My Boring Ass Life Revised Edition

NOW UPDATED WITH THE ‘INS AND OUTS’ OF MAKING ZACK AND MIRI MAKE A PORNO, AND MUCH, MUCH MORE! Anything but boring, Kevin Smith shares his x-rated thoughts in his diary, telling all in his usual candid, heartfelt and irreverent way! Kevin Smith pulls no punches in this hard-hitting, in-your-face exposé of, er, his rather dull and uneventful life… well, not always dull. In between watching his TiVo, he manages to make and release Clerks II, relate the story of his partner-in-crime Jason Mewes’ heroin addiction... and get caught stealing donuts from Burt Reynolds. Thrown in are his views on the perils of strip clubs, the drawback of threesomes, the pain of anal fissures, his love-affair with Star Wars and so much more! Adults Only!

Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.

The director of "Clerks" offers advice culled from his successful career of rule-breaking, sharing observations on what can be learned from the character Ferris Bueller, the highs and lows of overeating, and how to manage judgmental people.

Love it or hate it, the five-paragraph essay is perhaps the most frequently taught form of writing in classrooms of yesterday and today. But have you ever actually seen five-paragraph essays outside of school walls? Have you ever found it in business writing, journalism, nonfiction, or any other genres that exist in the real world? Kimberly Hill Campbell and Kristi Latimer reviewed the research on the effectiveness of the form as a teaching tool and discovered that the research does not support the five-paragraph formula. In fact, research shows that the formula restricts creativity, emphasizes structure rather than content, does not improve standardized test scores, inadequately prepares students for college writing, and results in vapid writing. In Beyond the Five-Paragraph Essay, Kimberly and Kristi show you how to reclaim the literary essay and create a program that encourages thoughtful writing in response to literature. They provide numerous strategies that stimulate student thinking, value unique insight, and encourage lively, personal writing, including the following: Close reading (which is the basis for writing about literature) Low-stakes writing options that support students' thinking as they read Collaboration in support of discussion, debate, and organizational structures that support writing as exploration A focus on students' writing process as foundational to content development and structure The use of model texts to write in the form of the literature students are reading and analyzingThe goal of reading and writing about literature is to push and challenge our students' thinking. We want students to know that their writing can convey something important: a unique view to share, defend, prove, delight, discover, and inspire. If we want our students to be more engaged, skilled writers, we need to move beyond the five-paragraph essay.

When a bookstore manager meets the handsome man who could threaten the future of the business, things are about to get cuffed. Evie Prewitt has lofty dreams of one day owning the bookstore she works in. When she's finally given the opportunity to hold the reins while her boss takes a long overdue vacation, Evie knows it's her time to shine. What she doesn't expect is for her boss's nephew, Noah, to show up under strict instructions to help her. The two clash whenever Evie isn't drowning in work, but she quickly comes to realize that Noah's being more helpful than a hindrance. Throw in the fact that the guy actually loves to read, ad Evie's estimation of him skyrockets to the moon. But the whole fact that Noah's her boss's only heir has Evie watching him carefully, even if he's a great kisser. As spring looms closer and closer and Evie's boss's return is imminent, Evie's wondering the obvious. Do her dreams of owning the bookstore and working there for the rest of her life hinder her from taking the adventure of a lifetime to fall in love with Noah? Cuffing season (n.): the period between October and Valentine's Day where single people tend to look for short-term relationships for colder months of the year before breaking up in time for the spring. Keywords: holiday romance, contemporary romance, New Year's romance, office romance, workplace romance, the boss's nephew is too hot and now I want to be in a relationship with him, references to The Mummy, Cuffing Season romance, Cuffing Season, off-limits workplace romance, new adult romance after college, after college romance, aspiring bookstore owner heroine, drifter hero, Prewitt family shenanigans, straight-laced heroine, overworked heroine. Keywords: holiday romance, Cuffing Season romance, Cuffing Season, falling in love over Christmas, snowed in together during the holidays, forced proximity, new adult romance after college, after college romance, contemporary romance, Canadian romance, Montreal, Christmas romance, fake relationship for Christmas, fake boyfriend for Christmas, fake girlfriend for Christmas, For fans of Penny Reid, Cassie Mae, Mary Frame, Olivia Dade, Elle Kennedy, Mariana Zapata, Sariah Wilson, Helen Hoang, Emily Henry, Ali Hazelwood, and Christina Lauren.

Voted a Reader’s Favorite Five Star Read! The Memory of Us is a second chance soulmate new adult romance that will have you questioning the meaning of true love as two people search for their other half. Twelve hours was all they spent together, but to them, it meant everything. Nora and Elliot’s meeting was predetermined. They both believed that wholeheartedly. It was fate. No last names, no identifying information, only an all-consuming need to be near each other and the belief in falling hopelessly in love with a stranger. But circumstances beyond their control separated them, and twelve years later they’re still searching. Apart, they’re broken and they won’t give up until they find each other. But what if they never do? The Memory of Us is a complete standalone angsty soulmate romance with all the feels. You can expect heartbreak, miscommunication, searching, crying, loving and a sigh-worthy ending. No cheating and no cliffhanger!

This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. This unprecedented look at the history of satire in America showcases the means by which our society is informed by humor—from the way we examine the news, to how we communicate with each other, to what we seek out for entertainment. From biographical information to critical reception of material and personalities, the book features humorists from both literary and popular culture settings spanning the past 100 years. Through its 180 entries, this comprehensive volume covers a range of artists—individuals such as Joan Rivers, Hunter S. Thompson, and Chris Rock—and topics, including vaudeville, cartoons, and live performances. The content is organized by media and genre to showcase connections between writers and performers. Chapters include an alphabetical listing of humorists grouped by television and film stars, stand-up and performance comics, literary humorists, and humorists in popular print.

Nathan - leaves a job he loves to nurse his wife through her final stage of cancer. Lured back to work several years later, he becomes an unwitting participant in a major procurement scam. Meanwhile he encounters the woman he had an affair with years ago who has haunted his dreams. Will he renew their relationship and revive the passion of his youth, or will he go to jail? Annie - devastated by her divorce, she retreats into a shell of embarrassment, anger and guilt. Grudgingly stepping back into the real world, she meets a suave, debonair man who sweeps her off her feet. When her exs affair ends he appeals to Annie for forgiveness. Annies sympathy for him creates a dilemma between old feelings and her new lover. Which man will she choose? Cody - hopes for college end when he is forced to run the family farm after his parents untimely deaths. He falls in love, but is rejected. Humiliated, he joins the Army and serves two combat tours in Afghanistan. He returns home to Texas, starts college, and meets a rich coed. They fall in love and she gets pregnant. What happens next reinforces Codys view of life as bitterly unfair. Carol - the African American Lt. Colonel prosecutes sexual harassment cases in the Air Force. Working a case against a popular officer, she uncovers his seamy underside and his political connections in Washington. She is drugged by associates of the accused and posed for lewd pictures. The accused expects the case to be dropped and that Carol submit to his sexual demands using the pictures as blackmail. Carol agonizes over giving in to the man and saving her career or defying him and ruining her life. Bernie - the night watchman finds three million dollars in cash in a duffel bag. He learns from a police friend that a local gang has had their drug money stolen. Bernie cautiously begins to spend the money and the cop, suspicious, threatens to expose Bernie unless he gets a share of the cash. How can Bernie keep his discovery a secret and use the money to give his family a better life? And what should he do about the cop who can ruin it all?