Mourning El Dorado

What ever happened to the legend of El Dorado, the tale of the mythical city of gold lost in the Amazon jungle? Charlotte Rogers argues that El Dorado has not been forgotten and still inspires the reckless pursuit of illusory wealth. The search for gold in South America during the colonial period inaugurated the "promise of El Dorado"—the belief that wealth and happiness can be found in the tropical forests of the Americas. That assumption has endured over the course of centuries, still evident in the various modes of natural resource extraction, such as oil drilling and mining, that characterize the region today. Mourning El Dorado looks at how fiction from the American tropics written since 1950 engages with the promise of El Dorado in the age of the Anthropocene. Just as the golden kingdom was never found, natural resource extraction has not produced wealth and happiness for the peoples of the tropics. While extractivism enriches a few outsiders, it results in environmental degradation and the subjugation, displacement, and forced assimilation of native peoples. This book considers how the fiction of five writers—Alejo Carpentier, Wilson Harris, Mario Vargas Llosa, Álvaro Mutis, and Milton Hatoum—criticizes extractive practices and mourns the lost illusion of the forest as a place of wealth and happiness.

The Devil-Tree of El Dorado (1897) is a novel by Frank Aubrey. Set in the colony of British Guiana, the novel falls into the lost world genre of science fiction made popular by such writers as H. Rider Haggard, Jules Verne, and Edgar Rice Burroughs. What he lacks in name-recognition alongside these titans of popular fiction, Aubrey makes up for with a keen storytelling ability and a talent for merging history and geography with unsettling visions of monsters and gods. A staunch imperialist, Aubrey’s novel exhibits troubling depictions of the author’s racist ideology, and remains a difficult yet essential example of the function of literature in upholding global white supremacy. “Beneath the verandah of a handsome, comfortable-looking residence near Georgetown, the principal town of British Guiana, a young man sat one morning early in the year 1890, attentively studying a volume that lay open on a small table before him.” As all adventurers know, fortune tends to favor the bold. While this maxim, of course, never ensures success, it does grant confidence to those bold enough—or crazy enough—to push themselves to extremes in search of adventure. With nothing to lose and everything to gain, a small expedition sets out through the jungle to find the lost city of El Dorado, confident their destination—the treacherous Mt. Roraima—could hide what remains of a once-vibrant civilization. Despite the odds, they make it to the top of the plateau, where they discover a terrible being. With a beautifully designed cover and professionally typeset manuscript, this edition of Frank Aubrey’s The Devil-Tree of El Dorado is a classic of British science fiction reimagined for modern readers.

Heart of Darkness is often considered the world’s best short novel. The book serves as a bridge between the 19th century and modernism, an adventure tale revolving around the ambiguity of themes such as truth, morality, and evil. Joseph Conrad witnessed the European exploitation of the Congo with his own eyes. He once sailed up the Congo River himself to locate a countryman at a trading station deep within the country – even though this man wasn't named Kurtz. The goal and enigma of the journey have become synonymous with this name, one of the most unforgettable fictional characters of our time. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.

Bestselling poetry anthology back in print. Winner of the PEN Oakland Literary Award. Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 83 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets. Hold my hand and take me to the heart for I prefer your home, oh poetry. —excerpted from Small Sins by Maram Masri (Syria) Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 82 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets.

A magical retelling of the myth of Eldorado, by Brazil's greatest writer. The Enchanted City has inhabited the fevered dreams of many European navigators and consquisitadores, but all have been unable to find it on the map.

The Struggle for Natural Resources traces the troubled history of Bolivia's land and commodity disputes across five centuries, combining local, regional, national, and transnational scales. Enriched by the extractivism and commodity frontiers approaches to world history, the book treats Bolivia's political struggles over natural resources as long-term processes that outlast immediate political events. Exploration of the Bolivian case invites dialogue and comparison with other parts of the world, particularly regions and countries of the so-called Global South. The book begins by examining three Bolivian resources at the center of political dispute since the early colonial period, namely land, water, and minerals. Carmen Soliz, Rossana Barragán, and Sarah Hines show that, as in the colonial and early republican past, these resources have remained the focus of political contention to the present day. Until the end of the nineteenth century, Bolivia's battle over natural resources was primarily concentrated in the highlands and inter-Andean valleys. Beginning in the 1860s, the bicycle and soon the automobile industries triggered demand for natural rubber found in the heart of the Amazon. José Orsag analyzes the impact of this extractive economy at the turn of the twentieth century. The book concludes by examining two resources that are central to understanding the last century of Bolivia's history. Kevin Young examines the fraught business of hydrocarbons, and Thomas Grisaffi analyzes the coca/cocaine circuit. Each chapter studies the social dynamics and political conflicts that shaped the processes of extraction, exchange, and ownership of each of these resources

In this engaging book, the oft-told narrative of Sir Walter Raleigh is blown apart through the chance discovery of hitherto neglected correspondence in a Swedish archive. In place of a deceitful and scheming Raleigh, Sellin paints a picture of man executed on trumped-up charges by those hoping to profit from the very gold mine they claimed he had invented. It will be of interest not only to specialists of the period, but to anyone with a sense of the romance of history.

The Amazon extends across nine countries, encompasses forty percent of South America, and hosts four European languages and more than three hundred Indigenous languages and cultures. Eyes on Amazonia is a fascinating exploration of how Latin American, European, and US intellectuals imagined and represented the Amazon region during the late nineteenth and early twentieth centuries. This multifaceted study, which draws on a range of literary and nonliterary texts and visual sources, examines the complex ways that race, gender, mobility, empire, modernity, and personal identity have indelibly shaped how the region was and is seen. In doing so, the book argues that representations of the Amazon as a region in need of the civilizing influence of colonialism and modernization served to legitimize and justify imperial control. Eyes on Amazonia operates in cultural geography, ecocriticism, and visual cultural analysis. The diverse and intriguing documents and images examined in this book capture the modernizing project of this region at a crucial juncture in its long history: the early twentieth-century rubber boom.