Morning Glories 49

PART ONE OF THE TWO-PART SEASON FINALE! "The Election."

Morning Glory: A name used by race trackers to describe a horse that sparks high hopes with his morning brilliance, but whose brilliance disappears like the morning dew by the afternoon—when it counts. Clint Holman, a successful horse trainer at a small track in central Pennsylvania has dreams of making it to the top of his profession on the biggest stage in thoroughbred horse racing. Along the way, Clint's morals and integrity are put to the test by his boss, wealthy real estate magnate and horse owner Robert Warlette, whose insatiable thirst for power and money puts Clint in the center of a racing scandal that will forever change his life. Follow Clint on a life-changing journey of wins, losses, and a love for thoroughbreds that shines through all else, and find out whether Clint becomes more than just a Morning Glory.

Becky rocks a baby that rocked her world. Sixty years earlier, with her fiancé Drew in the middle of the Korean Conflict, Ivy throws herself into her work at a nursing home to keep her sanity and provide for the child Drew doesn't know is coming. Ivy cares for Anna, an elderly patient who taxes Ivy's listening ear until the day she suspects Anna's tall tales are not the ramblings of dementia. They're fragments of Anna's disjointed memories of a remarkable life. Finding a faint thread of hope she can't resist tugging, Ivy records Anna's memoir, scribbling furiously after hours to keep up with the woman's emotion-packed, grace-hemmed stories. Is Ivy's answer buried in Anna's past? Becky, Ivy, Anna--three women fight a tangled vine of deception in search of the blossoming simplicity of truth.

Gardening in Iowa’s Amana Colonies is the culmination of techniques that stretch back several centuries to central Europe, when adherents to a new faith called the Community of True Inspiration formed their own self-reliant communities. As a child of parents who were part of the communal life of the Amana Society, Larry Rettig pays homage to the Amana gardening tradition and extends it into the twenty-first century. Each of the seven villages in Amana relied on the food prepared in its communal kitchens, and each kitchen depended on its communal garden for most of the dishes served (the kitchens in Rettig’s hometown produced more than four hundred gallons of sauerkraut in 1900). Rettig begins by describing the evolution of communal gardening in old Amana, focusing especially on planting, harvesting, and storing vegetables from asparagus to egg lettuce to turnips. With the passing of the old order in 1932, the number of the society’s large vegetable gardens and orchards dwindled, but Larry Rettig and his wife, Wilma, still grow some of the colonies’ heirloom varieties in their fourth-generation South Amana vegetable garden. In 1980 they founded a seed bank to preserve them for future generations. Rettig’s chapters on modern vegetable and flower gardening in today’s Amana Colonies showcase his Cottage-in-the-Meadow Gardens, now listed with the Smithsonian in its Archives of American Gardens. Old intermingles with new across his gardens: heirloom lettuce keeps company with the latest cucumber variety, a hundred-year-old rose arches over the newest daylilies and heucheras, and ancient grapevines intertwine with newly planted wisteria, all adding up to a rich array of colorful plantings. Rettig extends his gardening advice into the kitchen and workroom. He shares family recipes for any number of traditional dishes, including radish salad, dumpling soup, Amana pickled ham, apple bread, eleven-minute meat loaf, and strawberry rhubarb pie. Moving into the workroom, he shows us how to make hammered botanical prints, Della Robbia centerpieces, holiday wreaths, a gnome home, and a waterless fountain. Touring his gardens, with their historic and unusual plants, will make gardeners everywhere want to reproduce the groupings and varieties that surround Larry and Wilma Rettig’s 1900 red brick house.

By popular demand. This book starts where volume 1 finishes. Pick the difference between Australian native plants and weeds. Full colour side-by-side photos of weed and native 'look alikes' with explanatory notes. An essential field guide for land carers, farmers and bush regenerators in coastal and high-rainfall areas

An illustrated guide to buying, raising and using bedding plants.

What was the first jazz record? Are jazz solos really improvised? How did jazz lay the groundwork for rock and country music? In Why Jazz?, author and NPR jazz critic Kevin Whitehead provides lively, insightful answers to these and many other fascinating questions, offering an entertaining guide for both novice listeners and long-time fans. Organized chronologically in a convenient question and answer format, this terrific resource makes jazz accessible to a broad audience, and especially to readers who've found the music bewildering or best left to the experts. Yet Why Jazz? is much more than an informative Q&A; it concisely traces the century-old history of this American and global art form, from its beginnings in New Orleans up through the current postmodern period. Whitehead provides brief profiles of the archetypal figures of jazz--from Louis Armstrong and Duke Ellington to Wynton Marsalis and John Zorn--and illuminates their contributions as musicians, performers, and composers. Also highlighted are the building blocks of the jazz sound--call and response, rhythmic contrasts, personalized performance techniques and improvisation--and discussion of how visionary musicians have reinterpreted these elements to continually redefine jazz, ushering in the swing era, bebop, cool jazz, hard bop, and the avant-garde. Along the way, Why Jazz? provides helpful plain-English descriptions of musical terminology and techniques, from "blue notes" to "conducted improvising." And unlike other histories which haphazardly cover the stylistic branches of jazz that emerged after the 1960s, Why Jazz? groups latter-day musical trends by decade, the better to place them in historical context. Whether read in self-contained sections or as a continuous narrative, this compact reference presents a trove of essential information that belongs on the shelf of anyone who's ever been interested in jazz.