Moral Creativity

In Moral Creativity, John Wall argues that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation of their world. This thesis challenges ancient Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in abstract principles or preconstituted traditions. Taking as his point of departure the poetics of the will of Paul Ricoeur, and ranging widely into critical conversations with Continental, narrative, feminist, and liberationist ethics, Wall uncovers the profound senses in which moral practice and thought involve tension, catharsis, excess, and renewal. In the process, he draws new connections between sin and tragedy, practice and poetics, and morality and myth. Rather than proposing a complete ethics, Moral Creativity is a meta-ethical work investigating the creative capability as part of what it means, morally, to be human. This capability is explored around four dimensions of ontology, teleology, deontology, and social practice. In each case, Wall examines a traditional perspective on the relation of ethics to poetics, critiques it using resources from contemporary phenomenology, and develops a conception of a more original poetics of moral life. In the end, moral creativity is a human capability for inhabiting tensions among others and in social systems and, in the image of a Creator, creating together an ever more radically inclusive moral world.

Creativity and Morality summarizes and integrates research on creativity used to achieve bad or immoral ends. The book includes the use of deception, novel ideas to commit wrongdoings across contexts, including in organizations, the classroom and terrorism. Morality is discussed from an individual perspective and relative to broader sociocultural norms that allow people to believe actions are justified. Chapters explore this research from an interdisciplinary perspective, including from psychology, philosophy, media studies, aesthetics and ethics. Summarizes research on creativity used for immoral purposes Identifies individual and sociocultural perspectives on morality Explores creativity in business, education, design and criminal behavior Includes research from psychology, philosophy, ethics, and more

The Ethics of Creativity illuminates the thorny issues that arise when novel creative ideas collide with what we believe to be 'right' or 'good'. This book tackles questions of when creativity and ethics tend to coincide and when conflict, and how both might be harnessed to support a brighter future for all.

This encyclopaedia provides specific information and guidance for everyone who is searching for a greater understanding the text includes theories of creativity, techniques for enhancing creativity and individuals who have contributed to creativity.

Open any other book on creativity, and you will hear the clichéd rallying cries of current creative culture: Be True to Yourself! Find Your Voice! Express Your Authentic Self! This book is different. This book will not tell you to “Be true to yourself,” but will implore you to “Humble yourself.” This book will not repeat the slogan, “Find your Voice,” but will ask you to consider how your moral weaknesses are inhibiting your creativity. Examining the current creative culture, The Humble Creative argues that creativity can easily become disordered by vices that Christianity has long understood, but most have forgotten; vices such as vainglory, envy, sloth, anger, lust of the eyes, greed, and pride. The Humble Creative integrates the long-held Christian understanding of moral vice with creativity, providing an accessible exploration of individual vices and their role in disordering creativity—ultimately offering exercises for moral and creative formation. Written in an accessible way, this book explores the stories of several individuals whose creativity have become disordered by vice, introducing the reader to the often overlooked relationship between the moral character of the creative and the successful pursuit of flourishing creativity.

Creative Morality is a philosophical study of moral dilemmas. Western moral thought has relied on two basic ethical perspectives - Utilitarianism and Kantianism - to resolve dilemmas. MacNiven argues that no real progress can be made with modern moral problems unless these tradtions are coherently synthesised. The book deals with diverse topics such as academic honesty, medical confidentiality, terrorism and euthanasia and the hypothetical dilemmas used are based on real life situations so that theory might be tested against reality. Yet the solutions are not definitive because, as MacNiven demonstrates, creativity is an intrinsic characteristic of moral thought.

Wall argues that moral life is inherently creative. In arguing his case, he places the work of Paul Ricoeur in the larger context of historical & contemporary conversations about moral transformation, drawing connections between sin & tragedy, ethics & poetics, & between the moral life & religious mythology.