Motion In Chinese

This book is a corpus-based description and discussion of how Modern Mandarin Chinese encodes motion events, with a focus on how the distribution of verbal motion morphemes is closely associated with the meanings they lexicalize. The book is not only the first work that proposes a finer-grained classification and diagnostics of Chinese motion morphemes from the perspective of scale structure, but also the first to more comprehensively account for the ordering of Chinese motion morphemes. The findings of this study will not only enrich the literature on motion events, but more importantly, further our understanding of the nature of motion events and the way motion events are conceived and represented in the Chinese language. The major proposals and the cognitive functional approach of this work will also shed light on studies beyond motion. The book will be a valuable resource for scholars interested in motion events, syntax-semantic interface, and typology.

Motion is one of the most basic human experiences, and it provides an important window for looking into human cognition and language. Within the paradigm of cognitive semantics, this book presents a comprehensive study of the conceptualization and linguistic representation of motion in Mandarin Chinese. It focuses on the correlation between the ways in which Mandarin speakers conceptualize motion events and the ways in which they render them and carefully considers the typological properties. In addition to deepening our understanding of motion cognition and expressions, this study also affords insights for L2 learning and teaching of motion in Chinese.

The idea of this book on "Neglected Aspects of Motion-Event Description" comes from the observation that, over the last 30 years, much attention has been devoted to the manner/path divide in relation to the distinction between Verb-Framed and Satellite-Framed languages. This mainstream focus has left aside other aspects of motion event descriptions. The chapters of this volume take an in-depth look at three less-studied aspects of motion expression. The first part of the book focuses on directional deixis, especially in relation to associated motion and visual motion. The second part explores variations in Source-Goal asymmetries. The third part investigates different types of motion event constructions, e.g., with various types of co-events. Many languages are taken into consideration throughout the 11 chapters, which gives the volume a clear typological dimension. This book is intended for students and academics interested in motion, spatial semantics, typological variation and cognitive linguistics.

By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output. Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.

This volume presents the results on contemporary geodynamic model, crustal stress field, active faults, folds and volcanoes. It discusses the tectonophysical environments of earthquake generation and the methodology of earthquake prediction.

This new interpretation of the early history of Chinese argues that Old Chinese was typologically a 'mixed' language. It shows that, though its dominant word order was subject-verb-object, this coexisted with subject-object-verb. Professor Xu demonstrates that Old Chinese was not the analytic language it has usually been assumed to be, and that it employed morphological and lexical devices as well as syntactic means. She describes the typological changes that have taken place sincethe Han period and shows how Chinese evolved into a more analytic language, supporting her exposition with abundant examples. She draws where possible on archaeological findings in order to distinguish between versions of texts transmitted and sometimes modified through the hands of generations ofcopyists.The author focusses on syntactic issues, including word order, verbs, causative structures, resultative compounds, and negation, but also pays close attention to what she demonstrates are closely related changes in phonology and the writing system.The book will interest scholars and graduate students of Chinese linguistics, philology, classical literature as well as general linguists interested in word-order typology and language universals. It may be also be used as a text for advanced courses in Classical Chinese and Chinese diachronic syntax.

This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.