The Poetry Of Arab Women

Bestselling poetry anthology back in print. Winner of the PEN Oakland Literary Award. Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 83 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets. Hold my hand and take me to the heart for I prefer your home, oh poetry. —excerpted from Small Sins by Maram Masri (Syria) Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. In assembling this collection, Nathalie Handal has compiled an outstanding, important treasury that introduces the poetry of Arab women living all over the world, writing in Arabic, French, English, and other languages, and including some of the twentieth century’s most accomplished poets as well as today’s most exciting new voices. Translated by distinguished translators and poets from around the world, The Poetry of Arab Women: A Contemporary Anthology showcases the work of 82 poets, among them Etel Adnan, Andrée Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan. With an illuminating introduction by Handal, and extensive biographies of both poets and translators, The Poetry of Arab Women sheds brilliant light on a hitherto under-recognized group of talented poets.

This is a compilation of poetry written by Arabic women poets from pre-Islamic times to the end of the Abbasid caliphate and Andalusia, and offers translations of over 200 poets together with literary commentary on the poets and their poetry. This critical anthology presents the poems of more than 200 Arabic women poets active from the 600s through the 1400s CE. It marks the first appearance in English translation for many of these poems. The volume includes biographical information about the poets, as well as an analysis of the development of women’s poetry in classical Arabic literature that places the women and the poems within their cultural context. The book fills a noticeable void in modern English-language scholarship on Arabic women, and has important implications for the fields of world and Arabic literature as well as gender and women’s studies. The book will be a fascinating and vital text for students and researchers in the fields of Gender Studies and Middle Eastern studies, as well as scholars and students of translation studies, comparative literature, literary theory, gender studies, Arabic literature, and culture and classics.

Arab women poets have been around since the earliest of times, yet their diwans (collected poems) were not given the same consideration as their male counterparts’. Spanning 5,000 years, from the pre-Islamic to the Andalusian periods, Classical Poems by Arab Women presents rarely seen work by over fifty women writers for the first time. From the sorrowful eulogies of Khansa to the gleeful scorn of Wallada bint al-Mustakfi, this collection exclusively features the work of Arab women who boldly refused to be silenced. The poems are excursions into their vibrant world whose humanity has been suppressed for centuries by religious and political bigotry. With poems in both English and Arabic, this remarkable anthology celebrates feminine wit and desire, and shows the significant contribution Arab women made to the literary tradition.

Arab women poets have been around since the earliest of times, yet their diwans (collected poems) were kept in the shadows. Spanning more than 5000 years, from the pre-Islamic to the Andalusian periods, Classical Poems by Arab Women presents rarely seen work by over sixty women writers who boldly refused to be silenced. From sorrowful eulogies to gleeful scorn, this collection offers a rich excursion into the vibrant, exclusively female worlds of pleasure, passion and pain, suppressed for centuries by religious and political bigotry. With poems in both English and Arabic, this bespoke gift edition celebrates feminine wit and desire, and pays homage to the significant contribution women have made to Arabic literary tradition.

Capturing Freedom’s Cry—a translation of I’tikal Lahzah Haribah (Capturing a Fleeting Moment), 1979—is a poetry collection written in Beirut by Ghada Samman during the early years of the Lebanese Civil War (1975-1990). The poems are set in the violent and destructive environment of this time. They are voiced by female narrators who, in addition to living amid the dangers and horrors of the War itself, engage in a necessary and deeply personal cultural struggle for freedom in a society where patriarchy and oppressive gender roles are the norm. In particular, the female narrators assert their personal power and right to sexual freedom and love. Samman’s advocacy for women’s autonomy and sexual equality, particularly in traditional Arab cultures, is courageous. In exposing the socio-political strife and cultural disparity that oppresses women, Samman demonstrates her conviction that the freedom of the nation and women’s liberation from patriarchal oppression are inseparable.

A collection of songs sung by Arab women, compiled by Caspi during field research in the West Bank and Israel. The songs, in English translation, are divided into three sections: bridal songs, lullabies, and lamentations.