Muggles Monsters And Magicians

Originally published as the author's dissertation (doctoral)--Philipps-Universiteat Marburg, 2006.

Everyone knows the story of Harry Potter and the "rags-to-riches" success of its author J.K. Rowling, but Muggles and Magic thoroughly examines every nook and cranny of the Potter universe including Rowling's life before and after Harry. Complete with an in-depth look at the real world of J.K. Rowling, including coverage of her trip to New York City in 2006, a behind-the-scenes peek at the making of the Potter films, and 16 big, bold pages of photos, Muggles and Magic is certain to appeal to Potter fans of all ages.

To what extent did mythological figures such as Circe and Medea influence the representation of the powerful 'oriental' enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? Looking across the millennia, from the distrust of ancient magic and oriental cults, which threatened the new-born Christian religion, to the revival and adaptation of ancient myths and religion in the arts centuries later, this book offers an original analysis of the reception of ancient magic and the supernatural, across a wide variety of different media – from comics to film, from painting to opera. Working in a variety of fields across the globe, the authors of these essays deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations, showing to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.

The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of »Star Wars« and »Harry Potter«. Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to the success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle.

This book offers a biopolitical analysis of J. K. Rowling’s globally-known Harry Potter series, including Jack Thorne and John Tiffany’s stage production of Rowling’s story, Harry Potter and the Cursed Child (2016). It indicates that modern children’s fantasy school stories both perpetuate power inequalities as an effective dispositif of bioengineering, and simultaneously provide a political dissident perspective to power relations through an impossible fantasy world parallel to the real one. It applies Michel Foucault’s biopolitical analytics, referring to his key works to reveal that race and class are used interactively as an agent for the exercise of biopower, in addition to Michael Hardt and Antonio Negri’s rereading of Foucauldian biopolitics and biopower, introducing the concepts of “multitude,” “the common,” and “the Empire” to decipher the relationship between power and resistance besides the types and results of resistance in relation to biopolitics and biopower. As such, the book will appeal to undergraduates, academics, and all readers interested in modern fantasy works and school stories as well as critical theories, including those of Foucault and Hardt and Negri, particularly biopolitical analytics.

Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.

J.K. Rowling has drawn deeply from classical sources to inform and color her Harry Potter novels, with allusions ranging from the obvious to the obscure. "Fluffy," the vicious three-headed dog in Harry Potter and the Sorcerer's Stone, is clearly a repackaging of Cerberus, the hellhound of Greek and Roman mythology. But the significance of Rowling's quotation from Aeschylus at the front of Harry Potter and the Deathly Hallows is a matter of speculation. Her use of classical material is often presented with irony and humor. This extensive analysis of the Harry Potter series examines Rowling's wide range of allusion to classical characters and themes and her varied use of classical languages. Chapters discuss Harry and Narcissus, Dumbledore's many classical predecessors, Lord Voldemort's likeness to mythical figures, and magic in Harry Potter and classical antiquity--among many topics.

Literary Allusion in Harry Potter builds on the world-wide enthusiasm for J. K. Rowling’s series in order to introduce its readers to some of the great works of literature on which Rowling draws. Harry Potter’s narrative techniques are rooted in the western literary tradition and its allusiveness provides insight into Rowling’s fictional world. Each chapter of Literary Allusion in Harry Potter consists of an in-depth discussion of the intersection between Harry Potter and a canonical literary work, such as the plays of Shakespeare, the poetry of Homer, Ovid, the Gawain-poet, Chaucer, Milton and Tennyson, and the novels of Austen, Hardy and Dickens. This approach aims to transform the reader’s understanding of Rowling’s literary achievement as well as to encourage the discovery of works with which they may be less familiar. The aim of this book is to delight Potter fans with a new perspective on their favourite books while harnessing that enthusiasm to increase their wider appreciation of literature.