Monumental Bali

Monumental Bali describes a formative period in Balinese history through a study of the island's fascinating antiquities. This classic work provides the key to understanding Bali's most famous monuments, including the "Elephant Cave" near Ubud, the "Royal Tombs" at Gunung Kawi, and the spectacular "Mother Temple" at Besakih. A comprehensive Guide to the Monuments section contains: Detailed Maps Site Diagrams Over one Hundred Beautiful Color Photographs In 1956 Dr. and Mrs. Bernet Kempers returned to the Netherlands and began working in both Indonesian and European studies. Between 1958 and 1971, Dr. Bernet Kempers was director of the Netherlands Open Air Museum in Amhem, and was for a time professor of European Ethnology at the University of Amsterdam. Between 1970 and 1948 he revised Indonesian (including Bali) regularly in connection with research into ancient monuments and archaeological preservation. Monumental Bali will not only be informative, but will also take the reader into the history behind each fascinating place found in province and islands of Bali.

With the rising number of tourists visiting Bali every year there is a growing desire by travellers to know more about the country they are visiting.

The Rough Guide to Bali and Lombok is the perfect companion for exploring the cultural and natural richness of these beautiful places, with clear maps and up-to-date coverage of the best attractions. Discover Bali and Lombok's highlights with the guides' full colour introduction, showing everything from dramatic cliff-top temples to sparkling white-sand beaches. Find detailed practical advice on what to see and do, with great coverage of family-friendly destinations and activities, the unique volcanic landscapes and Balinese pop music. Whether you're looking for bargain hostels and beach shacks or chic spas and boutique hotels, this guide has the information. There's advice on where to dive in Bali and Lombok, how to arrange treks to the island's volcanoes and the top surf breaks. With detailed maps, The Rough Guide to Bali and Lombok gives you all the practical advice you'll need for a great adventure. Originally published in print in 2011. Make the most of your holiday with The Rough Guide to Bali and Lombok. Now available in ePub format.

The Island of Bali—a true paradise is explored in this classic travelogue. From the artists and writers of the 1930s to the Eat, Pray, Love tours so popular today, Bali has drawn hoards of foreign visitors and transplants to its shores. What makes Bali so special, and how has it managed to preserve its identity despite a century of intense pressure from the outside world? Bali: A Paradise Created bridges the gap between scholarly works and more popular travel accounts. It offers an accessible history of this fascinating island and an anthropological study not only of the Balinese, but of the paradise–seekers from all parts of the world who have traveled to Bali in ever–increasing numbers over the decades. This Bali travelogue shows how Balinese culture has pervaded western film, art, literature and music so that even those who've never been there have enjoyed a glimpse of paradise. This authoritative, much–cited work is now updated with new photos and illustrations, a new introduction, and new text covering the past twenty years.

The island of Bali’s sensational image was created by the tourists, artists, and scholars who visited the tiny nation between the two world wars. A Dutch colony from 1908, Bali was a source of revenue for the Dutch government, which began to develop its image as the ultimate vacation spot. The tourism industry spread the idea of Bali as a paradise in which noble, happy, spiritual Balinese—all prodigiously creative artists—lived in innocence. Sensual images of beautiful people on an enchanted isle unspoiled by modernity predominated. Bali also acquired a reputation as a homosexual paradise. A host of books and articles fed these images of Bali until it evolved into one of the most romantic stops on the tourist itinerary. The Balinese people, however, made little profit from the tourist traffic. This history of the development of tourism in Bali stretches from the Dutch occupation in 1906 to the Japanese occupation in 1942. After exhaustive research in published records and in unpublished letters, diaries, and oral histories left by many of the American and European visitors to the island as well as the Balinese residents, the author explores the reasons for Bali’s popularity among Westerners and their effects on the native culture.

This critical edition is at once a memorial to Bapak I Wayan Loceng following his passing in October, 2006, and a tribute to his great musical genius. This edition documents nine compositions from the esteemed Balinese gender wayang or shadow play repertoire. The music documented derives from the musical mastery of Bapak I Wayan Loceng (1926–2006), arguably the most renowned gender wayang expert in Bali, who lived in the village of Sukawati. This edition places the music within a historical, cultural, and biographical context and introduces a broad theoretical framework that contains a new definition for the discipline of ethnomusicology, and substantial discussion of the genres of musical biography, musical ethnography, and ethnomusicology of the individual. This edition will introduce the reader to pertinent scholarly perspectives, offer biographical information pertaining to Bapak I Wayan Loceng, delineate the cultural concepts and contexts for performance and background of the shadow play tradition in Bali, and clarify key aspects of the music itself.

Should a temple be seen as a work of art, its carvers as artists, its worshipers as art critics and patrons? What is a temple (and its art) to the people who make and use it? Noted anthropologist Hildred Geertz attempts to answer these and other questions in this unique look at transformations in material culture and social relations over time in a village temple in Bali. Throughout Geertz offers insightful glimpses into what the statues, structures, and designs of Pura Désa Batuan convey to those who worship there, deepening our understanding of how a village community evaluates workmanship and imagery. Following an introduction to the temple and villagers of Batuan, Geertz explores the problematics of the Western concept of "art" as a guiding framework in research. She goes on to outline the many different kinds of work—ideational as well as physical—undertaken in connection with the temple and the social institutions that enable, constrain, and motivate their creation. Finally, the "art-works" themselves are presented, set within the intricate sociocultural contexts of their making. Using the history of Batuan as the main framework for discussing each piece, Geertz looks at the carvings from the perspective of their makers, each generation occupying a different social situation. She confronts concepts such as "aesthetics," "representation," "sacredness," and "universality" and the dilemmas they create in field research and ethnographic writing. Recent temple carvings from the tumultuous and complex period that followed the expulsion of the Dutch and the increasing globalization and commercialization of Balinese society demonstrate yet again that any anthropology of art must also be historical.