Murder On The Champ De Mars

A dying woman has secret about the unsolved murder of Parisian P.I. Aimée Leduc’s father, but is kidnapped before she can reveal it Paris, April 1999: Aimée Leduc has her work cut out for her—running her detective agency and fighting off sleep deprivation as she tries to be a good single mother to her new bébé. The last thing she has time for now is to take on a personal investigation for a poor manouche (Gypsy) boy. But he insists his dying mother has an important secret she needs to tell Aimée, something to do with Aimée’s father’s unsolved murder a decade ago. How can she say no? The dying woman’s secret is even more dangerous than her son realized. When Aimée arrives at the hospital, the boy’s mother has disappeared. She was far too sick to leave on her own—she must have been abducted. What does she know that’s so important it’s worth killing for? And will Aimée be able to find her before it’s too late and the medication keeping her alive runs out?

Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up? From the Trade Paperback edition.

Parisian P.I. Aimée Leduc is head-over-heels when a former boyfriend, an investigative journalist, reappears and proposes—but his professional past has caught up with him, and now Aimée must figure out who would want him dead Aimée Leduc seems to be having a streak of good luck. First, she secures a lucrative computer security contract for her Paris detective agency. Then her ex-boyfriend Yves, the gorgeous bad-boy investigative journalist, reappears in her life. He insists he’s back in Paris indefinitely—and wants to make the ultimate commitment. He proposes to her that very night, and Aimée can’t help but say yes. When she wakes up in the morning, though, Yves is gone without even leaving a note. Aimée is irate until she learns the awful truth: Yves was murdered early that morning. Heartbroken and convinced the Brigade Criminelle are not following the right leads, Aimée pursues the mystery behind her fiancé’s murder. Yves was killed trying to further a cause he believed in. Even if it means putting her own life on the line, Aimée won’t let him die in vain. From the Trade Paperback edition.

The eleventh Aimée Leduc investigation set in Paris Business is booming for Parisian private investigator Aimée Leduc. But she finds time to do a favor for her godfather, Commissaire Morbier, who asks her to drop by the gorgeous Passy home of his girlfriend, Xavierre d’Eslay, a haut bourgeois matron of Basque origin. Xavierre has been so busy with her daughter’s upcoming wedding that she has stopped taking Morbier’s calls, and he’s worried something serious is going on. When Aimée crashes the rehearsal dinner, Xavierre is discovered strangled in her own yard, and circumstantial evidence makes Morbier the prime suspect. To vindicate her godfather, Aimée must find the real killer. Her investigation leads her to police corruption, radical Basque terrorists, and a kidnapped Spanish princess.

Parisian P.I. Aimée Leduc finds herself caring for an abandoned infant while trying to track down the child’s missing mother Aimée Leduc is on a tight work deadline when an anonymous call leads her to an abandoned infant in her building's courtyard. Aimée's search for little Stella's mother that will soon have her on the run from a cold-hearted killer and embroiled in a conflict between oil tycoons and environmental protesters. Parisian private investigator Aimée Leduc is working on a tight deadline for a cybersecurity contract when she gets a phone call that disrupts all her progress. The female voice on the other end begs Aimée to go out into her courtyard, insists that her life is in danger, that Aimée must not call the police, then hangs up. Aimée’s project is in jeopardy, and her partner, René, will be furious if she botches this assignment, but she can’t ignore the distress in the mysterious caller’s voice. That doesn’t mean she’s prepared for what she finds in the courtyard, though: a newborn baby, wrapped in a blood-stained beaded jacket. Aimée wants to track down the baby’s mother, but when a young woman’s body washes up in the Seine on the shores of the Ile Saint-Louis, the little island where Aimée herself lives, she realizes the situation is very dangerous. Paris has been rife with bomb threats linked to protesting environmental groups, and with a little investigating Aimée becomes convinced the baby, the body in the Seine, and the protests are somehow linked. Not that Aimée can afford distraction from her paying work right now--Leduc Detective is in bad financial straits. But despite themselves, Aimée and René have both fallen in love with the baby girl, whom Aimee nicknames Stella. Taking care of Stella’s needs—and protecting her from whoever hurt or killed her missing mother—must take priority over their computer security contract with a big publicity firm. Meanwhile, she’s following leads to the infant’s mother that take her to a radical dispossessed Polish prince, a community of homeless people who live in the sewer caves of the Seine, and a sexy documentary film maker. Can Aimée finish her security job, figure out who Stella belongs to, track down the missing mother, and protect herself and her friends from the danger that is circling them, all while juggling a newborn infant? From the Trade Paperback edition.

It is a perverse but almost inescapable phenomenon in the history of violent revolutions that after the first heroic days a colorless bureaucrat will inherit the mantle of leadership. In the Russian Revolution, Lenin was followed by a plodding Stalin rather than a dazzling Trotsky. Even after the American Revolution the celebrated Jefferson barely made it into office as president between two party regulars.The French Revolution was no exception. After the genius and idealism of Mirabeau, Danton, and others who had created the Revolution, it fell into the hands of an unscrupulous and sententious bourgeois lawyer who had been lost among the back benches of the first Estates-General. Like Stalin, Robespierre rose through tireless party service and meticulous attention to detail and finally through the execution of men who had been the real heroes of the Revolution. Unlike Stalin, however, Robespierre was a brilliant orator who ultimately was destroyed on the guillotine by the very terror he had created to eliminate his rivals.In Robespierre: The Voice of Virtue, Otto J. Scott has created an ironic portrait of hypocrisy in power. This biography is a study in moral arrogance, self-proclaimed virtue, and the effectiveness of brutality in the position of political leadership; it is a reenactment of the events that Robespierre came to personify—the Reign of Terror. This political condition has since been re-enacted all too often.

Cara Black’s riveting 19th installment in her New York Times bestselling Parisian detective series entangles private investigator Aimée Leduc in a dangerous web of international spycraft, post-colonial Franco-African politics, and neighborhood secrets in Paris’s 12th arrondissement. Parisian private investigator Aimée Leduc is about to go onstage to deliver the keynote address at a tech conference that is sure to secure Leduc Detective some much-needed business contracts when she gets an emergency phone call from her daughter’s playgroup: Aimée’s own mother, who was supposed to pick Chloe up, never showed. Abandoning her hard-won speaking gig, Aimée rushes to get Chloe, annoyed that her mother has let her down yet again. But as Aimée and Chloe are leaving the playground, Aimée witnesses the body of a homeless woman being wheeled away from the neighboring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimée’s mother, who has vanished. Trying to figure out what happened to Sydney Leduc, Aimée tracks down the dead woman’s possessions, which include a huge amount of cash. What did Sydney stumble into? Is she in trouble?