Mortis

Book 5 in the global bestselling series, "The Horus Heresy: Siege of Terra". The victories of Saturnine and the sacrifices of the Eternity Wall space port have faded into the hope of yesterday. Denied but not defeated, the traitors intensify their assault on the Imperial Palace. With the principal space ports in Horus’ hands, the Warmaster now drains the heavens of his reserves. As the pressure of the assault increases, the power of Chaos waxes. The waking lives of the defenders are filled with despair, while their dreams pull them in search of a false paradise. As the fabric of the defences fails and the will of those who stand on them cracks, Horus commands the Titans of the Legio Mortis to breach the walls. Against them stands the might of Mercury Wall and the strength of the Legio Ignatum. Ancient rivals, the god-engines of both Legions meet in battle, while within the walls a few desperate individuals seek a way to turn back the tide of the warp’s malign influence. Across Terra lost warriors and travellers make their way through wastelands and gardens of horror, towards home and an unknown future.

In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve’s Lerne for to die, Audelay’s Three Dead Kings, and Lydgate’s Dance of Death).

Life on Eden is nothing like the peaceful existence, its name implies. Overrun with supernatural beings, Mortis, an ancient demon, is called upon to restore order. The elite of the elite, his combat skills are unrivalled and, accompanied by Synclair, he treks into the mountainous home of Eden's diabolical flesh-eating leprechauns. The outpost Gamoran, run by dwarfs whose duty it is to guard the border and keep the leprechauns within, is under threat. Leprechauns are disappearing, and the community reaches out to Mortis for help. As they prepare to infiltrate the sector, they are joined by two unlikely travelling companions; a dwarf named Lynx with a bionic arm, and a dire Wolf named Da Vinci, who has eyes for Synclair. When they find themselves embroiled in a conspiracy, taking on demon hunters in all out conflict. Can Mortis and Synclair succeed in their mission? And more importantly, can they survive?

'In Hora Mortis', and 'Under the Iron of the Moon' are Thomas Bernhard's second and third collections of published verse.

An essential book to understanding whether the new miracle cure is good science or simply too good to be true American taxpayers spend $30 billion annually funding biomedical research, but over half of these studies can't be replicated due to poor experimental design, improper methods, and sloppy statistics. Bad science doesn't just hold back medical progress, it can sign the equivalent of a death sentence for terminal patients. In Rigor Mortis, Richard Harris explores these urgent issues with vivid anecdotes, personal stories, and interviews with the top biomedical researchers. We need to fix our dysfunctional biomedical system -- before it's too late.

The Graves de Mortis, a tome older than humanity itself. Within it’s cursed pages lie ineffable horrors and suggestions most foul. It has ended up in the hands of famous occultists, foolish men, powerful witches, and vile priests dedicated to blasphemous deities. This anthology follows five such stories.