Murder At The Breakers

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In glittering Newport, Rhode Island, status is everything. But despite being a poorer relation to the venerable Vanderbilts, Emma Cross has shaped her own identity—as a reporter and a sleuth. As the nineteenth century draws to a close,Fancies and Fashion reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a “cottage” owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents—recently returned from Europe—as well as a variety of notable artists, including author Edith Wharton. But when one of the artists is discovered dead at the bottom of a cliff, Rough Point becomes anything but a house of mirth. After a second murder, no one is above suspicion—including Emma’s parents. As Newport police detective Jesse Whyte searches for a killer, Emma tries to draw her own conclusions—with the help of Mrs. Wharton. But with so many sketchy suspects, she’ll need to canvas the crime scenes carefully, before the cunning culprit takes her out of the picture next . . . Praise for Alyssa Maxwell and her Gilded Newport Mysteries “Another entertaining entry in this cozy series.” —Library Journal on Murder at Beechwood “Maxwell’s second entry has a credible mystery, solved by a female detective who’s likeable.” —Kirkus Reviews on Murder at Marble House

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… For fans of Rhys Bowen comes the new mystery from acclaimed author Alyssa Maxwell, as she takes readers to the turn of the century mansions of famed Newport, Rhode Island . . . where not all is always golden and murder turns a successful reporter into a part-time amateur investigator . . . Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . . “Lifestyles of the wealthy combine with social commentary in a mystery set against the backdrop of Newport’s grand estates.” —Kirkus Reviews

An abandoned baby and a drowned robber baron have a lady reporter playing sleuth in this Gilded Age mystery set among New England’s high society. Having turned down the proposal of Derrick Andrews, Emma Cross has no imminent plans for matrimony—let alone motherhood. But when she discovers an infant left on her doorstep, she naturally takes the child into her care. Using her influence as a cousin to the Vanderbilts and a society page reporter for the Newport Observer, Emma launches a discreet search for the baby’s mother. One of her first stops is a lawn party at Mrs. Caroline Astor’s Beechwood estate. But an idyllic summer’s day is soon clouded by tragedy. During a sailboat race, textile magnate Virgil Monroe falls overboard. There are prompt accusations of foul play—and even Derrick Andrews falls under suspicion. Deepening the intrigue, a telltale slip of lace may link the abandoned child to the drowned man. But as Emma navigates dark undercurrents of scandalous indiscretions and violent passions, she’ll need to watch her step to ensure that no one lowers the boom on her . . . “The glossy ambience of the Gilded Age make this an appealing puzzle enhanced by a blend of fiction and history.” —Publishers Weekly

“Downton Abbey fans will enjoy Maxwell’s evocative descriptions” of British post-WWI society in the first Lady and Lady’s Maid Mystery (Library Journal). December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia’s engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady’s maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case—before a cornered killer lashes out with ill will toward them . . . “A super-fun read featuring Lady Phoebe Renshaw and her lady’s maid, Eva, as they put aside their society roles to risk their necks in order to catch a killer.”—Suspense Magazine “Details of the lives of the nobility and their servants, and the aftermath of the war, are woven throughout the story, and the forward-thinking Phoebe is a charming main character.”—Booklist

“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .

As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In late August 1898, reporter Emma Cross attends the final fête of the Newport social season and discovers the party's over for a visiting prince . . . The approaching end of summer means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire tycoon Stuyvesant Fish, at their grand “cottage,” Crossways. The mansion is decked out in artificial autumn splendor and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in at the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince finally appears—as a corpse in the garden. The prince was stabbed in the same manner as another man recently found on nearby Bailey's Beach, who strongly resembles a relation of Emma's presumed dead for nearly thirty years. It’s up to Emma to find a connection between the two victims—before a killer slips away like the fading summer . . . “Another tricky mystery set against the backdrop of some great real-life mansions.” —Kirkus Reviews

For fans of HBO’sThe Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In late nineteenth-century Newport, Rhode Island, journalist Emma Cross discovers the newest form of transportation has become the newest type of murder weapon . . . On a clear July day in 1899, the salty ocean breeze along Bellevue Avenue carries new smells of gasoline and exhaust as Emma, now editor-in-chief of the Newport Messenger, covers Newport's first-ever automobile parade. But the festive atmosphere soon turns to shock as young Philip King drunkenly swerves his motorcar into a wooden figure of a nanny pushing a pram on the obstacle course. That evening, at a dinner party hosted by Ella King at her magnificent Gothic-inspired "cottage," Kingscote, Emma and her beau Derrick Andrews are enjoying the food and the company when Ella’s son staggers in, obviously still inebriated. But the disruption is nothing compared to the urgent shouts of the coachman. Rushing out, they find the family's butler pinned against a tree beneath the front wheels of Philip's motorcar, close to death. When Emma later receives a message informing her that the butler bullied his staff and took advantage of young maids, she steers the police toward a murder investigation. While Emma investigates the connections between a competing heir for the King fortune, a mysterious child, an inmate of an insane asylum, and the brutal boxing rings of Providence, a killer remains at large—with unfinished business to attend to . . . “Excellent . . . Maxwell combines convincing character development and vivid depictions of Newport’s heyday with a well-plotted mystery. This historical series just keeps getting better.” —Publisher Weekly (starred review)