran until 1974, producing a total of 45 episodes. Despite the show's very English humor and allusions to many things British, the series developed a cult following outside the U.K., particularly in the United States. Known for its outrageous humor, occasionally controversial content, and often silly spirit, Monty Python's Flying Circus poked fun at nearly all institutions--domestic or foreign, grand or intimate, sacred or not. Indeed, many of the allusions and references in the program were uniquely British and routinely obscure, and therefore, not always understood or even noticed outside the British Isles. This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions of this landmark series. In this resource, virtually every allusion and reference that appeared in an episode--whether stated by a character, depicted in the mise-en-scene, or mentioned in the printed scripts--is identified and explained. Organized chronologically by episode, each entry is listed alphabetically, indicates what sketch it appeared in, and is cross-referenced between episodes. Entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the myriad social, cultural, and historical elements (photos, songs, slogans, caricatures) that populate and inform these episodes. Entries Include: -"Arabella Plunkett" -Group of famous characters from famous paintings -Hell's Grannies -HRH The Dummy Princess Margaret -"Kandinsky" -"On the Dad's Liver Bachelors at Large" -Raymond Baxter type -Scun -"Spanish Inquisition" -"Third Parachute Brigade Amateur Dramatic Society" -"total cashectomy" -"Two-Sheds" -"Umbonga's hostile opening" -Vicar sitting thin and unhappy in a pot -"What's all this then?"

Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic. In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.

In 1969, the BBC aired the first episode of a new comedy series titled Monty Python's Flying Circus, and the rest, as they say, is history. An instant success, the show ran until 1974, producing a total of 45 episodes. Despite the show's very English humor and allusions to many things British, the series developed a cult following outside the U.K., particularly in the United States. Known for its outrageous humor, occasionally controversial content, and often silly spirit, Monty Python's Flying Circus poked fun at nearly all institutions—domestic or foreign, grand or intimate, sacred or not. Indeed, many of the allusions and references in the program were uniquely British and routinely obscure, and therefore, not always understood or even noticed outside the British Isles. This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions of this landmark series. In this resource, virtually every allusion and reference that appeared in an episode—whether stated by a character, depicted in the mise-en-scene, or mentioned in the printed scripts—is identified and explained. Organized chronologically by episode, each entry is listed alphabetically, indicates what sketch it appeared in, and is cross-referenced between episodes. Entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the myriad social, cultural, and historical elements (photos, songs, slogans, caricatures) that populate and inform these episodes. Entries Include: ·"Arabella Plunkett" ·Group of famous characters from famous paintings ·Hell's Grannies ·HRH The Dummy Princess Margaret ·"Kandinsky" ·"On the Dad's Liver Bachelors at Large" ·Raymond Baxter type ·Scun ·"Spanish Inquisition" ·"Third Parachute Brigade Amateur Dramatic Society" ·"total cashectomy" ·"Two-Sheds" ·"Umbonga's hostile opening" ·Vicar sitting thin and unhappy in a pot ·"What's all this then?"

As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.

In 1969, the BBC aired the first episode of a new comedy series titled Monty Python's Flying Circus, and the rest, as they say, is history. An instant success, the show ran until 1974, producing a total of 45 episodes. Despite the show's very English humor and allusions to many things British, the series developed a cult following outside the United Kingdom, particularly in the United States. Known for its outrageous humor, occasionally controversial content, and often silly spirit, Monty Python's Flying Circus poked fun at nearly all institutions-domestic or foreign, grand or intimate, sacred or not. Indeed, many of the allusions and references in the program were uniquely British and routinely obscure, and therefore not always understood or even noticed outside the British Isles. This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions of this landmark series. In this volume, virtually every allusion and reference that appeared in episodes from the last two seasons-whether stated by a character, depicted in the mise-en-scene, or mentioned in the printed scripts-is identified and explained.Organized chronologically by episode, each entry is listed alphabetically, indicates what sketch it appeared in, and is cross-referenced between episodes. Entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places as well as myriad social, cultural, and historical elements (photos, songs, slogans, caricatures) that populate and inform these episodes. See volume 1 for the first and second seasons (episodes 1-26). Volume 2 Entries Include: *Umbonga's hostile opening *Third Parachute Brigade Amateur Dramatic Society *Scun *On the Dad's Liver Bachelors at Large *HRH The Dummy Princess Margaret *Trim-Jeans Theatre *Fraud Film Squad *Up Your Pavement *Buying an Ant *Nude Organist

This volume does not only provide the reader with diverging assessments of the Richard III films, but it also deploys a large array of methodologies used to study ‘Shakespeare on film’. What gives the volume its coherence is that it thoroughly interrogates what those films do with and to Shakespeare’s text and suggests that, at least for Shakespearean scholars, Shakespearean films are hybrid creatures. They are and are not films; they are and are not Shakespeare.Ce volume offre non seulement au lecteur un examen précis et pluriel des adaptations filmiques de Richard III mais il déploie tout l’éventail des méthodologies qui permettent d’étudier Shakespeare à l’écran. La cohérence de ce volume vient de ce qu’il propose des questionnements multiples sur ce que ces films font de Shakespeare et suggère que le film shakespearien est une créature hybride qui est et n’est pas un film, qui est et n’est pas Shakespeare. (Ouvrage en anglais)

This reference identifies and explains the cultural, historical, and topical allusions in the filmMonty Python’s Meaning of Life, the Pythons’ third and final original feature as a complete group. In this resource, virtually every allusion and reference that appears in the film is identified and explained —from Britain’s waning Empire through the Winter of Discontent to Margaret Thatcher’s second-term mandate, from playing fields to battle fields, and from accountant pirates to sacred sperm. Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the many social, cultural, and historical elements that populate this film, and the Pythons’ work in general.