Muscogee Daughter

How American is Miss America? For Susan Supernaw, a Muscogee (Creek) and Munsee Native American, the question wasn't just academic. Throughout a childhood clouded by poverty, alcoholism, abuse, and a physical disability, Supernaw sought escape in school and dance and the Native American Church. She became a presidential scholar, won a scholarship to college, and was crowned Miss Oklahoma in 1971. Supernaw might not have won the Miss America pageant that year, but she did call attention to the Native peoples living largely invisible lives throughout their own American land. And she did at long last earn her Native American name. Chronicling a quest to escape poverty and find meaning, Supernaw's story is revealing, humorous, and deeply moving. Muscogee Daughter is the story of finding a Native American identity among the distractions and difficulties of American life and of discerning an identity among competing notions of what it is to be a woman, a Native American, and a citizen of the world.

How American is Miss America? For Susan Supernaw, a Muscogee (Creek) and Munsee Native American, the question wasn’t just academic. Throughout a childhood clouded by poverty, alcoholism, abuse, and a physical disability, Supernaw sought escape in school and dance and the Native American Church. She became a presidential scholar, won a scholarship to college, and was crowned Miss Oklahoma in 1971. Supernaw might not have won the Miss America pageant that year, but she did call attention to the Native peoples living largely invisible lives throughout their own American land. And she did at long last earn her Native American name. Chronicling a quest to escape poverty and find meaning, Supernaw’s story is revealing, humorous, and deeply moving. Muscogee Daughter is the story of finding a Native American identity among the distractions and difficulties of American life and of discerning an identity among competing notions of what it is to be a woman, a Native American, and a citizen of the world.

Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.

The history of the Muscogee (Creek) people—Muscogee is their ancestral name—and their traditions, mythology, and art date back to around AD 1500 with roots buried deep along the Mississippi River. In this richly illustrated exploration of Muscogee culture and history, readers will discover that these traditions are alive today. However, difficulties are not unknown to the Muscogee people. They suffered great losses along the Trail of Tears, but as a result, the Muscogee took up leadership in the activist movements of modern Native Americans. It is a culture that thrives today, and readers are invited to appreciate the past and glimpse into the future of the Muscogee.

The dawn of the twentieth century saw the birth of the New Woman, a cultural and literary ideal that replaced Victorian expectations of domesticity with visions of social, political, and economic autonomy. Although such writers as Edith Wharton and Kate Chopin treated these ideals in well-known literature of that era, marginalized women also explored changing gender roles in works that deserve more attention today. This book is the first study to focus solely on multiethnic women writers' responses to the ideal of the New Woman in America, opening up a world of literary texts that provide new insight into the phenomenon. Charlotte Rich reveals how these authors uniquely articulated the contradictions of the American New Woman, and how social class, race, or ethnicity impacted women's experiences of both public and private life in the Progressive era. Rich focuses on the work of writers representing five distinct ethnicities: Native Americans S. Alice Callahan and Mourning Dove, African American Pauline Hopkins, Chinese American Sui Sin Far, Mexican American María Cristina Mena, and Jewish American Anzia Yezierska. She shows that some oftheir works contain both affirmative and critical portraits of white New Women; in other cases, while these authorsalign their multiethnic heroines with the new ideals, those ideals are sometimes subordinated to more urgent dialogues about inequality and racial violence. Here are views of women not usually encountered in fiction of this era. Callahan's and Mourning Dove's novels allude to women's rights but ultimately privilege critiques of violence against Native Americans. Hopkins's novels trace an increasingly pessimistic trajectory, drawing cynical conclusions about black women's ability to thrive in a prejudiced society. Mena's magazine portraits of Mexican life present complex critiques of this independent ideal of womanhood. Yezierska's stories question the philanthropy of socially privileged Progressive female reformers with whom immigrant women interact. These writers' works sometimes affirm emerging ideals but in other cases illuminate the iconic New Woman's blindness to her own racial and economic privilege. Through her insightful analysis, Rich presents alternative versions of female autonomy, with characters living outside the mainstream or moving between cultures. Transcending the New Woman offers multiple ways of transcending an ideal that was problematic in its exclusivity, as well as an entrée to forgotten works. It shows how the concept of the New Woman can be seen in newly complex ways when viewed through the writings of authors whose lives often embody the New Woman's emancipatory goals-and whose fictions both affirm and complicateher aspirations.

New Plains Review is published semiannually in the spring and fall by the University of Central Oklahoma and is staffed by faculty and students. We are committed to publishing high quality poetry, fiction and creative non-fiction by established and emerging writers.New Plains Review started in 1986 as a student publication of the Liberal Arts College of Central State University (now the University of Central Oklahoma). They solicited and published manuscripts from students of the humanities.The publishers of the first issue said, "With zeal and reason, we provide an evocative forum wherein issues of concern to all fields of humanities may be discussed."Over the years, New Plains Review has expanded its range to invite writers beyond the university community. We receive hundreds of submissions from all over the country, and the authors we publish range from the well-known to the soon-to-be-discovered.

A bestselling, up-to-date evaluation of a legendary Indian leader. Named Outstanding Book by the Gustavus Myers Center for the Study of Human Rights. "Osceola's Legacy is significant for its geneology and archaeological study of this Native American and his interaction with the federal government during the 1800s. The catalog of photographs of Osceola portraits and his personal possessions makes this a worthwhile reference book as well." --Georgia Historical Quarterly

Indigenous Motherhood in the Academy highlights the experiences and narratives emerging from Indigenous mothers in the academy who are negotiating their roles in multiple contexts. The essays in this volume contribute to the broader higher education literature and the literature on Indigenous representation in the academy, filling a longtime gap that has excluded Indigenous women scholar voices. This book covers diverse topics such as the journey to motherhood, lessons through motherhood, acknowledging ancestors and grandparents in one’s mothering, how historical trauma and violence plague the past, and balancing mothering through the healing process. More specific to Indigenous motherhood in the academy is how culture and place impacts mothering (specifically, if Indigenous mothers are not in their traditional homelands as they raise their children), how academia impacts mothering, how mothering impacts scholarship, and how to negotiate loss and other complexities between motherhood and one’s role in the academy.