Monty Python

The essential gags, sketches, and songs, handpicked and introduced by the surviving members of the Python team. The book features full-color pages of Monty Python classics in a brilliant paperback format and includes gems such as Spamalot, The Meaning of Life, and many more enduring classics.

***ALMOST CERTAINLY NOMINATED FOR SOMETHING SOMEWHERE*** The complete scripts from the four Monty Python series, first shown on BBC television between 1969 and 1974, have been collected in two companion volumes. Characters' names, often not spoken, are given as in the original scripts, along with the names of the actual performer added on their first appearance in each sketch. This first volume contains twenty-three classic episodes, featuring some of the most entertaining writing to have gone into television anywhere. The minister of silly walks, the dead parrot, banter in a cheese shop - here is every silly, satirical skit, every snide insult, every saucy aside.

A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus.

This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions in the film Monty Python and the Holy Grail, the first original film by the British comedy troupe.

As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.

Humour.

October 2019 marks the fiftieth anniversary of the first broadcast of Monty Python's Flying Circus on BBC Television. This humorous book contains zany writing and illustrations used by Monty Python. Graham Chapman's education and vocational training occurred variously in such places as the Midlands, Eton, the University of Cambridge, St Swithin's Hospital, on tour in a revue with John Cleese in New Zealand and on the island of Ibiza with David Frost. He was the author of A Liar's Autobiography and he also wrote for Monty Python's Flying Circus and the TV show Doctor in the House. Graham Chapman died in 1989. John Cleese was educated at the University of Cambridge where he performed in Footlights and then went to work in London as a performer and as a comedy writer for the BBC. Besides his work with Python he is best known for his TV series Fawlty Towers (co-written with Connie Booth), the books he has written with psychologist Robin Skinner and films such as Clockwise, A Fish Called Wanda and Fierce Creatures. Eric Idle was educated at the University of Cambridge where he joined the Footlights Club becoming president of the club in 1965. He created and acted in The Rutles and has appeared in numerous films including The Adventures of Baron Munchausen and wrote the book, and co-wrote the lyrics, for the award-winning musical Spamalot (based on Monty Python & The Holy Grail). Educated at the University of Oxford, Terry Jones worked in theatre, and wrote revues and scripts for the BBC before becoming one of the creators of Monty Python. He has written many books for children and is also the author (with other scholars) of Who Murdered Chaucer? and a study of Chaucer's Knight. He has directed such films as Personal Services, Erik the Viking and The Wind in the Willows, along with all the Python films. Michael Palin was born in Sheffield in 1943 and lives with his wife Helen in North London. His adventures around the world have been huge bestsellers. His books (all of which have accompanied his documentaries for the BBC) include Around the World in 80 Days, Pole to Pole, Full Circle, Sahara and Himalaya. His films have included The Missionary and A Private Function. As part of the Monty Python team, Terry Gilliam produced the series' bizarre animations as well as performing. His subsequent career has encompassed animation and film-making, and he has directed films including The Adventures of Baron Munchausen, Brazil, Twelve Monkeys and Fear and Loathing in Las Vegas.

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.